The beauty of the language is set off to perfection by Heller's arresting illustrations. A stunning combination of fluent prose and exquisitely wrought illustrations that makes] a winner for story hours, as well as a useful resource for the study of Cinderella through the ages." -- SLJ. Notable 1989 Children's Trade Books in Social Studies (NCSS/CBC)

    Living in homes built out of tumbleweeds and saguaro ribs (from the fallen giant cacti), the first two javelinas are soon running from the hungry coyote, who had hoped to eat them with red chile sauce. And where do they go for shelter? Why, to their wise sister's house, made strong with adobe bricks. This clever and humorous tale is sure to delight children of all ages, especially those familiar with the Southwest. Dressed in cowboy duds and prepared for life in the rugged desert, these characters are more than any coyote bargained for.

    Seuss explores the pitfalls of growing too big for your boots!By combining the funniest stories, craziest creatures and zaniest pictures with his unique blend of rhyme, rhythm and repetition, Dr. Seuss helps children of all ages and abilities to read.Dr. Seuss makes reading FUN!

    . . SCREE . . .” Terry is half asleep when he hears the wailing, rising and falling like the waves of the sea. He wishes it were a dream, but he knows it isn’t. It isn’t an owl screeching, either. Or the Flannerys’ old cat. Could it be the Banshee—the ghostly figure of Irish legend who wails outside a house when death is near? Why would she come here? In spite of his fears, Terry goes out to confront her. Is it really the Banshee, or . . . something else?

     Everyone knows some version of this popular children's hand-clapping rhyme, but in this adaptation, the elephant's fateful jump over the fence is just the beginning of the fun. Popular children's author Mary Ann Hoberman has elaborated on this well known tale to create an absurdly funny story children will want to sing, chant, read, and clap to again and again.

    That, and eat eggs. But when his hard-boiled goose eggs turn out to be real, live goslings, he starts to lose his appetite. And even worse, the goslings are convinced he's their mother. Bruce tries to get the geese to go south, but he can't seem to rid himself of his new companions. What's a bear to do?

    Included are the Shepherd Boy and The Wolf, the Lion and the Mouse, the Tortoise and the Hare, plus many other charactersand moralsthat have inspired countless readers for centuries. With more than fifty magnificent full-color illustrations, this handsome edition is a must for every bookshelf.

    He likes his bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. When Verdi finds a pale green stripe stretching along his whole body, he tries every trick he can think of to get rid of it--and ends up in a heap of trouble. Despite his efforts, Verdi turns green, but to his delight, he discovers that being green doesn’t mean he has to stop being himself. “Cannon is on a roll, her gift for creating memorable characters and scenes on glorious display in this tale of a feisty python hatchling.”--Publishers Weekly

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    No one knows when he came to the farm, no one has ever seen him, but everyone knows it is the troll Tomten who walks about the lonely old farmhouse on a winter's night, talking to all the animals and reminding them of the promise of Spring.Adapted by Astrid Lindgren from a poem by Viktor Rydberg

    At least, he was . . . before a runaway circus elephant named Pickles stampeded into his life, needing a friend. Pickles is larger than life and overflowing with imagination. She takes Pete swandiving off Niagara Falls. (Sort of.) And sledding down the Matterhorn. (Sort of.) Pete goes along for the wild ride and actually begins to enjoy himself . . . until Pickles goes too far. And Pete tells her she must leave. Yet sometimes the simple life isn?t all it?s cracked up to be.Pulitzer Prize?winning cartoonist Berkeley Breathed offers two new irresistible characters and a heartfelt, hilarious look at the rarity of true friendship.

    First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.

    When you give her the balloons, she'll want to decorate the house. When she's finished, she'll put on her favorite dress...Fans of If You Give a Mouse a Cookie will love this perfect addition to the series!The If You Give... series is a perennial favorite among children. With its spare, rhythmic text and circular tale, these books are perfect for beginning readers and story time. Sure to inspire giggles and requests to "read it again!"Other favorites in Laura Numeroff and Felicia Bond's bestselling series include:If You Give a Cat a CupcakeIf You Give a Dog a DonutIf You Give a Moose a MuffinIf You Give a Mouse a CookieIf You Give a Pig a Pancake

    But with each transformation in size, shape, and color, the chameleon learns that maybe being yourself is best of all!The Mixed-Up Chameleon is sure to delight little readers with its interactive art, funny antics, and heartwarming message. This board book edition is the perfect size for small hands and features sturdy pages.

    Creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can, and often does, win, these stories, through their depiction of wise animals as well as evil monsters, are universal in their portrayal of humanity, beasts, and the mystical. Translated from their original languages—Karanga, Nguni, Xhosa, and many others—these folktales are a testament to the craft of storytelling and the power of myth.