K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    New possibilities previously unimagined appear almost daily . . . and science fiction stories continue to explore those possibilities with delightful results:Collected in this anthology are such compelling stories as:"On K2 with Kanakaredes" by Dan Simmons. A relentlessly paced and absorbing tale set in the near future about three mountain climbers who must scale the face of K2 with some very odd company. "The Human Front" by Ken MacLeod. In this compassionate coming-of-age tale the details of life are just a bit off from things as we know them-and nothing is as it appears to be."Glacial" by Alastair Reynolds. A fascinating discovery on a distant planet leads to mass death and a wrenching mystery as spellbinding as anything in recent short fiction. The twenty-six stories in this collection imaginatively takes us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including:Eleanor ArnasonChris BeckettMichael BlumleinMichael CassuttBrenda W. CloughPaul Di FilippoAndy DuncanCarolyn Ives GilmanJim GrimsleySimon IngsJames Patrick KellyLeigh KennedyNancy KressIan R. MacLeodKen MacLeodPaul J. McAuleyMaureen F. McHughRobert ReedAlastair ReynoldsGeoff RymanWilliam SandersDan SimmonsAllen M. SteeleCharles StrossMichael SwanwickHoward WaldropSupplementing the stories are the editor's insightful summation of the year's events and a lengthy list of honorable mentions, making this book a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.

    Clarke, Jack Finney, Joe Haldeman, Ursula K. Le Guin H.G. Wells's seminal novella The Time Machine, published in 1895, provided the springboard for modern science fiction's time travel explosion. Responding to their own fascination with the subject, the greatest visionary writers of the twentieth century penned some of their finest stories. Here are eighteen of the most exciting tales ever told.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    P. Lovecraft.The Stories included are:The Nameless CityThe FestivalThe Colour Out of SpaceThe Call of CthulhuThe Dunwich HorrorThe Whisperer in DarknessThe Dreams in the Witch HouseThe Haunter of the DarkThe Shadow Over InnsmouthDiscarded Draft of "The Shadow Over Innsmouth"The Shadow Out of TimeAt the Mountains of MadnessThe Case of Charles Dexter WardAzathothBeyond the Wall of SleepCelephaïsCool AirDagonEx OblivioneFacts Concerning the Late Arthur Jermyn and His FamilyFrom BeyondHeHerbert West-ReanimatorHypnosIn the VaultMemoryNyarlathotepPickman’s ModelThe BookThe Cats of UltharThe DescendantThe Doom That Came to SarnathThe Dream-Quest of Unknown KadathThe Evil ClergymanThe Horror at Red HookThe HoundThe Lurking FearThe Moon-BogThe Music of Erich ZannThe Other GodsThe OutsiderThe Picture in the HouseThe Quest of IranonThe Rats in the WallsThe Shunned HouseThe Silver KeyThe Statement of Randolph CarterThe Strange High House in the MistThe StreetThe TempleThe Terrible Old ManThe Thing on the DoorstepThe TombThe Transition of Juan RomeroThe TreeThe UnnamableThe White ShipWhat the Moon BringsPolarisThe Very Old FolkIbidOld BugsSweet Ermengarde, or, The Heart of a Country GirlA Reminiscence of Dr. Samuel JohnsonThe History of the Necronomicon

    The two dozen stories chosen for this book by award-winning anthologist Jonathan Strahan carefully maps this evolution, giving readers a captivating and always-entertaining look at the very best the genre has to offer.A Baghdad merchant encounters an alchemist who may have conquered time; a socialite, a miniature elephant, and a butler attempt to survive a coup masquerading as a wild soiree; a pair of scientists, their species altered in order that they may perform research on an alien world, find themselves embroiled in an interplanetary conflict; a young man begins to question his faith in God when he encounters the remains of a race of tool-using hominids; a warrior treads a grisly path as he strives to stop a rogue wizard's influence; a woman born with her heart outside her body finds solace in the arms of a heartless man; the messiah returns to earth, with disappointing news about the afterlife; figures out of myth and legend do battle with an enemy armed with a frightening weapon...the ability to steal away language itself; a girl and her fortune-teller mother travel the countryside, collecting ghosts.

    Odd is a tale of how an ordinary man profited from an extraordinary time paradox when he stops to help a man seemingly lost and confused, and then learns the reasons why.Stitch in Time concerns an elderly lady reflecting on a lost love and, thanks to her sons' experiments with time, finally discovering the reason why her lover abandoned her so many years ago.Oh Where, Now, is Peggy MacRafferty? is a social satire on Hollywood glamour in which a bright, individual young Irish woman becomes part of the celebrity circuit, and loses all that makes her special in the process of becoming a star.Random Quest combines romance and parallel universes.A Long Spoon is the story of how a demon is summoned by mistake and the lengths the couple that invoked him have to go to get rid of him without losing their souls in the bargain.

    Like time traveling mad-scientists, they have concocted outrageous creations from the future. They have seized upon tales of technology gone wrong and mandated that pulp fiction must finally grow up.In these wildly-speculative stories you will discover the company that controls the world from an alley in Greenwich Village. You’ll find nanotechnology that returns memories to the residents of a nursing home. You’ll rally an avian-like alien to become a mascot for a Major League Baseball team.The Invaders are here. But did science fiction colonize them first?

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    P. Somtow [as by Somtow Sucharitkul ]155 • Into Gold • (1986) • novelette by Tanith Lee181 • Sea Change • (1986) • shortstory by Scott Baker198 • Covenant of Souls • (1986) • novelette by Michael Swanwick229 • The Pure Product • (1986) • novelette by John Kessel247 • Grave Angels • (1986) • novelette by Richard Kearns274 • Tangents • (1986) • shortstory by Greg Bear289 • The Beautiful and the Sublime • (1986) • novelette by Bruce Sterling314 • Tattoos • (1986) • novelette by Jack Dann333 • Night Moves • (1986) • novelette by Tim Powers352 • The Prisoner of Chillon • (1986) • novelette by James Patrick Kelly384 • Chance • (1986) • novelette by Connie Willis411 • And so to Bed • (1986) • shortstory by Harry Turtledove425 • Fair Game • (1986) • novelette by Howard Waldrop439 • Video Star • (1986) • novelette by Walter Jon Williams469 • Sallie C. • (1986) • shortstory by Neal Barrett, Jr.490 • Jeff Beck • (1986) • shortstory by Lewis Shiner499 • Surviving • (1986) • novelette by Judith Moffett529 • Down and Out in the Year 2000 • (1986) • shortstory by Kim Stanley Robinson544 • Snake-Eyes • (1986) • shortstory by Tom Maddox562 • The Gate of Ghosts • (1986) • novelette by Karen Joy Fowler581 • The Winter Market • (1985) • novelette by William Gibson599 • Honorable Mentions: 1986 • essay by Gardner Dozois

    This year's volume includes Ian R. MacLeod, Nancy Kress, Greg Egan, Maureen F. McHugh, Robert Reed, Paul McAuley, Michael Swanwick, Robert Silverberg, Charles Stross, John Kessel, Gregory Benford and many other talented authors of SF, as well as thorough summations of the year and a recommended reading list.Contents xi • Summation: 2002 • essay by Gardner Dozois1 • Breathmoss • (2002) • novella by Ian R. MacLeod52 • The Most Famous Little Girl in the World • (2002) • novelette by Nancy Kress71 • The Passenger • (2002) • novelette by Paul J. McAuley [as by Paul McAuley ]95 • The Political Officer • (2002) • novella by Charles Coleman Finlay135 • Lambing Season • (2002) • shortstory by Molly Gloss145 • Coelacanths • (2002) • novelette by Robert Reed164 • Presence • (2002) • novelette by Maureen F. McHugh184 • Halo • [Macx Family] • (2002) • novelette by Charles Stross212 • In Paradise • (2002) • shortstory by Bruce Sterling221 • The Old Cosmonaut and the Construction Worker Dream of Mars • (2002) • novelette by Ian McDonald243 • Stories for Men • (2002) • novella by John Kessel302 • To Become a Warrior • (2002) • shortstory by Chris Beckett313 • The Clear Blue Seas of Luna • (2002) • novelette by Gregory Benford339 • V.A.O. • (2002) • novella by Geoff Ryman367 • Winters Are Hard • (2002) • novelette by Steven Popkes390 • At the Money • (2002) • novelette by Richard Wadholm417 • Agent Provocateur • (2002) • shortstory by Alexander C. Irvine [as by Alexander Irvine ]427 • Singleton • (2002) • novella by Greg Egan467 • Slow Life • (2002) • novelette by Michael Swanwick486 • A Flock of Birds • (2002) • shortstory by James Van Pelt501 • The Potter of Bones • (2002) • novella by Eleanor Arnason538 • The Whisper of Disks • (2002) • novelette by John Meaney (aka The Whisper of Discs)567 • The Hotel at Harlan's Landing • [Company] • (2002) • shortstory by Kage Baker578 • The Millennium Party • (2002) • shortfiction by Walter Jon Williams581 • Turquoise Days • [Revelation Space] • (2002) • novella by Alastair Reynolds641 • Honorable Mentions: 2002 • essay by Gardner Dozois

    

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.