Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    their doctors."It was the dog who found me."Such is the stark confession launching the harrowing scene that begins The Asylum for Wayward Victorian Girls as Emilie Autumn, a young musician on the verge of a bright career, attempts suicide by overdosing on the antipsychotics prescribed to treat her bipolar disorder. Upon being discovered, Emilie is revived and immediately incarcerated in a maximum-security psych ward, despite her protestations that she is not crazy, and can provide valid reasons for her actions if someone would only listen.Treated as a criminal, heavily medicated, and stripped of all freedoms, Emilie is denied communication with the outside world, and falls prey to the unwelcome attentions of Dr. Sharp, head of the hospital's psychiatry department. As Dr. Sharp grows more predatory by the day, Emilie begins a secret diary to document her terrifying experience, and to maintain her sanity in this environment that could surely drive anyone mad. But when Emilie opens her notebook to find a desperate letter from a young woman imprisoned within an insane asylum in Victorian England, and bearing her own name and description, a portal to another world is blasted wide open.As these letters from the past continue to appear, Emilie escapes further into this mysterious alternate reality where sisterhoods are formed, romance between female inmates blossoms, striped wallpaper writhes with ghosts, and highly intellectual rats speak the Queen's English.But is it real? Or is Emilie truly as mad as she is constantly told she is?The Asylum for Wayward Victorian Girls blurs harsh reality and magical historical fantasy whilst issuing a scathing critique of society's treatment of women and the mental health care industry's treatment of its patients, showing in the process that little has changed throughout the ages.Welcome to the Asylum. Are you committed?

    From Sir Edmund Spenser's "The Faerie Queene" to E. M. Forster's "The Machine Stops", literature is filled with sexy, deadly, and downright twisted tales. In this collection, today's most acclaimed award-winning and bestselling authors reimagine their favorite classic stories and use their own unique styles to rebuild these timeless stories, the ones that have inspired, awed, and enraged them, the ones that have become ingrained in modern culture, and the ones that have been too long overlooked. They take these twelve stories and boil them down to their bones, and reassemble them for a new generation of readers. Written from a twenty-first century perspective and set within the realms of science fiction, dystopian fiction, fantasy, and realistic fiction, these short stories are as moving and thought provoking as their originators. They pay homage to groundbreaking literary achievements of the past while celebrating each author's unique perception and innovative style.Contents:Introduction: Rags & Bones: New Twists on Timeless Tales (2013) • essay by Tim Pratt and Melissa MarrThat the Machine May Progress Eternally (2013) / shortfiction by Carrie Ryan, inspired by E.M. Forster's The Machine StopsThe King of Elfland's Daughter (2013) • interior artwork by Charles VessLosing Her Divinity [Sir Hereward and Mister Fitz] (2013) / shortfiction by Garth Nix, inspired by The Man Who Would Be KingThe Sleeper and the Spindle (2013) / novelette by Neil Gaiman, inspired by Sleeping BeautyKai Lung's Golden Hours (2013) • interior artwork by Charles VessThe Cold Corner (2013) / shortfiction by Tim Pratt, inspired by Henry James' The Jolly CornerMillcara (2013) / shortfiction by Holly Black, inspired by Joseph Sheridan Le Fanu's CarmillaFigures of Earth (2013) • interior artwork by Charles VessWhen First We Were Gods (2013) / shortfiction by Rick Yancey, inspired by Nathaniel Hawthorne's The BirthmarkSirocco (2013) / shortfiction by Margaret Stohl, inspired by Horace Walpole's The Castle of OtrantoThe Shaving of Shagpat (2013) • interior artwork by Charles VessAwakened (2013) / shortfiction by Melissa Marr, inspired by Kate Chopin's The AwakeningNew Chicago (2013) / shortfiction by Kelley Armstrong, inspired by W. W. Jacob's The Monkey's PawThe Wood Beyond the World (2013) • interior artwork by Charles VessThe Soul Collector (2013) / shortfiction by Kami Garcia, inspired by the Brothers Grimm's RumpelstiltskinWithout Faith, Without Law, Without Joy (2013) / shortfiction by Saladin Ahmed, inspired by Sir Edmund Spenser's Faerie QueeneGoblin Market (2013) • interior artwork by Charles VessUncaged (2013) / shortfiction by Gene Wolf, inspired by William Seabrook's The Caged White Werewolf..

    But no longer.You hold in your hands a volume of wonders -- magical tales of trolls and ogres, of bewitched princesses and kingdoms accursed, penned by some of the most acclaimed fantasists of our day. But these are not bedtime stories designed to usher an innocent child gently into a realm of dreams. These are stories that bite -- lush and erotic, often dark and disturbing mystical journeys through a phantasmagoric landscape of distinctly adult sensibilities... where there is no such thing as "happily ever after." The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

    Alone on her island, she has exiled herself to a life of tending watery graves as penance for a long-ago mistake that still haunts her. Meanwhile, North works as a circus performer with the Excalibur, a floating troupe of acrobats, clowns, dancers, and trainers who sail from one archipelago to the next, entertaining in exchange for sustenance. In a world divided between those inhabiting the mainland ("landlockers") and those who float on the sea ("damplings"), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives - offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected future. Inspired in part by Scottish myths and fairytales, The Gracekeepers tells a modern story of an irreparably changed world: one that harbors the same isolation and sadness, but also joys and marvels of our own age.

    Beagle (The Last Unicorn) returns with this long-anticipated new novel, a beautifully bittersweet tale of passion, enchantment, and the nature of fate.It was a typically unpleasant Puget Sound winter before the arrival of Lioness Lazos. An enigmatic young waitress with strange abilities, when the lovely Lioness comes to Gardner Island even the weather takes notice. As an impossibly beautiful spring leads into a perfect summer, Lioness is drawn to a complicated family. She is taken in by two disenchanted lovers—dynamic Joanna Delvecchio and scholarly Abe Aronson — visited by Joanna’s previously unlucky-in-love daughter, Lily. With Lioness in their lives, they are suddenly compelled to explore their deepest dreams and desires.Lioness grows more captivating as the days grow longer. Her new family thrives, even as they may be growing apart. But lingering in Lioness’s past is a dark secret — and even summer days must pass.

    Meche, awkward and fifteen, has two equally unhip friends -- Sebastian and Daniela -- and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. With help from this newfound magic, the three friends will piece together their broken families, change their status as non-entities, and maybe even find love... Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns for her estranged father’s funeral. It’s hard enough to cope with her family, but then she runs into Sebastian, and it revives memories from her childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? And, is there any magic left?

    There are princesses dancing with dead suitors, a knight in love with an official of exotic lineage, and fortune’s fool stealing into the present instead of the future. In one mesmerizing tale, a time-traveling angel is forbidden to intervene in Cotton Mather’s religious ravings, while another narrative finds a wizard seduced in his youth by the Faerie Queen and returning the treasure that is rightfully hers. Bewitching, bittersweet, and deeply intoxicating, this collection draws elements from the fables of history and re-creates them in startlingly magical ways.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana’s and Willa’s worlds collide.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    Now, in their third critically acclaimed collection of original fairy tales for adults, World Fantasy Award-winning editors Ellen Datlow and Terri Windling bring us twenty-one new stories by some of the top names in literature today. Joyce Carol Oates, Gahan Wilson, Gene Wolfe, Tanith Lee, Neil Gaiman -- these are but a few of the accomplished literary sorcerers who have gathered here to remold our timeless myths into more sensuous and disturbing forms. Like the fabled ruby slippers, there is powerful magic here. Rich witches in trendy resorts cast evil spells ... beautiful princesses age and wither in sleeping worlds ... terrible beasts reside beneath flawless skin.Dark, disturbing, delightful, each story was written expressly for this superb collection of distinctly grown-up fantasy -- a brilliant companion volume to Datlow and Windling's acclaimed anthologies, "Snow White, Blood Red and "Black Thorn, White Rose. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    . . and then must battle the Queen of Faery for possession of her lover’s body and soul.In this version of Tam Lin Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. The book is set against the backdrop of the early 1970s.

    Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people. (Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy. If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.