. . A fat little mafioso is going to war--in the clean, well-mannered streets of Minneapolis . . . A Jewish boy watches with wonder the rise and fall of a Hebrew school rebel--and sees the sadness at the heart of his own family. . . . Welcome to the world of Ethan Coen, one half of the filmmaking team that has unleashed a visionary, brutal, and uproarious portrait of America in such screen classics as "Fargo" and "Raising Arizona." Now Ethan Coen translates that vision to the printed page--in fourteen keenly imagined, sharply etched short stories. Blending parody with pathos, making the heinous heartbreaking, Coen demonstrates his unique gift for stunningly inventive narrative, brutal irony, offbeat characters, and crackling dialogue, delivering everything you would expect from such an original imagination.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    Who has it. Who doesn’t. How you get it. How you don’t.In Refund, Bender creates an award-winning collection of stories that deeply explore the ways in which money and the estimation of value affect the lives of her characters. The stories in Refund reflect our contemporary world—swindlers, reality show creators, desperate artists, siblings, parents — who try to answer the question: What is the real definition of worth?In “Theft,” an eighty-year-old swindler, accustomed to tricking people for their money, boards a cruise ship to see if she can find something of true value—a human connection. In “Anything for Money,” the creator of a reality show is thrown into the real world when his estranged granddaughter reenters his life in need of a new heart; and in the title story, young artist parents in downtown Manhattan escape the attack on 9/11 only to face a battle over their subletted apartment with a stranger who might have lost more than only her deposit.Set in contemporary America, these stories herald a work of singular literary merit by an important writer at the height of her power.

    A lonely wedding guest talks to a goose; a pair of poets struggle over whether to participate in a "pardon Edward Snowden" verse petition; a cowardly husband lets his wife face a possible intruder in their home; a potential co-op renter in New York City can't find anyone to give him a character reference. On the surface, these men and women may only be in mild trouble, but O'Neill reminds us of the real, secretly political consequences of our internal monologues in these perfectly made, fiercely modern stories. No writer is more incisive about the strange world we live in now, and the laugh-out-loud vulnerability of his people is just as well fodder for tears.

    A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: "Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces."These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival.In Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. Although Cross River's residents may be halted or deterred in their search for fulfillment, their spirits remain resilient -- always evolving and constantly moving.

    They exchange numbers. They text, flirt and eventually have sex – the type of sex you attempt to forget. How could one date go so wrong?Everything that takes place in Cat Person happens to countless people every day. But Cat Person is not an everyday story. In less than a week, Kristen Roupenian's New Yorker debut became the most read and shared short story in their website's history. This is the bad date that went viral. This is the conversation we’re all having.This gift edition contains photographs by celebrated photographer Elinor Carucci, who was commissioned by the New Yorker to capture the image that accompanied Kristen Roupenian's Cat Person when it appeared in the magazine.

    Her characters—young women struggling to find happiness, love, success, security, and adventure—wait tables, run away from home, fall for married men, betray their friends, and find themselves betrayed as well.In "Hungry Self," a young waitress descends into the basement of a seemingly ordinary Chinese restaurant; in "Twenty Grand," a young wife tries to recover her lost fortune; in "Monsters," one family's paranoia leads to a sacrifice; and in "The Witches," an innocent swim on prom night proves more dangerous than anyone could have imagined. With elegant prose and a wicked sense of humor, these stories reveal Curtis's provocative and uncompromising view of life, one that makes her writing so poignant and irresistible.

    Six months later, she appears in a photograph in a gossip magazine exiting the Tropicana Club in Los Angeles on the arm of Olivia de Havilland.In this chain of six richly detailed and atmospheric stories, each told from a different perspective, Towles unfolds the events that take Eve to the heart of Old Hollywood. Beginning in the dining car of the Golden State Limited in September 1938, we follow Eve to the elegant rooms of the Beverly Hills Hotel, the fabled tables of Antonio’s, the amusement parks on the Santa Monica piers, the afro-Cuban dance clubs of Central Avenue, and ultimately the set of Gone with The Wind.With the glamour and grit of the studio system’s golden age as a backdrop, Towles introduces in each story a memorable new character whose fate may well be altered by their encounter with Eve. In following the thread of these varied encounters, we watch as Eve forges a new and unexpected life for herself in late 1930s Los Angeles.

    Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake.The world by night --Glass-lung --Logging lake --Killer of kings --All the names for God --Robert Greenman and the mermaid --Anything you might want --Manus --Pleiades

    Most of the pieces in this collection are drawn from the greatest period in his writing life, the fifteen or so years beginning in 1929, when he published The Sound and the Fury. They explore many of the themes found in the novels and feature characters of small-town Mississippi life that are uniquely Faulkner’s. In “A Rose for Emily,” the first of his stories to appear in a national magazine, a straightforward, neighborly narrator relates a tale of love, betrayal, and murder. The vicious family of the Snopes trilogy turns up in “Barn Burning,” about a son’s response to the activities of his arsonist father. And Jason and Caddy Compson, two other inhabitants of Faulkner’s mythical Yoknapatawpha County, are witnesses to the terrorizing of a pregnant black laundress in “That Evening Sun.” These and the other stories gathered here attest to the fact that Faulkner is, as Ralph Ellison so aptly noted, “the greatest artist the South has produced.”

    Students carried the book around with them. And people on the run found the length of each story (no more than 2000 words) perfect respites from their busy lives.Responding to America's love affair with the short-short, editors Shapard and Thomas consulted nearly two-hundred magazines and chose the sixty stories, written in English or translated, that they considered best. Ranging across countries and cultures, the selection includes a number of new stories from the Pacific Rim.Well-known writers—William Maxwell, Margaret Atwood, Don DeLillo, Mark Richard—join lesser-known writers—Molly Giles, Andrew Lam, Judy Troy—who will be (or should be) better known. Each story revels in its own element of surprise; each, whether traditional or experimental, proves that a tale told quickly offers pleasure long past its telling. Students and lovers of literature take note: this is serious writing that's fun to read.

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

    This collection brings together Dahl’s finest work, illustrating his genius for the horrific and grotesque which is unparalleled.Contents- Madame Rosette- Man from the South- The Sound Machine- Taste- Dip in the Pool- Skin- Edward the Conqueror- Lamb to the Slaughter- Galloping Foxley- The Way Up to Heaven- Parson's Pleasure- The Landlady- William and Mary- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Georgy Porgy- Genesis and Catastrophe- Pig- The Visitor- Claud's Dog (The Ratcatcher, Rummins, Mr. Hoddy, Mr. Feasy, Champion of the World)- The Great Switcheroo- The Boy Who Talked with Animals- The Hitchhiker- The Wonderful Story of Henry Sugar- The Bookseller