Though at first Star Wars seems a simple fairy-tale, it becomes far more complex when we realize that the director is rooting for both sides, creating a tension unsettles the saga as a whole and illuminates new sides of Lucas' masterpiece.

    The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense.Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene--from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics--notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history--half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

    Using a cutting-edge technology called DHI--which stands for both Disney Host Interactive and Daylight Hologram Imaging--Finn Whitman, an Orlando teen, and four other kids are transformed into hologram projections that guide guests through the park. The new technology turns out, however, to have unexpected effects that are both thrilling and scary. Soon Finn finds himself transported in his DHI form into the Magic Kingdom at night. Is it real? Is he dreaming?In book two, the mystery deepens as Finn is contacted by Wayne, an old man he hasn't heard from in months. Wayne tells Finn that there's trouble at the Animal Kingdom: the evil Overtakers have gained control of one of the computer servers that will be used to operate Daylight Holographic Imaging there. That means that if any of the holographic hosts fall asleep, they will go into comas—permanently.Then in book three, Finn, Philby, Willa, Charlene, and Maybeck search to find Wayne, who has mysteriously gone missing. Concerned that Wayne has been abducted by the Overtakers, the five kids pick up a major clue from their close friend whose dreams (nightmares, really) often accurately predict the future. Clues from a dream lead the kids into Disney’s Hollywood Studios and Epcot. Each clue seems tied to the last, and with the stakes growing ever higher, what starts out as a puzzle ends up as a fight for survival.Read the entire New York Times Best-Selling series!Kingdom Keepers: Disney After Dark (book 1)Kingdom Keepers: Disney at Dawn (book 2)Kingdom Keepers: Disney in Shadow (book3)Kingdom Keepers: Power Play (book 4)Kingdom Keepers: Shell Game (book 5)Kingdom Keepers: Dark Passage (book 6)Kingdom Keepers: The Insider (book 7)

    A hefty compilation of essays (both pictorial and prose), notes, concept sketches and interviews by (and with) Hayao Miyazaki. Arguably the most respected animation director in the world, Miyazaki is the genius behind "Howl's Moving Castle," Princess Mononoke" and the Academy Award-winning film, "Spirited Away."

    He knows he's an insider when Carrie Fisher reminds him, "You're no longer a tourist, you’re one of the attractions." This heady mixture of eating spaghetti with the Coppolas, window-shopping with Sharon Stone, and working with and learning from the best actors and directors in Tinseltown will be irresistible to anyone who loves movies or aspires to be a Hollywood player.

    You look directly through the photographer s eyes as each photo gets closer to that perfect shot. And yet, it s often the photos not chosen that best capture the true spirit of their subjects and the life they lead after the director yells cut. This was never truer than in the classic Hollywood era, where behind-the-scenes photos were carefully vetted for marketing purposes and unapproved shots were never expected to be seen again. Hollywood Frame by Frame presents hundreds of never-before-published photos from the sets of some of the greatest films of the twentieth century. Hollywood s biggest stars are caught with their guard down behind the scenes of movie classics from Some Like It Hot and Breakfast at Tiffany's to Taxi Driver and The Silence of the Lambs. A treasure trove for any fan of Hollywood s Golden Age, this rare glimpse of the unseen silver screen will intrigue even movie buffs who think they ve seen everything. First book of movie contact sheets, features never-before-seen photos of screen legends at work, including Elizabeth Taylor, James Dean, Audrey Hepburn, Frank Sinatra, Robert De Niro, and Alfred Hitchcock Provides insight into the art of moviemaking, the science of movie marketing, and the nature of stardom Karina Longworth is an author, film critic, and journalist based in Los Angeles and Paris. She has contributed to numerous publications, including the Guardian, LA Weekly, Village Voice, Slate,and many more.

    Some howled in protest at this criticism of their hero, but they failed to see that Mr. Schickel's book acknowledged Disney's profound influence on American popular culture. The Disney Version takes us from Walt's wandering youth through the desperate gamble of opening his own animation studio, his daring decision to crash Hollywood, the sudden and inspired invention of Mickey Mouse - and on to the creation of a multimillion-dollar international entertainment empire. Throughout, Mr. Schickel asks penetrating questions about Disney's achievements and shortcomings, and about the enormous popularity of the "Disney version."

    Mining gold from the lives of Abraham Lincoln, Helen Keller, Joan of Arc, and Beethoven, among others, the eccentric and utterly inimitable mind of Paula Poundstone dissects, observes, and comments on the successes and failures of her own life with surprising candor and spot-on comedic timing in this unique laugh-out-loud book.If you like Paula Poundstone’s ironic and blindingly intelligent humor, you’ll love this wryly observant, funny, and touching book.Paula Poundstone on . . .The sources of her self-esteem: “A couple of years ago I was reunited with a guy I knew in the fifth grade. He said, “All the other fifth-grade guys liked the pretty girls, but I liked you.” It’s hard to know if a guy is sincere when he lays it on that thick.The battle between fatigue and informed citizenship: I play a videotape of The NewsHour with Jim Lehrer every night, but sometimes I only get as far as the theme song (da da-da-da da-ah) before I fall asleep. Sometimes as soon as Margaret Warner says whether or not Jim Lehrer is on vacation I drift right off. Somehow just knowing he’s well comforts me.The occult: I need to know exactly what day I’m gonna die so that I don’t bother putting away leftovers the night before.TV’s misplaced priorities: Someday in the midst of the State of the Union address they’ll break in with, “We interrupt this program to bring you a little clip from Bewitched.”Travel: In London I went to the queen’s house. I went as a tourist—she didn’t invite me so she could pick my brain: “What do you think of my face on the pound? Too serious?”Air-conditioning in Florida: If it were as cold outside in the winter as they make it inside in the summer, they’d put the heat on. It makes no sense.The scandal: The judge said I was the best probationer he ever had. Talk about proud.With a foreword by Mary Tyler Moore

    Follow each character's history and witness the amazing evolution of the Transformers, from physical structure and weaponry to personalities, alliances, and important battles. Detailed illustrations show exactly how each character "transforms" from warrior robot to high-powered vehicle. Special feature spreads cover all aspects of the Transformers' world and include specially commissioned maps and detailed city plans of their home planet of Cybertron, descriptions of the giant space ark in which the Transformers traveled to Earth, major wars in Transformers history, and much more.

    The 75 individuals featured in THE BOOK OF PRIDE—including marriage pioneer Evan Wolfson, trans icon Miss Major Griffin-Gracy, Stonewall-era rabblerouser Mark Segal and legendary anti-DADT activist Grethe Cammermeyer—fought battles frequently under the threat of violence and persecution. By capturing these accounts, we honor an important chapter in American history and ensure that the story of the LGBTQ community is safeguarded for generations to come. The brave and determined activists celebrated in THE BOOK OF PRIDE inspire each of us to resist all forms of oppression with ferocity, and to do so with great pride.

     See how they each conquered and held the rich, fertile kingdoms of the Stormlands, Dorne, and the Reach, and just why it is that the families of Game of Thrones are eager to avenge themselves on one another. Here is the story of how Orys Baratheon founded House Baratheon through fury and the fire of dragons and how that house eventually produced the Kings Robert and Stannis of the beloved series. Why is it that House Martell hates the Lannisters and all of the other Houses fear dealing with them? How did House Tyrell come to command the richest and greatest armies of all Westeros from their lowly origins as stewards? Game of Thrones: A Family History Volume II has all of these answers and more!

    Good interviews with important members of the cast and crew; even includes Sir Alec Guiness. Especially illuminating chats with Lucas about the overall nine part structure of Star Wars. It's interesting to compare Lucas' initial ideas about the sequels and prequels with what was finally released. The highlight of the book is a transciption of a day spent following Irwin Kershner filming on the carbon freezing chamber set (Secrets revealed include the fact that Jeremy Bulloch as Boba Fett was actually desperate to use the lavatory throughout the whole day's shoot). As a collector of Star Wars related books, I have amassed over a hundred, but this remains my favourite.

    Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte,who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened.Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions, its rich owners get richer, and everybody else suffers. We see Geffen seducing investors likeMicrosoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is Hollywood, up close, glamorous, and gritty.

    Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films ever released.  Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal.  It tells the story of a listless little girl who stumbles into a magical world where gods relax in a palatial bathhouse; where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond’s insightful study describes how Miyazaki wrote, storyboarded and directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film’s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan.  Osmond unpacks the film’s visual language, which many Western (and some Japanese) audiences find both beautiful and sometimes bewildering.  He traces connections between Spirited Away and Miyazaki’s prior body of work, and provides an account of the film’s production and the creative differences between Miyazaki and his collaborators, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.

    Furthermore, Lean's family and friends - from the son from whom he was estranged, to the women who loved him - talk frankly about his complex personality: a man who was charming, self-deprecating, autocratic and ruthless, and yet surprisingly generous. Brownlow's definitive biography of Lean leaves the reader with an understanding of the man and an appreciation of his cinematic achievement.