Colorful, disturbing, and moving as Tom maneuvers warily between the masters he serves and the poor from whom he scavenges.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    This new case in particular puts his mandate to the test.

    And so can men, for that matter...

    Featuring new fiction by Hao Jingfang (translated by Ken Liu), Sam J. Miller, Amal El-Mohtar, Richard Bowes, and Sunny Moraine, classic fiction by Ann Leckie, essays by Jim C. Hines, Erika McGillivray, Michi Trota, and Keidra Chaney, poetry by Isabel Yap, Mari Ness, and Rose Lemberg, interviews with Hao Jingfang (translated by Ken Liu) and Ann Leckie, by Deborah Stanish, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas. Contents:FictionThe Heat of Us: Notes Toward an Oral History by Sam J. MillerFolding Beijing by Hao Jingfang, translated by Ken LiuLove Letters to Things Lost and Gained by Sunny MoraineAnyone With a Care for Their Image by Richard BowesPockets by Amal El–MohtarThe Nalendar by Ann LeckiePoetryAfter the Moon Princess Leaves by Isabel YapAfter the Dance by Mari Nessarchival testimony fragments / minersong by Rose LembergEditorialsThe Uncanny Valley by Lynne M. Thomas & Michael Damian ThomasEssaysThank You, Again, Kickstarter Backers!The Politics of Comfort by Jim C. HinesAge of the Geek, Baby by Michi TrotaThe Evolution of Nerd Rock by Keidra ChaneyThe Future’s Been Here Since 1939: Female Fans, Cosplay, and Conventions by Erica McGillivrayInterviewsInterview: Hao Jingfang by Deborah Stanish, translated by Ken LiuInterview: Ann Leckie by Deborah Stanish

    New issues are released on the first Tuesday of every month. EDITORIAL Words from the Editor-in-Chief—Jason Sizemore FICTION A Witch's Guide to Escape: A Practical Compendium of Portal Fantasies — Alix Harrow Work, and Ye Shall Eat — Walker McKnight Ghost Marriage — P. Djeli Clark Excerpt: Return to the Lost Level — Brian Keene NONFICTION Interview with Alix Harrow — Andrea Johnson Interview with Cover Artist Justin Adams — Russell Dickerson A Discussion with Tal M. Klein, Author of The Punch Escrow — Lesley Conner COLUMNS Between the Lines with Laura Zats and Erik Hane Page Advice with Mallory O'Meara and Brea Grant

    For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future.Roxane Gay’s Graceful Burdens is part of Out of Line, an incisive collection of funny, enraging, and hopeful stories of women’s empowerment and escape. Each piece can be read or listened to in a single thought-provoking sitting.

    That the Church uses artificial intelligences to power its never-ending prayer machines doesn't interest her at all: they're paying, and she needs enough money to survive in an increasingly crumbling world. Until a demonstration outside the Church's headquarters, and the appearance of Stéphane, an enigmatic man Lisa finds herself powerfully drawn to. What lies beneath his headscarf, why is he so interested in the Church--and how far will she be willing to go in order to earn his trust? Aliette de Bodard, winner of the Nebula, Locus and BSFA Awards, teams up with BSFA Award-winner Gareth L. Powell to present an uplifting short story of machines and humans, of intense emotions and cutting-age technology culled from tomorrow’s headlines. “Full of character and wit” - Zone SF "Wonderful and full of promise.” - SF Revu

    Wife. Ever.” by Neil Clarke

    Supposedly corroborating the mermaid story, a ship's log (in the collections of the Provincetown Historical Museum) of the schooner Hannah, which plucked Mr. Stanton from South Weepecket in 1788, indicates that the crew saw two figures on the island prior to his rescue, but failed to locate a second victim. However, regarding accuracy and reliability, this is the same crew, under Captain John Merriweather, that reported sightings of a ghost ship and not one, but two sea monsters. ~~James S. Rucker, Archivist, Family Collections, Falmouth Historical Society, 1924Companion story to Monstrous Beauty.

    The longest, loneliest railroad on Earth. A North Korean nuke hitting Tokyo, a hollow asteroid full of automated rice paddies, and a specialist in breaking up “virtual” marriages. And yes, giant robots. These thirteen stories from and about the Land of the Rising Sun run the gamut from fantasy to cyberpunk, and will leave you knowing that the future is Japanese! Contributors:-Pat Cadigan-Toh EnJoe-Project Itoh-Hideyuki Kikuchi-Ken Liu-David Moles-Issui Ogawa-Felicity Savage-Ekaterina Sedia-Bruce Sterling-Rachel Swirsky-TOBI Hirotaka-Catherynne M. Valente

    And from more directions.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    A story set in the same world as the novel Lamentation, although taking place several thousand years earlier than the events in the book.Also contained in Diving Mimes, Weeping Czars and Other Unusual Suspects

    The most action that Jamie sees happens when he is kidnapped by the supervillain of the week--and then waits for his boss, Captain Superior, to show up and rescue him. Again.On his most recent nabbing, Jamie gets to meet Tad, Terrorantula's new villainous apprentice. Even though they are supposed to be on opposite sides (or are they?), sparks fly almost immediately. So, when Tad offers to give Jamie much-needed self-defense classes, how could Jamie pass the opportunity to hang out with the coolest (and hottest) guy he knows?But Tad has a secret--one that threatens the budding relationship between the two teenage sidekicks, and could destroy Captain Superior forever.

    Family hides in underground. Boy narrator grows up, falls in love with another boy.

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)