As reported by a much-followed columnist and awarded journalist, these rich, fascinating, and occasionally disturbing stories of settlements follow people living throughout New Zealand, from Kawakawa in the north to Mosgiel in the south, and Samoa and Antarctica overseas. Funny, moving, and at times terrifying, this book provides a platform from which New Zealand reveals itself and proves that rarely are people and places as they first appear.

    And then there was the question of Simon Lampton.' Roza Hallwright leads a quiet, orderly life, working at her publishing job each day, returning home to the large, comfortable house she shares with her politician husband David and her two stepchildren. But this peaceful existence is about to be changed forever. In the next few months there will be an election, and, if the polls are correct, Roza will become the Prime Minister's wife. She has faced the prospect with relative calm, but a chance encounter with party donor Simon Lampton sparks a chain of consequences that will bring turmoil to both their lives. Award-winning writer Charlotte Grimshaw has turned her unflinching eye on contemporary New Zealand society in this intricate and elegant novel. Sharp, moving, brimming with insight and observation, The Night Book is at once a meditation on power and politics, and an intensely humane look at the choices people make as they struggle, against the odds, to maintain love and integrity in their lives.

    Tell a lie. Protect the family. At all costs.A compulsively readable suspense thriller from Ngaio Marsh Award shortlisted author, Nikki Crutchley, which will keep you guessing and reading up until late into the night. Iluka has been the only home that 18-year-old Ana has ever known. The beautiful wild pine plantation overlooking the Pacific Ocean where her grandfather builds furniture, her aunt runs an artists' retreat and her uncle tends the land, is paradise, a private idyll safe from the outside world.But the place holds a violent secret and when a stranger arrives, Ana will need to make a choice: to protect everything - and everyone - she holds dear or tell the truth and destroy it all.An atmospheric, suspenseful, dark and twisty thriller in the tradition of Daphne du Maurier, Paula Hawkins, Anna Downes and JP Pomare.'An enthralling thriller, as beautiful and deadly as an ocean storm ... Crutchley achieves a perfect balance as she draws the reader into an eerie world filled with secrets, lies and twisted love.' Rose Carlyle, The Girl in the Mirror'Many things make this thriller stand out ... Crutchley's meticulous writing and propulsive storytelling give the book a strange power' North and South

    Her mother was a New Zealander, her father a Polish Jew who had jumped off a train to the Treblinka death camp and hidden from the Nazis until the end of the war. When Diana was 13 she moved to New Zealand with her mother, sister and brother. Her father was to follow.Diana never saw him again.Many years later she sets out to discover what happened to him. The search becomes an obsession as she painstakingly uncovers information about his large Warsaw family and their fate at the hands of the Nazis, scours archives across the world for clues to her father’s disappearance, and visits the places he lived.This unforgettable narrative is also a deep reflection on the meaning of family, the trauma of loss, and the insistence of memory. It asks the question: Is it better to know, or more bearable not to?

    However Conrad - a talented and impetuous Faroeman - finds he cannot escape his past.In this companion novel to the bestselling Denniston novels, a free spirit is pitted against the forces of tradition. This is Conrad's story, and that of the unusual woman Anahuia. It is a tale of new lands and old songs, of seafaring and war and the search for love.

    He traces an intimate history of the Dunedin Sound—that distinctive jangly indie sound that emerged in the seventies, heavily influenced by punk—and the record label Flying Nun.As well as the pop culture of the seventies, eighties and nineties, Carter writes candidly of the bleak and violent aspects of Dunedin, the city where he grew up and would later return. His childhood was shaped by violence and addiction, as well as love and music. Alongside the fellow musicians, friends and family who appear so vividly here, this book is peopled by neighbours, kids at school, people on the street, and the other passing characters who have stayed on in his memory.We also learn of the other major force in Carter’s life: sport. Harness racing, wrestling, basketball and football have provided him with a similar solace, even escape, as music.Dead People I Have Known is a frank, moving, often incredibly funny autobiography; the story of making a life as a musician over the last forty years in New Zealand, and a work of art in its own right.

    It is our private journey, and only we understand how it came about; only we know the fitness and the wonder of it.'William James Mudie Larnach's name resonates in New Zealand history - the politician and self-made man who built the famous 'castle' on Otago Peninsula. In 1891, after the death of his first two wives, he married the much younger Constance de Bathe Brandon. But the marriage that began with such happiness was to end in tragedy.The story of the growing relationship between Conny and William's younger son, Dougie, lies at the heart of this subtle and compelling novel. The socially restrictive world of late nineteenth-century Dunedin and Wellington springs vividly to life as Marshall traces the deepening love between stepmother and stepson, and the slow disintegration of the domineering yet vulnerable figure of Larnach himself.Can love ever really be its own world, free of morality and judgement and scandal?

    No matter how hard you try.The body of a woman has been found on a pristine New Zealand beach – over a decade after she was murdered.Detective Matt Buchanan of the Auckland Police is certain it carries all the hallmarks of an unsolved crime he investigated 12 years ago: when Samantha Coates walked out one day and never came home.Re-opening the case, Buchanan begins to piece the terrible crimes together, setting into motion a chain of events that will force him to the darkest corners of society – and back into his deepest obsession… Sound of her Voice is an authentic, gritty, character-led police procedural by an elite former detective - for fans of Ian Rankin, Stuart Macbride, and Joseph Knox.

    After escaping from the Norfolk Island penal colony on a whaling ship, Bloodworth and his three fellow convicts are left on a remote southern island by a captain who promises to pick them up in a year's time.It will be many years before they see another ship.Durign that time four men, with nothing in common but a desire to escape and a need to survive, live together in cramped and freezing isolation. Slangam believes hard work will see them though, Toper puts his faith in the divine, Gargantua leans on his learning and Bloodworth watched – both his fellow felons and the inhospitable environment.Based on the true story of four convicts who spent more than nine years on the Snares Islands in the early years of the nineteenth century, Charlotte Randall's latest novel is a riveting, intelligent and powerful work of fiction.

    It was also the first to introduce a full democracy. Between those events, and in the century that followed the franchise, the movements and the conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth. This title tells that story in all its colour and drama. The narrative that emerges is an inclusive one about men and women, Maori and Pakeha. It shows that British motives in colonizing New Zealand were essentially humane; and that Maori, far from being passive victims of a "fatal impact", coped heroically with colonization and survived by selectively accepting and adapting what Western technology and culture had to offer. The latter part of the book reveals how an insulated and dependent British colony transformed itself into an independent nation, open to and competing with technological and cultural influences sweeping the globe.

    This former bank manager helped them transform three million dollars - stolen from bookies by a gang of robbers - into a rescue package for their dying town.But now the day of reckoning has come.The crims want the money.The cops want the money.A rogue insurance investigator wants the money.And so do Australia's two most notorious hit men.In trying to save his town, Lambert is forced to risk everything - his life, the lives of the town folk, his own daughter, ten thousand barramundi and a really lovable Jack Russell.

    The first novel of a 'thriller' trilogy.Nicky is asked to read some of her work aloud in class. She dreads it-and, just as she starts-she finds herself elsewhere. Transported. For Nicky is one of a select few people who can will themselves away not just in mind, but in body. She has the gift of teleportation. It's a rare, genetic ability, and a sinister, anonymous group called the Project want to use her 'gift' for their own ends. Nicky finds herself whisked off to a nameless desert site. Here, she and four other teenagers, who are also 'travellers', are educated and trained for search and rescue missions. As these missions grow more frightening, more perilous, the five start to form closer friendships. Yet it is only when they realise that the Project wants them to breed more travellers like themselves, that Nicky, Paul and the others, find the impetus to form an escape plan. In a stark, direct style, Thieves pulls you right in to this strange, sinister world of gifted young adults exploited by an anonymous group. This novel is above all a thriller. It comments on much that is surreal in our own supposedly ordinary times. A remarkable and original debut and the first in a trilogy that includes Anywhere But Here (2008) and Real Life (2009) .". . . the best teenage science fiction novel I have read this century." Trevor Agnew, Magpies"My teenager read it almost in one sitting (getting up at 5am to continue)." Tania Roxborogh, Otago Daily Times"Not many debut novels make it onto the New Zealand Post Children's Book Awards shortlists, but Thieves, by Ella West, fully deserves its place." Tessa Duder, the Australian Women's Weekly"As readers we are in the same predicament as the five teens and we are left to grapple with the sort of questions and interesting possibilities raised by novels such as Slaughterhouse 5 and more particularly The Time Travellers Wife." Steve Langley in English in Aotearoa

    One lay dead from a single bullet to the head. The other was the only survivor: David Bain. Since then, the country has asked: Who killed the Bain family? David, or his father Robin? And why?Award-winning journalist Martin van Beynen has covered the Bain story closely for decades. His 2017 Stuff podcast, Black Hands - based on the manuscript for this book - topped the charts in New Zealand and around the world and has been downloaded more than 5 million times. Now, his book brings the story completely up to date: exploring the case from start to finish, picking through evidence old and new, plumbing the mysteries and motives, interviewing never-before-spoken-to witnesses andguiding readers through the complex police investigation and court cases, seeking to finally answer the question: Who was the killer?Black Hands is a riveting read from the first word to the last, by a skilled writer who knows his subject inside out.“If anyone can pass judgement it can only be those who sat through the whole trial.” - David Bain in New Idea

    The sight of a spam ad for ‘lonely Asian women looking for fun’ becomes a moment of profound realisation that she, too, is but a lonely Asian woman looking for fun. Paula's new outlook leads her to shoplift a cheesecake-laden supermarket trolley. The trolley contains an unexpected attachment. Lonely Asian Woman is not the story of a young woman coming to her responsibilities in the world. Instead, Lam defies the expected and leads the reader and her characters to a deft climax against the grain of the titular lonely Asian woman.

    It is a set text in most New Zealand courses in universities, and is often grossly misrepresented as a kind of celebration of the Kiwi bloke going it alone, getting offside with the law and women, and making a fist of it on his own terms. It also has been glibly accused of misogyny and racism. For all its local emphases and colour, the novel must be read in the context of post-war Europe, as it takes a hard look at the reality of ‘ordinary’ life, without the self-congratulatory assurances common to both British and New Zealand conservatism. The starkness of the novel is also a philosophical one. Such values as emerge are what the individual manages to put together as the historical moment allows—fiction as existentialism, before such a term became modish. At the same time as he was working on the novel, Mulgan edited for Victor Gollancz Poems of Freedom, an anthology of poets who ‘were unafraid’, and whom W.H. Auden, in his Introduction, valued not for their wisdom, but for raising their voices against oppression.