What he finds is the dying and the dead, an entire population suffering from a strange and unnatural plague. Is it possible that every one of the townsfolk have been poisoned? At the heart of the mystery is the local pharmacist, Aiken. He is responsible for summoning young Maxwell to Carrick. He offers motives, explanations, stories, questions. But could he also be guilty of this heinous crime? Maxwell soon realizes that, although a great violence is being done to Carrick, the town itself hides from its own secrets - events from long ago and truths hidden from outsiders at all costs, even their lives. Maxwell interviews the final survivors who are suffering from a disease characterized by a barely recognizable but nonetheless identifiable odour, and a garrulousness unusual in such taciturn people, long accustomed to keeping secrets. yet their confessions lead constantly to more questions and always back to Aiken. As one who knows him well queries, "He's like a stick in water. Is he bent or not?"In The Mysterium, Eric McCormack's second novel, the nature of truth is found to be as deadly as the poison killing the people of Carrick. For at the heart of everything, at the heart of every story and every truth, there is only the mystery.

    The book follows events in the life of a concierge, Ren e Michel, whose deliberately concealed intelligence is uncovered by an unstable but intellectually precocious girl named Paloma Josse. Paloma is the daughter of an upper-class family living in the upscale Parisian apartment building where Ren e works.

    Now, engaged to Michael Thorne, she finally gets her wish: Michael’s parents (David and Alison), and his sister (Jessie) have fallen in love with her. But when David suddenly hangs himself, police detectives focus on Nicki. Yes, she was with Michael when the hanging took place. Yes, they were 70 miles away. Nevertheless, Detectives Broadus and Rudd are convinced she’s somehow responsible. As the evidence against her mounts, Nicki is determined to maintain her relationship with the family. And she’ll do so, by any means necessary. PRELIMINARY COMMENTS: I cringed. I gasped. My eyes bugged out of my head. I kept saying, “No. He. Did. Not. Go. There!” But of course he did. It’s John Locke, after all. In other words, I loved it! Locke’s books are the fastest reads on Amazon, and this one is no different. It’s vicious, brutal…(and) deliciously unsettling. While a departure from the author’s norm—if you can call anything he writes normal—his typical page-turning elements are on full display. I couldn’t put the damn thing down!

    [Penguin Readers Level 6]

    . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill.The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .

    a desperate mother... a frantic call in the night... is this a cruel hoax, or the work of a maniacal serial killer? The peaceful resort town of St. Teresa-by-the-Sea on Florida's Forgotten Coast is known for its low crime rate, pristine beaches, and great fishing. But tragedy can come even to Paradise, as Carol Dennison found out two and a half years ago when her fourteen-year-old daughter, Kelly, disappeared on her way to a Tallahassee concert. Now, just as Carol as beginning to rebuild the pieces of her shattered life, she receives a midnight call from someone who calls her "mama" and begs for help. Is this a cruel prank designed to terrorize and punish Kelly's father for the role he played in bringing a recently paroled criminal to justice? Or is it possible that Kelly is still alive?A grim investigation uncovers a connection between Kelly and other girls who have gone missing along the Gulf Coast in the past few years. When the body of one of those missing girls washes up on the shores of St. Teresa-by-the-Sea, the police are forced to admit they may have a serial killer in their midst. And with over three thousand college students poised to descend on the tiny community for spring break, their only hope for stopping him before he strikes again is the frightened voice of a teenage girl on the telephone... and the desperate determination of the parents who love her.Shattered is Donna Ball at her best: spine-tingling terror, chilling realism and unforgettable characters. No parent will ever watch her child leave the house in the same way again.Praise for the work of Donna Ball:"A maelstrom of suspense… gripping, intense”--Rendezvous“[Ball] knows how to keep a story moving”--Kirkus Reviews“A major talent of the genre”--Publisher’s Weekly“A must read”--Examiner.com

    D. Salinger. In the mid-1960s, the revered creator of The Catcher in the Rye suddenly stopped publishing and withdrew from public life. In David Morrell’s haunting “The Architecture of Snow,” an author similar to Salinger submits a manuscript after a four-decade absence. Why has he abruptly resurfaced? What caused his long-ago disappearance? When editor Tom Neal embarks on a search to a remote New England town, he uncovers the disturbing truth behind a tragic mystery that changes his life in unimaginable ways.

    But Calvin Cantrell doesn’t care for those jobs anyway. Instead, he dreams of becoming a famous serial killer. When sleazy restauranteur Tom London hires Calvin to kill his ex-wife, Calvin’s dreams begin. And so do Lake Castor’s nightmares.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    Her last visit here was twelve years ago when, through whispering mangroves, past flocks of exotic birds, skirting bobcat trails and precious mounds of turtle eggs, four children played in this earthly paradise – as explorers, naturalists, boat-builders... and eventually, as lovers. Over the intervening years, Carrie has tried to forget those summer idylls and the children who were her friends – Phoebe, who believed herself to be a mermaid, her aloof older brother Bradley, and Tristan, son of the Native American wisewoman, Tanta. Now two of them are dead and gone. In the cemetery, however, there is only one grave; in Tanta’s backyard, a mourning cradle hangs, stuffed with black raven feathers; and over at Bud’s Landing lives a small boy who has mysteriously been struck dumb. Legend says that pirates buried treasure on a sister island, but here on Sanibel, where a great storm is gathering, Carries is about to unearth some treasure of her own.

    Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters–old men, witches, and families among them–who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairy tale while exploring the classic Southern themes of good and evil.

    Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous. Mark gathers around him an impressionable group of students: glamorous Emmanuella, who always has a new boyfriend in tow; Franny and Simon, best friends and occasional lovers; musician Jess, whose calm exterior hides passionate depths. And James, already damaged by Oxford and looking for a group to belong to. For a time they live in a charmed world of learning and parties and love affairs. But university is no grounding for adult life, and when, years later, tragedy strikes they are entirely unprepared. Universal in its themes of ambition, desire and betrayal, this spellbinding novel reflects the truth that the lessons life teaches often come too late.

    Amusing mystery story, its melodramatic plot unwinding against the charming background of a South Carolina townlet stirred to its depths by the passing of an historic mansion, through a spite will, to the possession of "a Yankee woman named Smith".

    He has been accused of a reprehensible crime and up until this moment everything she thought about him and their life together could well be a lie. When she digs into his whereabouts, Ava comes face to face with her own past indiscretions and realizes that her past may be coming back to haunt both of them.Inside V is a novel of trust and deception, a dark look inside of a marriage that started as an affair, and the deep distrust that evolves from that initial infidelity. A must read for fans of Gone Girl and The Girl on the Train.

    The result is a deeply original tour de force that springs from Twain’s classic novel but takes on a fully realized life of its own.Finn sets a tragic figure loose in a landscape at once familiar and mythic. It begins and ends with a lifeless body–flayed and stripped of all identifying marks–drifting down the Mississippi. The circumstances of the murder, and the secret of the victim’s identity, shape Finn’s story as they will shape his life and his death.Along the way Clinch introduces a cast of unforgettable characters: Finn’ s terrifying father, known only as the Judge; his sickly, sycophantic brother, Will; blind Bliss, a secretive moonshiner; the strong and quick-witted Mary, a stolen slave who becomes Finn’s mistress; and of course young Huck himself. In daring to re-create Huck for a new generation, Clinch gives us a living boy in all his human complexity–not an icon, not a myth, but a real child facing vast possibilities in a world alternately dangerous and bright.Finn is a novel about race; about paternity in its many guises; about the shame of a nation recapitulated by the shame of one absolutely unforgettable family. Above all, Finn reaches back into the darkest waters of America’s past to fashion something compelling, fearless, and new.