Revered by billions of Chinese as the Classic of Classics and consulted as a source of ancient wisdom, it has been embraced by the West in the last 50 years but has always been translated by Westerners who brought their own cultural biases to the work, distorting or misunderstanding its true meaning.In The Complete I Ching Master Alfred Huang has restored the true essence of the I Ching by emphasizing the unity of Heaven and humanity and the Tao of Change, and, even more important, by including translations of the Ten Wings, the commentaries by Confucius, that are essential to the I Ching's insights. Previous English translations have either given these commentaries a minor place in the book or have left them out altogether. But the Chinese say that the I Ching needs the Ten Wings to fly. Restored to their central place in the book by Master Huang, the I Ching at last flies in English.

    As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs.Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the ’60s and ’70s—including:

    From the suspension bridge and the seismograph to deep drilling for natural gas, the iron plough, and the parachute, ancient China’s contributions in the fields of engineering, medicine, technology, mathematics, science, transportation, warfare, and music helped inspire the European agricultural and industrial revolutions.Since its original publication, The Genius of China has won five literary awards in America and been translated into forty-three languages. Its Chinese edition, The Spirit of Chinese Invention, was approved by the Chinese Ministry of Education for use in connection with the national secondary curriculum in China. Based on the immense, authoritative scholarship of the late Joseph Needham, the world’s foremost scholar of Chinese science, and including a foreword by him, this revised full-color illustrated edition brings to life the spirit and excitement of the unparalleled achievements of ancient China. ROBERT TEMPLE is a visiting professor of the history and philosophy of science at Tsinghua University in Beijing. He also is a fellow of the Royal Astronomical Society; member of the Egypt Exploration Society, Royal Historical Society, Institute of Classical Studies, and the Society for the Promotion of Hellenic Studies; and visiting research fellow of the University of the Aegean in Greece. He is the author of ten books, including The Sirius Mystery and Oracles of the Dead, and lives in England with his wife, Olivia.NOTE: Original UK title was 'China: Land of Discovery and Invention'.

    Jian Ping's father, a high-ranking government official, was falsely accused of treason during the Cultural Revolution-he was detained, beaten, and publicly shamed. Her mother Gu Wenxiu, a top administrator of a middle school, was paraded in public and detained by the Revolution Committee and the Red Guards-both driving forces of the Cultural Revolution. Facing abuse and deprivation, Jian Ping's family stands steadfastly together, from her aging grandmother, a frail woman with bound feet, to her parents and siblings. The traumatic impacts of their experiences shape the course of their lives forever. Based on her own memories, as well as interviews and exhaustive research, Mulberry Child is a family saga and a tale of resilience, a coming of age story told through the eyes of an innocent child. Mulberry Child allows us an insider's look into a closed-off world and is written with compassion in honest and intimate language. Testimonials "Jian Ping's book Mulberry Child is a moving account of her family's struggle to survive China's Cultural Revolution. She has in her poignant memoir helped Westerners to understand this little-known period in China's history, and put tragic and heroic faces to the individuals who suffered through that time. Mulberry Child is important reading for anyone who wants to understand where modern China has come from." --Rob Gifford, former Beijing Correspondent of NPR, and author of China Road: A Journey into the Future of a Rising Power "Jian Ping pays tribute to her parents who struggled against tremendous odds.... that she herself survived to write this memoir, and to tell it with such maturity and wisdom and forgiveness, is a tribute to her family, her generation and her nation." --Larry Engelmann, author of Feather in a Storm and Daughter of China "In Mulberry Child, Jian Ping has written a moving, important account of an extraordinary time. And she has done so with grace, acuity and a generosity of spirit. Mulberry Child is one compelling read." --Alex Kotlowitz, author of There Were No Children Here

    Later generations further developed these initial insights, but we have never grown beyond them. Rabbinic Judaism, Christianity, and Islam, for example, were all secondary flowerings of the original Israelite vision. Now, in The Great Transformation, Karen Armstrong reveals how the sages of this pivotal "Axial Age" can speak clearly and helpfully to the violence and desperation that we experience in our own times. Armstrong traces the development of the Axial Age chronologically, examining the contributions of such figures as the Buddha, Socrates, Confucius, Jeremiah, Ezekiel, the mystics of the Upanishads, Mencius, and Euripides. All of the Axial Age faiths began in principled and visceral recoil from the unprecedented violence of their time. Despite some differences of emphasis, there was a remarkable consensus in their call for an abandonment of selfishness and a spirituality of compassion. With regard to dealing with fear, despair, hatred, rage, and violence, the Axial sages gave their people and give us, Armstrong says, two important pieces of advice: first there must be personal responsibility and self-criticism, and it must be followed by practical, effective action. In her introduction and concluding chapter, Armstrong urges us to consider how these spiritualities challenge the way we are religious today. In our various institutions, we sometimes seem to be attempting to create exactly the kind of religion that Axial sages and prophets had hoped to eliminate. We often equate faith with doctrinal conformity, but the traditions of the Axial Age were not about dogma. All insisted on the primacy of compassion even in the midst of suffering. In each Axial Age case, a disciplined revulsion from violence and hatred proved to be the major catalyst of spiritual change.

    These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed -- deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or "decreation," in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism -- "a kind a shanzhai Marxism," Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such "pre-deconstructive" factors as original or identity. Far Eastern thought begins with deconstruction.

    How is it we look so condescendingly at people taking selfies in front of the Tower of Pisa? Is there really much to distinguish the package holiday from hipster city-breaks to Berlin or Brooklyn? Why do we engage our free time in an activity we profess to despise?The World in a Selfie dissects a global cultural phenomenon. For Marco D’Eramo, tourism is not just the most important industry of the century, generating huge waves of people and capital, calling forth a dedicated infrastructure, and upsetting and repurposing the architecture and topography of our cities. It also encapsulates the problem of modernity: the search for authenticity in a world of ersatz pleasures.D’Eramo retraces the grand tours of the first globetrotters—from Francis Bacon and Samuel Johnson to Arthur de Gobineau and Mark Twain—before assessing the cultural meaning of the beach holiday and the ‘UNESCO-cide’ of major heritage sites. The tourist selfie will never look the same again.

    If you don’t have a particular ingredient to hand, don’t be afraid to experiment – who knows, you may come up with something new and delicious! (If you do, be sure to write and let me know!) I’ve included a selection of my favourites – simple, tasty and wholesome treats that never fail to please. Oh, and of course, I couldn't resist writing a story to accompany the recipes... Enjoy! Sara Alexi

    Through the young eyes of Scout and Jem Finch, Harper Lee explores with exuberant humour the irrationality of adult attitudes to race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence and hypocrisy is pricked by the stamina of one man's struggle for justice. But the weight of history will only tolerate so much. To Kill a Mockingbird is a coming-of-age story, an anti-racist novel, a historical drama of the Great Depression and a sublime example of the Southern writing tradition.

    Grant, his parents, Bobby Orr and the rest of the Canadian hockey team were ontheir way to Game Three of the famous Summit Series -- seven games played between Russia and Canada in 1972, during the height of the Cold War. It was at this point -- at the age of one -- that Grant's life-long entanglement with hockey began.In this deeply personal, yet incredibly witty memoir about Grant's relationship with hockey, the narrative passes back and forth between tales of Grant's life and a fascinating history of hockey, complete with lively anecdotes about the many colourful characters of the NHL. Through Grant's early life, he struggled with the idea of hockey. He was an undersized child who wore thick glasses and knee-braces, and he understood, first-hand, what it was like to be in the attack zone of the hockey-obsessed jocks at his school. For Grant, bullying and the violent game of hockey seemed to go hand-in-hand. Yet he was also enamoured with the sport, and eventually learned that playing goalie on a hockey team isn’t all that different from playing in a band and that artistically-minded wimps find just as much joy in the game as their meathead counterparts.In The Lonely End of the Rink , Grant Lawrence brings the allure of hockey into a zone where it can impress upon the nerds and geeks as well as the jocks. Grant is a highly original writer, and with this book, he tells a quintessentially Canadian story about the nation’s favourite sport.

    IdeaIs There a Good Abstract Idea Underlying the Picture?What Details Could be Eliminated to Strengthen the Composition?Does the Painting “Read”?Could You Finish Any Part of the Painting?ShapesAre the Dominant Shapes as Strong and Simple as Possible?Are the Shapes Too Similar?ValueCould the Value Range be Increased?Could the Number of Values be Reduced?LightIs the Subject Effectively Lit?Is the Light Area Big Enough?Would the Light Look Stronger with a Suggestion of Burnout?Do the Lights Have a Continuous Flow?Is the Light Gradated?ShadowsDo the Shadow Shapes Describe the Form?Are the Shadows Warm Enough?DepthWould the Addition of Foreground Material Deepen the Space?Does the Background Recede Far Enough?Are the Halftones Properly Related to the Background?SolidityIs the underlying Form Being Communicated?Is the Symmetry in Perspective?ColorIs There a Color Strategy?Could a Purer Color Be Used?Do the Whites Have Enough Color in Them?Are the Colors Overblended on the Canvas?Would the Color Look Brighter if it Were Saturated into its Adjacent Area?PaintIs Your Palette Efficiently Organized?Is the Painting Surface Too Absorbent?Are You Using the Palette Knife as Much as You Could?Are You Painting Lines When You Should Be Painting Masses?Are the EdgesDynamic Enough?Is There Enough Variation in the Texture of the Paint?

    No Dirty Little Secrets about Black History, Heroes & Other Troublemakers Read a customer review or write one .

    This densely researched, compellingly argued book exposes how public-sector unions and their leaders--the "shadowbosses" of the title--are destroying the rule of law, stealing elections, degrading government services, paralyzing public education, and pushing the United States into a grim future of insolvency and decline. Authors Mallory and Elizabeth Factor disturbingly reveal the unions' plan to exert control over Social Security and disability recipients, veterans, and every other group that receives government money. A chilling exposé, SHADOWBOSSES is also a call to citizen action against those who really hold the power in America today.

    Throughout these pages you will find men plagued with guilt, women burdened by history, scientists bound by passion, mothers fogged with delusion, and lovers vexed with jealousy. In the theme that encompasses every life, no protagonist--or reader!--is exempt.Among those to appear: - Annie Proulx- Andre Dubus- Norman Rush- Charles Baxter- Wells Tower- Julie Orringer- Elizabeth Gilbert- Ben Okri- Rick Bass

    . . profound, reflective, and enlightening. --Boston GlobeAccording to Deepak Chopra, Watts was a spiritual polymatch, the first and possibly greatest. Drawing on ancient and modern sources, Watts treats the Chinese philosophy of Tao in much the same way as he did Zen Buddhism in his classic The Way of Zen. Critics agree that this last work stands as a perfect monument to the life and literature of Alan Watts.Perhaps the foremost interpreter of Eastern disciplines for the contemporary West, . . . Watts begins with scholarship and intellect and proceeds with art and eloquence to the frontiers of the spirit.--Los Angeles Times