An Australian millionaire says Millennials could all afford homes if we'd just give up avocado toast. Thanks, millionaire. This Millennial is here to prove them all wrong.Millennials have been stereotyped as lazy, entitled, narcissistic, and immature. We've gotten so used to sloppy generational analysis filled with dumb clichés about young people that we've lost sight of what really unites Millennials. Namely:-We are the most educated and hard-working generation in American history.-We poured historic and insane amounts of time and money into preparing ourselves for the 21st century labor market.- We have been taught to consider working for free (homework, internships) a privilege for our own benefit.- We are poorer, more medicated, and more precariously employed than our parents, grandparents, even our great grandparents, with less of a social safety net to boot. Kids These Days, is about why. In brilliant, crackling prose, early Wall Street occupier Malcolm Harris gets mercilessly real about our maligned birth cohort. Examining trends like runaway student debt, the rise of the intern, mass incarceration, social media, and more, Harris gives us a portrait of what it means to be young in America today that will wake you up and piss you off. Millennials were the first generation raised explicitly as investments, Harris argues, and in Kids These Days he dares us to confront and take charge of the consequences now that we are grown up.

    The book was subsequently made into a film and little Safa Nour, from one of the slums of Djibouti in the Horn of Africa, was chosen to play the young Waris. The book and the film record many extraordinary things - from facing down a tiger, to being discovered by a famous photographer in London - but it also tells the grim story of female circumcision, an ordeal that the young Waris had to endure. Saving Safa opens with a letter from Safa, now aged seven, who explains that she is worried that she will undergo FGM in spite of the contract her parents have signed with Dirie's Desert Flower Foundation stating that they will never have their daughter cut. Waris drops everything and flies to Djibouti where she meets Safa's father and mother who thinks her daughter should be cut to stop the community ostracising them. Waris brings them to Paris and to Vienna, they learn about the foundation and Safa's father finally comes round to the idea of working for the foundation as well. As Safa was saved from FGM through a contract with her parents, the Foundation believes a thousand other girls can be saved through providing their families with aid in return for a promise not to mutilate their daughters

    The lively text by fashion specialist Jonathan Walford details how fashion was considered not a frivolity but an aesthetic expression of circumstances in the 1940s. While Fascist states tried to create “national” styles before the war began, by 1940 the pursuit of beauty was promoted on both sides of the conflict as a patriotic duty. From prewar to postwar, we see attitudes emerge from period advertisements, images of real clothes, and firsthand accounts in contemporary publications. The result is a celebration of everything from practical and smart-looking attire for air raids (hooded capes with large pockets and siren suits) to street fashion and the creation of Christian Dior’s “New Look” collection in 1947.

    But more than a temperament, being positive, we are told, is the key to success and prosperity. In this utterly original take on the American frame of mind, Barbara Ehrenreich traces the strange career of our sunny outlook from its origins as a marginal nineteenth-century healing technique to its enshrinement as a dominant, almost mandatory, cultural attitude. Evangelical mega-churches preach the good news that you only have to want something to get it, because God wants to "prosper" you. The medical profession prescribes positive thinking for its presumed health benefits. Academia has made room for new departments of "positive psychology" and the "science of happiness." Nowhere, though, has bright-siding taken firmer root than within the business community, where, as Ehrenreich shows, the refusal even to consider negative outcomes—like mortgage defaults—contributed directly to the current economic crisis.With the myth-busting powers for which she is acclaimed, Ehrenreich exposes the downside of America’s penchant for positive thinking: On a personal level, it leads to self-blame and a morbid preoccupation with stamping out “negative” thoughts. On a national level, it’s brought us an era of irrational optimism resulting in disaster. This is Ehrenreich at her provocative best—poking holes in conventional wisdom and faux science, and ending with a call for existential clarity and courage.

    We all know it.American life expectancy is declining for a third straight year. Birth rates are dropping. Nearly half of us think the other political party isn’t just wrong; they’re evil. We’re the richest country in history, but we’ve never been more pessimistic. What’s causing the despair?In Them, bestselling author and U.S. Senator Ben Sasse argues that, contrary to conventional wisdom, our crisis isn’t really about politics. It’s that we’re so lonely we can’t see straight—and it bubbles out as anger. Local communities are collapsing. Across the nation, little leagues are disappearing, Rotary clubs are dwindling, and in all likelihood, we don’t know the neighbor two doors down. Work isn’t what we’d hoped: less certainty, few lifelong coworkers, shallow purpose. Stable families and enduring friendships—life’s fundamental pillars—are in statistical freefall. As traditional tribes of place evaporate, we rally against common enemies so we can feel part of on a team. No institutions command widespread public trust, enabling foreign intelligence agencies to use technology to pick the scabs on our toxic divisions. We’re in danger of half of us believing different facts than the other half, and the digital revolution throws gas on the fire. There’s a path forward—but reversing our decline requires something radical: a rediscovery of real places and real human-to-human relationships. Even as technology nudges us to become rootless, Sasse shows how only a recovery of rootedness can heal our lonely souls.America wants you to be happy, but more urgently, America needs you to love your neighbor. Fixing what’s wrong with the country depends on you rebuilding right where you’re planted.

    Wearing a dress is a powerful way for women to express themselves--and every style conveys a different message. Inspired by the Eleanor Estes' children's classic The Hundred Dresses, Erin McKean's classic-to-be by the same title, with chic illustrations by Donna Mehalko, is a definitive look at the dresses, vintage and modern, that make an inarguable statement about the woman who wears them.Each evocatively illustrated entry identifies one of a hundred different dresses accompanied by a witty and informative look at the history of that particular style, famous wearers (if applicable), and what message, subtle or overt, is conveyed by the dress. Notes on where such a style could be observed and accessories of the wearer are also included.Featured are The Wench; The Sari; The Vreeland; The Wrap; The Austen; The Beckham; The Siren (any style, as long as it's red); The Chanel Ingenue; The Caftan; The Guinivere; The Jackie; The Slip Dress; The Biohazard (any dress dangerous to bystanders or the wearer: think Lady Gaga); and scores more. The book also includes a suggested reading list of fashion books, dresses from literature, and an index.Part style commentary, part fashion blueprint, part clever field guide, The Hundred Dresses will ensure that no woman (or man) ever underestimates the power of the dress.

    But when young love is dashed in one sweet, pure moment, Will self-inflicts exile… to Africa, the start of his odyssey through life. Will’s older, astute and devious brother, Byron, has his own ideas on making his way through life, making money no matter who he treads on and that includes his own family. After four years away, Will returns to England with a small fortune. Seeking Byron’s advice, but unbeknown to Will, he is deceitfully manipulated. Money is the driver. Life becomes misplaced. Complicated. Africa becoming further away. Lost in his concrete desert with the thirst to fabricate her memory, how strong is the power of love? This is Peter Rimmer’s third standalone book in his African Trilogy. The first being Cry of the Fish Eagle and the second, Vultures in the Wind. Just the Memory of Love is philosophical, poignant and evocative sprinkled with a tapestry of deeply rich and entertaining characters. Rimmer has that rare ability to transport you to another time and place whether that be a soft, gentle English summer or the violence and terror of an Africa storm. Pick up Just the Memory of Love today and immerse yourself in Peter Rimmer’s latest novel.

    With a heart black as night and an itching trigger finger she has vowed to make Ray's murderer's blood rain over the city of Detroit. However currently sitting as the new king of the city Khiron is backed by the Dominican Cartel and is proving to be untouchable. Sadie is a secretly relocated to Miami and takes Ray's place as the head of The Last Kings. Recruiting a few new members and making new money the cartel is revived and ready to go up against the worst to reclaim Detroit. In the midst of it all a war is budding between the Italians and Dominicans and Sadie has already chosen her allegiance. The Last Kings is back guns loaded and ready to make one last bloody movie in the streets.

    Just trying to clear the brutal shadows of the past from his mind, Brody’s next mission is clear: Spearfishing and Scuba Diving in warm clear tropical waters, with some cold beers on the beach. Living the dream… As Brody makes friends with the locals settling into the island retreat, his plans for peace and relaxation are suddenly shattered. After weeks of terrorizing the island paradise, a ruthless sea captain finally commits the unthinkable: he kidnaps a group of young girls from the village. Heartbroken and scared for the children, the people look to Brody for help. Time is running out… When Brody rallies the villagers to form a rescue team, he realizes he is the only one with the skills for this kind of work. With nothing but basic weapons and a sailing boat, Brody feels the weight of the dire situation. The lives of the girls are on the line, with the slave markets of Somalia only days away, the clock is ticking. Brody leads his ragtag crew across the rough and lawless ocean, knowing they are the only hope for the young girls. Once Special Forces, always Special Forces, he’s got this! With Brody at the helm, they’ll find the girls or die trying. This is the first in this exciting Action Adventure Series...

    One can imagine readers seeking out information on boosting their local community sighing dutifully as they seek out material and then being relieved and delighted when what they find turns out to be as entertaining as it is informative. The information provided is sometimes startling and often positively revelatory. The anecdotes and examples are delivered with wit and a little bit of a dishy factor. But underneath all the fun is a clear breadth of experience, and a no-nonsense, practical approach to community building, which can be easily grasped. 13 Ways to Kill Your Community offers practical, implementable steps that can be taken to bring a moribund community back to life. This book delivers what it promises, and it does so with wit and warmth.

    . .2013Twenty years later Davie Johnston is the top host and reality show producer in town. Mirren McLean is a respected writer and movie director and Zander Leith is box office gold. But they haven't spoken to each other in twenty years, their relationships devastated by one horrific secret.Thousands of miles away, in a town where nothing is as it seems, a young ambitious journalist discovers a tantalizing story from the past. Tinsel Town beckons. She is determined to expose the kind of scandalous drama that usually only happens in the movies.

    Jacobs undergoes a hilarious, heartfelt quest to understand what constitutes family—where it begins and how far it goes—and attempts to untangle the true meaning of the “Family of Humankind.”A.J. Jacobs has received some strange emails over the years, but this note was perhaps the strangest: “You don’t know me, but I’m your eighth cousin. And we have over 80,000 relatives of yours in our database.” That’s enough family members to fill Madison Square Garden four times over. Who are these people, A.J. wondered, and how do I find them? So began Jacobs’s three-year adventure to help build the biggest family tree in history. Jacobs’s journey would take him to all seven continents. He drank beer with a US president, found himself singing with the Mormon Tabernacle Choir, and unearthed genetic links to Hollywood actresses and real-life scoundrels. After all, we can choose our friends, but not our family. “Whether he’s posing as a celebrity, outsourcing his chores, or adhering strictly to the Bible, we love reading about the wacky lifestyle experiments of author A.J. Jacobs” (Entertainment Weekly). Now Jacobs upends, in ways both meaningful and hilarious, our understanding of genetics and genealogy, tradition and tribalism, identity and connection. It’s All Relative is a fascinating look at the bonds that connect us all.

    economy and which has every interest in ensuring that the American wedding becomes ever more lavish and complex. Taking us inside the workings of the wedding industry including the swelling ranks of professional event planners, department stores with their online registries, the retailers and manufacturers of bridal gowns, and the Walt Disney Company and its Fairy Tale Weddings program New Yorker writer Rebecca Mead skillfully holds the mirror up to the bride's deepest hopes and fears about her wedding day, revealing that for better or worse, the way we marry is who we are.

    This is a guide for readers who have ever wondered why their favourite first date outfit hasn't landed them Mr Right or have felt uncomfortable at job interviews in their trendy new power suit - the problem may be that they aren't showing the world their true colours.

    His surprising journey illuminates not only our understanding of this immensely troubled, misunderstood, and complicated soul genius but the ways in which our cultural heritage has been shaped by Brown’s legacy.  Kill ’Em and Leave is more than a book about James Brown. Brown’s rough-and-tumble life, through McBride’s lens, is an unsettling metaphor for American life: the tension between North and South, black and white, rich and poor. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history: the country town where Brown’s family and thousands of others were displaced by America’s largest nuclear power bomb-making facility; a South Carolina field where a long-forgotten cousin recounts, in the dead of night, a fuller history of Brown’s sharecropping childhood, which until now has been a mystery. McBride seeks out the American expatriate in England who co-created the James Brown sound, visits the trusted right-hand manager who worked with Brown for forty-one years, and interviews Brown’s most influential nonmusical creation, his “adopted son,” the Reverend Al Sharpton. He describes the stirring visit of Michael Jackson to the Augusta, Georgia, funeral home where the King of Pop sat up all night with the body of his musical godfather, spends hours talking with Brown’s first wife, and lays bare the Dickensian legal contest over James Brown’s estate, a fight that has consumed careers; prevented any money from reaching the poor schoolchildren in Georgia and South Carolina, as instructed in his will; cost Brown’s estate millions in legal fees; and left James Brown’s body to lie for more than eight years in a gilded coffin in his daughter’s yard in South Carolina.   James McBride is one of the most distinctive and electric literary voices in America today, and part of the pleasure of his narrative is being in his presence, coming to understand Brown through McBride’s own insights as a black musician with Southern roots. Kill ’Em and Leave is a song unearthing and celebrating James Brown’s great legacy: the cultural landscape of America today.Praise for Kill ’Em and Leave “The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself—JAMES BROWN.”—Spike Lee “Please, please, please: Can anybody tell us who and what was James Brown? At last, the real deal: James McBride on James Brown is the matchup we’ve been waiting for, a musician who came up hard in Brooklyn with JB hooks lodged in his brain, a monster ear for the truth, and the chops to write it. This is no celeb bio but a compelling personal quest—so very timely, angry, hilarious, and as irresistible as any James Brown beat.”—Gerri Hirshey, author of Nowhere to Run: The Story of Soul Music “An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture.” —Kirkus Reviews