Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    The title of this richly textured book derives from two of the three mysterious letters left by Emily Dickinson--the ones addressed to "Dear Master." Lucie Brock-Boido has imagined a series of letters echoing devices found in Dickinson's own work.

    Robert Swartwood was inspired by Ernest Hemingway's possibly apocryphal six-word story—"For Sale: baby shoes, never worn"—to foster the writing of these incredibly short-short stories. He termed them "hint fiction" because the few chosen words suggest a larger, more complex chain of events. Spare and evocative, these stories prove that a brilliantly honed narrative can be as startling and powerful as a story of traditional length. The 125 gemlike stories in this collection come from such best-selling and award-winning authors as Joyce Carol Oates, Ha Jin, Peter Straub, and James Frey, as well as emerging writers.

    Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.

    These poems have been selected by the simple yet telling criteria that they are the personal favorites of the editors, themselves two of contemporary literature's leading poets.Moreover, Heaney and Hughes have elected to list their favorites not by theme or by author but simply by title (or by first line, when no title is given). As they explain in their Introduction: "We hope that our decision to impose an arbitrary alphabetical order allows the contents [of this book] to discover themselves as we ourselves gradually discovered them--each poem full of its singular appeal, transmitting its own signals, taking its chances in a big, voluble world."With undisputed masterpieces and rare discoveries, with both classics and surprises galore, The Rattle Bag includes the work of such key poets as William Shakespeare, Walt Whitman, Emily Dickinson, Lewis Carroll, Dylan Thomas, Wallace Stevens, Elizabeth Bishop, and Sylvia Plath among its hundreds of poems. A helpful Glossary as well as an Index of Poets and Works are offered at the conclusion of this hefty, unorthodox, diverse, inspired, and inspiring collection of poetry.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    Fairchild’s The Art of the Lathe is a collection of poems centering on the working-class world of the Midwest, the isolations of small-town life, and the possibilities and occasions of beauty and grace among the machine shops and oil fields of rural Kansas.

    Barnett speaks from the middle of hope and confusion, carrying philosophy into the everyday. Watching a son become a young man, a father become a restless beloved shell, and a country betray its democratic ideals, the speakers try to make sense of such departures. Four lyric essays investigate the essential urge and appeal of questions that are “accursed,” that are limited—and unanswered—by answers. What are we to do with the endangered human hours that remain to us? Across the leaps and swerves of this collection, the fevered mind tries to slow—or at least measure—time with quiet bravura: by counting a lover’s breaths; by remembering a father’s space-age watch; by envisioning the apocalyptic future while bedding down on a hard, cold floor, head resting on a dictionary. Human Hours pulses with the absurd, with humor that accompanies the precariousness of the human condition.

    Despite her surroundings, all she wants is to help her Grand-mere Bea pay the rent and save up for college. When her best friend Sabrina convinces her to take a well-paying summer job at the infamous Darkwood plantation, owned by the wealthy LaPlante family, Arelia agrees. However, at Darkwood strange things start to happen, and gorgeous Lucus LaPlante insists that he needs her help. Soon, the powers that Arelia has been denying all her life, come out to play and she discovers mysteries about herself that she could have never imagined. PUNISHED Down in New Orleans, Arelia LaRue's once ordinary life has been transformed into something truly extraordinary. As her ability to work and communicate with Les Mysteries (spirits) grows, so does her attraction for Darkwood's secretive owner, Lucus LaPlante. However, Arelia quickly realizes that beneath Darkwood's seemingly extravagant surface, there are secrets that may place her very soul in danger. In the intoxicating world of New Orleans voodoo/hoodoo expect the unexpected. POSSESSED Down in New Orleans, Arelia LaRue's once ordinary life has been transformed into something truly odd. As she ventures further into the word of Les Mysteries she realizes that nothing is ever as simple as it appears. Faced with challenges that threaten her very sanity, Arelia must decide if fighting for what is right is truly worth the risk. In the intoxicating world of New Orleans Hoodoo/Voodoo expect the unexpected! OPPRESSED Down in New Orleans, Arelia LaRue ventures further into the world of les mysteries and comes face to face with secrets that threaten to turn her entire world upside down. A tragically painful past is revisited... Secrets are revealed… And enemies are exposed…

    Ananthapadmanabhan, son of the master writer, made the selection.Stories are Lola, Choondal, Amruthethu, Swayam, Mazha, Mruthi, Oru Sthree Oru Purushan, Kunju, Soorpanakha, Kaikeyi, Nisasalabham, Kaivariyude Thekkeyattam, Banyan Avenue, Orma, Jeevithacharya, Oru Sameepakaladurantham, Ningalude Thavalangal Ningalkku, Ranimarude Kudumbam and Ore Chandranmar.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    He was a passionate Welsh patriot, but also an outspoken critic of his countrymen. His poems are an expression of his lifelong argument with himself, of his insistent search for God. In them he grapples with ideas of Welshness, with issues of technology, pollution, the decline of culture. He wrote too about love, about landscape, nature and birds. His is an urgent, prophetic and unique voice.