13,000 first printing.

    No other writing craft book teaches you the secret of how to "show, don't tell." Best-selling authors of every genre know the secret to hooking readers—by showing, not telling, their story. But writers are not taught how to “show” scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel. Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too—by adapting their methods in their fiction writing. By “shooting” your novel, you can supercharge your story! Sol Stein, in his book Stein on Writing said, “Readers, transformed by film and TV, are used to seeing stories. The reading experience . . . is increasingly visual.” Novelists today—regardless of genre—need to learn cinematic storytelling because that's what readers want! Inside, you’ll learn: The real secret to “show, don’t tell” and how it’s all about “the moment” More than a dozen “camera shots” novelists can borrow from screenwriters and directors to create powerful, active scenes Instruction on how to piece camera shots together to create cinematic scene segments Examples from novels and screenplays showcasing each facet of cinematic technique How to devise a thematic image system of key shots, motifs, and images Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect Shooting your novel with a filmmaker’s eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic storytelling for fiction writing. Here's what some best writing instructors and best-selling authors have to say about this essential novel writing book: “With such an extensive amount of experience in the screenwriting process (since childhood), it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels. The pace and flow of Shoot Your Novel makes it easy to follow and the various tips and pointers strewn throughout are succinct. Of particular note is the smart curation of novel excerpts, authors, and filmmakers she cites as examples for the tips she suggests. If you have trouble understanding some of the pointers/tips theoretically, the excerpts always make it more clear. Having myself adapted The War of the Roses for both film and stage I can say that I have actually used quite a few of the techniques Lakin discusses and the one I like the most is the use of portraying "daydreaming" when writing from the POV of a character, effectively blending past, present, and future in one single scene—there is a lot of this going on in The War of the Roses and it is one of the aspects of the story flow that has made the rendering of the character a success.

    $40 million was missing. The credit union's manager: Republican Party activist Lawrence E. "Larry" King, Jr., behind whose rise to fame and riches stood powerful figures in Nebraska politics and business, and in the nation's capital.In the face of opposition from local and state law enforcement, from the FBI, and from the powerful Omaha World-Herald newspaper, a special Franklin committee of the Nebraska Legislature launched its own probe. What looked like a financial swindle, soon exploded into a hideous tale of drugs, Iran-Contra money-laundering, a nationwide child abuse ring, and ritual murder.Nineteen months later, the legislative committee's chief investigator died—suddenly, and violently, like more than a dozen other people linked to the Franklin case.Author John DeCamp knows the Franklin scandal from the inside. In 1990, his "DeCamp memo" first publicly named the alleged high-ranking abusers. Today, he is attorney for two of the abuse victims.Using documentation never before made public, DeCamp lays bare not only the crimes, but the cover-up—a textbook case of how dangerous the corruption of institutions of government, and the press, can be. In its sweep and in what it portends for the nation, the Franklin cover-up followed the ugly precedent of the Warren Commission.

    Set in a medieval Europe-inspired dark fantasy world, the story centers on the characters of Guts, a lone mercenary, and Griffith, the leader of a mercenary band called the "Band of The Hawk". Themes of isolation, camaraderie, and the question of whether humanity is fundamentally good or evil pervade the story, as it explores both the best and worst of human nature.

    Veteran editor and proofreader Laura Anderson arms you with all the tools of the proofreader's trade and walks you step-by-step through the entire proofreading process.

    

    Cintra Wilson gets to the heart of our humiliating fascinating with celebrity and all its preposterous trappings in these hilarious, whip-smart, and subversive essays. Often radical and always a scream, Wilson takes on every sacred cow, toppling icons as diverse as Barbra Streisand, Ike Turner, Michael Jackson, and-for obvious reasons-Bruce Willis. She exposes events like the Oscars and even athletic jamborees as having grown a "tumescent aura of Otherness". Wilson's scathing and irresistible dissections of Las Vegas as "the Death Star of Entertainment", and Los Angeles as "a giant peach of a dream crawling with centipedes" pulse with her enlightened rejection of all things false and vain and egotistical. Written with her trademark zeal and intelligence, A Massive Swelling is the antidote for the fame virus that infects us all.

    William Safire, the author of the New York Times Magazine column "On Language," homes in on the "essential misrules of grammar," those mistakes that call attention to the major rules and regulations of writing. He tells you the correct way to write and then tells you when it is all right to break the rules. In this lighthearted guide, he chooses the most common and perplexing concerns of writers new and old. Each mini-chapter starts by stating a misrule like "Don't use Capital letters without good REASON." Safire then follows up with solid and entertaining advice on language, grammar, and life. He covers a vast territory from capitalization, split infinitives (it turns out you can split one if done meaningfully), run-on sentences, and semi-colons to contractions, the double negative, dangling participles, and even onomatopoeia. Originally published under the title Fumblerules.

    Perfect for busy writers or writers who are easily distracted or who want a better way to make consistent progress with their writing. Includes write ups from 15-minute writers who swear by the method. Also covers mindset, getting into a writing flow, how to clear mental clutter so you can focus during your writing session, and more.

    This is the story of how he succeeds in getting it all, and what it costs him in the end.Narrated by an unlikely literary legend, How I Became A Famous Novelist pinballs from the post-college slums of Boston, to the fear-drenched halls of Manhattan's publishing houses, from the gloomy purity of Montana’s foremost writing workshop to the hedonistic hotel bars of the Sunset Strip. The horrifying, hilarious tale of how Pete’s “pile of garbage” called The Tornado Ashes Club became the most talked about, blogged about, read, admired, and reviled novel in America will change everything you think you know about literature, appearance, truth, beauty, and those people out there, somewhere in America, who still care about books.

    But now a brave new genre has emerged: very brief fiction. FLASH! identifies the qualities that make for excellent flash fiction, demystifies the writing process, and guides writers by exercise and example through the world of the very short story. John Dufresne’s characteristic warmth, wit, and humor remind writers of the joy in the creative process, making this a perfect guide for any writer interested in trying a new form.

    "The Poodle in the Microwave", "The Mouse in the Coke Bottle", and "The Accidental Cannibals" are just a few of the legends presented in this volume. Illustrated by artists from DC Comics. Mature readers.

    This aspect of romance writing is so often neglected, usually with disastrous results; a novel that reads like a badly written script. Fortunately, there's now a way for any writer, regardless of their experience, to get a huge head-start writing in this profitable genre. It's a secret resource that romance writers don't want you to know about! Dahlia Evans has compiled a romance writing thesaurus unlike anything ever published. This reference book is filled to the brim with words and phrases gathered from hundreds of bestselling romance novels. Using this book you will be able to describe intimate encounters of every kind without breaking a sweat.Inside You'll Discover:# 8,500 words and phrases sorted into 37 categories.# Thousands of words you can use to describe each part of the body.# Words that describe each of the five senses; taste, touch, sight, sound, smell.# Words to describe feelings and emotions.# Words that describe facial expressions.# Hundreds of words to describe intimacy.'Thinking Like A Romance Writer' is the culmination of hundreds of hours of research and is a book destined to become a classic in the field of romance writing instruction.

    Printed in seven languages and twelve editions during the author's lifetime, it was an influence on such notable figures as Sigmund Freud (a younger colleague of Krafft-Ebing's at the University of Vienna), painters Gustav Klimt and Egon Schiele, writers Arthur Schnitzler and Marcel Proust, and philosopher Georges Bataille and the surrealists. Psychopathia Sexualis is extraordinarily timeless in its factual depiction of the astonishing vagaries of sexual life. As a psychiatric text, it was one of the first books to extensively illuminate and define such subjects as sadism, masochism, fetishism and homosexuality; as a work of sexual literature, it has often been compared to the Marquis de Sade's classic, 120 Days of Sodom.

    Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O'Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.