Lyly’s Endymion (1588) represents his famous Euphuistic style at its best and also gives us vintage Lyly as courtier and dramatist. In this love comedy, Lyly retells an ancient legend of the prolonged sleep of the man with whom the moon (Cynthia) fell in love. The fable is piquantly relevant to Queen Elizabeth and her exasperated if adoring courtiers. This edition makes a new and compelling argument for the relevance of Endymion to the threat of the Spanish Armada invasion of 1588 and to the role of the Earl of Oxford in England’s politics of that troubled decade. Full commentary is provided on every aspect of the play, including its philosophical allegory about the relation of the moon to mortal life on earth.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    A classical muse appears, and the young woman becomes the goddess Athena--a tireless advocate for Odysseus in his struggle to get home. With her trademark irreverent and witty twist on classic works, Zimmerman brings to life the story of Odysseus's ten-year journey, depicting his encounters with characters such as Circe, the Cyclops, Poseidon, Calypso, the Sirens, and others.

    

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    A full bibliography is included.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    

    You will experience the terror, the helplessness, the loss of control, and the torment felt by those who have fallen prey to the dark powers in this world—the demon possessed. The symptoms of demonic possessions manifest themselves in many ways—convulsions, bite marks appearing from nothing, and levitation are all common. The victims frequently inherit clairvoyant abilities, too, seeing directly into another person's soul to uncover their deepest, darkest secrets. Perhaps most incredibly of all, though, the possessed may begin speaking in a language they've never previously been exposed to. These are symptoms it's almost impossible to explain or dismiss. This chilling collection of stories date from modern times all the way back to the 1600s, spanning multiple countries including the United States, Great Britain, the Philippines, France, and South Africa. From the poor to the middle-class, the prostitute to the housewife, and the schoolboy to the local butcher, you will learn demons do not discriminate between class, gender, or age—it can happen to anyone. Most of the time, the demon possesses one individual, but not always. In this book, you will find the case of two brothers possessed simultaneously and interacting with each other in the throes of their possession as well as an instance in which an entire school of children seem to suffer at the hands of a demonic entity. Some of these horror stories arose from poor judgment, such as a pact with the devil or seeking the help of an ill-reputed healer. Others succumbed to a curse, while some are unfortunate enough to simply find themselves in the wrong place at the wrong time. Some of the victims of these stories were delivered, but found their lives cut dramatically short, no doubt due to the physical torments their human bodies endured during the possession and exorcism. Others faced prison, or found themselves locked up in asylums because of actions committed while they were under an evil influence. Yet, there are still those whom were unable to be delivered, one in particular even leading to a gruesome, haunting murder. It seems there are no happy endings when demons become involved. So let me ask you: do you believe in demons? True Demonic Possessions and Exorcisms is guaranteed to befuddle the skeptics and confirm to believers that demons are not to be messed with. Whichever side of the fence you sit, one thing is for sure: this collection of true stories of demonic possession is guaranteed to be a hair-raising experience. Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    Anyone who comes in contact with it is overcome with greed. For centuries, this treasure has been hoarded deep below the oceans surface. To steal it, one has to get past the creature! One groups quest for the cursed riches is retold in this striking graphic novel adaptation.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.