My goals were noble but my concerns were trivial. I desperately wanted to close the pay gap, but I also wanted to look good sitting down naked.From inclusion to the secret autonomy in rom-coms, from effective activism to what poker can tell us about power structures, Deborah explores what it means to be a twenty-first-century feminist, and encourages us to make the world better for everyone.The book also includes exclusive interviews with performers, activists and thinkers - Jessamyn Stanley, Zoe Coombs Marr, Susan Wokoma, Bisha K. Ali, Reubs Walsh, Becca Bunce, Amika George, Mo Mansfied and Leyla Hussein - plus a piece from Hannah Gadsby.

    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

    With acute irony tempered by a generous curiousity, she documents life's improbability as well as its transient beauty.

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

    When a stranger on a bus advises, "Say yes more," Wallace vows to say yes to every offer, invitation, challenge, and chance.In Yes Man, Wallace recounts his months-long commitment to complete openness with profound insight and humbling honesty. Saying yes takes Wallace into a new plane of existence: a place where money comes as easily as it goes, nodding a lot can lead to a long weekend overseas with new friends, and romance isn't as complicated as it seems. Yes eventually leads to the biggest question of all: "Do you, Danny Wallace, take this woman . . ."Yes Man is inspiring proof that a little willingness can take anyone to the most wonderful of places.

    But events don't go as planned. And when a girl is in possession of a crumpled bridesmaid dress - and can't go home - New York (for the very first time) seems like an excellent idea. Angela's new friend Jenny Lopez gives Angela a whirlwind tour of the city that never sleeps, and a makeover. Who hasn't dreamed of starting afresh with a sassy New York wardrobe, a new haircut and a trip to the make-up counter? Before she knows it, the new Angela is getting over her broken heart by having dinner with two different boys. And, best of all, she gets to write about it in her fabulous new blog. But it's one thing telling readers all about your romantic dilemmas. It's another trying to figure them out for yourself! Warm, funny and unputdownable, I Heart New York is an unforgettable debut.

    lose 7 poundsb. stop smokingc. develop Inner Poise"123 lbs. (how is it possible to put on 4 pounds in the middle of the night? Could flesh have somehow solidified becoming denser and heavier? Repulsive, horrifying notion), alcohol units 4 (excellent), cigarettes 21 (poor but will give up totally tomorrow), number of correct lottery numbers 2 (better, but nevertheless useless)..."Bridget Jones' Diary is the devastatingly self-aware, laugh-out-loud daily chronicle of Bridget's permanent, doomed quest for self-improvement — a year in which she resolves to: reduce the circumference of each thigh by 1.5 inches, visit the gym three times a week not just to buy a sandwich, form a functional relationship with a responsible adult, and learn to program the VCR.Over the course of the year, Bridget loses a total of 72 pounds but gains a total of 74. She remains, however, optimistic. Through it all, Bridget will have you helpless with laughter, and — like millions of readers the world round — you'll find yourself shouting, "Bridget Jones is me!"

    Milk and Vine is truly a delight for the sensations, bringing back the riveting quotes we all laughed at together as a united internet community. From Ms. Kiesha to diesel jeans, this book encapsulates the most entertaining, nostalgic vines that are sure to have you laughing again. Keep the fire of authentic comedy ablaze in your home, and purchase a copy of Milk and Vine today.

    Powered by Amy’s charming and hilarious, biting yet wise voice, Yes Please is a book full of words to live by.

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    May they find every word they were looking for.***I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.  Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words.So I’m going to try to say to you here, what I wish you’d say to me too. Please.Listen. We can change things. Here.

    Supposedly. At thirty-five she owns her own house, writes for a cool magazine and has hilarious friends just a message away.But the thing is:• She can’t actually afford her house since her criminally sexy ex-boyfriend Art left,• her best friend Kelly is clearly trying to break up with her,• she's so frazzled trying to keep up with everything you can practically hear her nerves jangling,• she spends all day online-stalking women with beautiful lives as her career goes down the drain.And now her mother has appeared on her doorstep, unbidden, to save the day…Is Jenny ready to grow up and save herself this time?Deliciously candid and gloriously heartfelt, ADULTS is the story of one woman learning how to fall back in love with her life. It will remind you that when the world throws you a curve ball (or nine), it may take friendship, gin & tonics or even your mother to bring you back…

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.