It’s been more than a hundred years since the publication of the first Uncle Remus book, and it was in 1955 that all of the delightful and inimitable tales of Brer Rabbit, Brer Fox, Brer Bear, and Brer Wolf were gathered together in one volume.

    Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.

    Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    But the villains themselves beg to differ. In Ellen Datlow and Terri Windling's new anthology for younger readers, you'll hear from the Giant's wife ("Jack and the Beanstalk"), Rumplestiltskin, the oldest of the Twelve Dancing Princesses, and many more. A stellar lineup of authors, including Garth Nix, Holly Black, Neil Gaiman and Nancy Farmer, makes sure that these old stories do new tricks!

    In this, his second work of fiction about Vietnam, O'Brien's unique artistic vision is again clearly demonstrated. Neither a novel nor a short story collection, it is an arc of fictional episodes, taking place in the childhoods of its characters, in the jungles of Vietnam and back home in America two decades later.

    An ordinary man struggling to survive in extraordinary circumstances, Robinson Crusoe wrestles with fate and the nature of God. This edition features maps.

    Meet a hen that lays golden eggs and a harp that sings by itself. And don't forget the ogre...A classic fairy tale with rich and dynamic illustrations that will leave you chanting "Fee-fi-fo-fum!"

    + XXXVIII) ranges from Gorgias and Plato to Sigmund Freud and Mikhail Bakhtin. Each of the 147 contributions has a headnote introducing the writer and making connections to other critics, theorists and movements. An introduction surveys the history of theory and criticism.

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    The gingerbread man outruns everybody, until he meets the quick-witted fox.

    Boyle in The Tortilla Curtain, Viramontes (The Moths and Other Stories) presents a moving and powerful vision of the lives of the men, women, and children who endure a second-class existence and labor under dangerous conditions in California's fields.   This first novel tells the story a young girl, Estrella, and her Latino family as they struggle with arduous farm labor during the summer months, and still manage to latch onto the hope of a liberating future.  Viramontes graces the page with poetic touch, artfully describing poverty conditions and bringing to the reader a panoramic view of social consciousness and unforgettable characters.

    In an adventure equal to any a storyteller might relate, a crippled serving girl faces the intrigues of the harem, the dangers of the streets, and the anger of the Sultan himself to find the needed ending to an incomplete story.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    But the wolf she met on the way to Granny's was so charming and urbane. What could be the harm of telling him that she was on her way to Granny's pretty yellow house on the other side of the woods? Who could be a better escort than the big-eyed, long armed, big-toothed wolf?