Detailed facts and figures as well as a focus on the issue of diversity make this a great book for reference and a basis for discussion, both at home and in the classroom.

     The tree in the courtyard was a horse chestnut. Her leaves were green stars; her flowers foaming cones of white and pink. Seagulls flocked to her shade. She spread roots and reached skyward in peace. The tree watched a little girl, who played and laughed and wrote in a diary. When strangers invaded the city and warplanes roared overhead, the tree watched the girl peek out of the curtained window of the annex. It watched as she and her family were taken away—and when her father returned after the war, alone. The tree died the summer Anne Frank would have turned eighty-one, but its seeds and saplings have been planted around the world as a symbol of peace.

    It is both the seventh day of Hanukkah and Christmas Eve, 1938. As Oskar walks the length of Manhattan, from the Battery to his new home in the north of the city, he passes experiences the city's many holiday sights, and encounters it various residents. Each offers Oskar a small act of kindness, welcoming him to the city and helping him on his way to a new life in the new world.

    Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption. This volume is enhanced by more than fifty original drawings by Mark Podwal, the artist whom Cynthia Ozick has called a "genius of metaphor through line." Podwal's work not only complements the traditional Haggadah text, as well as Wiesel's poetic voice, but also serves as commentary unto itself. The drawings, with their fresh juxtapositions of insight and revelation, are an innovative contribution to the long tradition of Haggadah illustration.

    She asksher friends for help planting grains. "Sorry, bub," neighsHorse. "Think again," barks Dog. Of course, the Little Red Hen does it all herself. A classic tale gets a Jewish twist in this hilarious story.

    Amidst the food and the festivities, Grandma and Great-Aunt Rose begin their story -- the one they tell each year. They pass on to each generation a tale of perseverance during the darkest hours of the Holocaust, and the strength it took to continue to honor Hanukkah in the only way they could. Their story reaffirms the values of tradition and family, but also shows us that by continuing to honor the tragedies and the triumphs of the past there will always be hope for the future.

    She learned it from her grandfather, a poor scholar who taught her. When he dies, Raisel finds work in the home of a rabbi. His jealous cook makes Raisel toil from sunup to sundown. And as the Jewish holiday of Purim approaches, Raisel works even harder. The rabbi's son presides over the Purim dinner, and Raisel listens closely when he responds to riddles posed by his guests. Is it possible that this young man can answer Raisel's riddle? Erica Silverman's lively retelling of the Cinderella story features a heroine for whom knowledge is as essential to happiness as love. In striking paintings, Susan Gaber captures all her beauty, external and internal.

    "If only I could see," he says. Then one night in his dreams, Hershel has a vision of a winged angel descending a sparkling ladder. What the angel tells him--and what Hershel sees in his dreams--leads to an exciting surprise for the whole village.

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

    But before she can work off her debt, an unthinkable chain of events unfolds: a capture by slave traders; weeks in a dark and airless hold; a landing in Cuba, where she and three other children are sold and taken aboard the Amistad; a mutiny aboard ship; a trial in New Haven that eventually goes all the way to the Supreme Court and is argued in the Africans’ favor by John Quincy Adams. Narrated in a remarkable first-person voice, this fictionalized book of memories of a real-life figure retells history through the eyes of a child — from seeing mirrors for the first time and struggling with laughably complicated clothing to longing for family and a home she never forgets. Lush, full-color illustrations by Robert Byrd, plus archival photographs and documents, bring an extraordinary journey to life.

    A Caldecott Honor Book.

    Rifka's parents are actors in the Yiddish Theater in New York, but one day Rifka finds herself center stage in a special role! A slice of immigrant life on New York's Second Avenue, this is a unique book about a vanished time and a place - the Yiddish theater in the early 20th century―made real through the telling of the true life story of the 96-year-old author as a little girl.

    While the feisty Esther Kaminsky understands her obligations, her artistic talent inspires her to secretly explore worlds outside her religion, to dream of studying in Paris and to believe that God has a special destiny for her. When tragedy strikes her family, Esther views it as a warning from an angry God and suppresses her desires in order to become an obedient "Jerusalem maiden." But when a surprising opportunity forces itself on to her preordained path, Esther finds her beliefs clashing dangerously with the passions she has staved off her entire life forcing her to confront the most difficult and damning question of all. To whom must she be true, God or herself?

    Aunt Luisa has recently arrived from Mexico. "At Aunt Luisa's you'll get to celebrate the Hanukkah Moon," Isobel's father promises. Isobel's days at Aunt Luisa's are filled with fun and surprises -- a new camera, a dreidel pinata filled with sweets, and a mysterious late night visit to welcome the luna nueva, the new moon that appears on Hanukkah. An unusual Hanukkah story with a multi-cultural focus, this title celebrates a little-known custom of the Latin-Jewish community.

    Their teacher, Ms. Ibis, is taking all the little crocodiles (and their toothbrushes) on a class trip to the Royal Museum. But who's that trying to steal the Sacred Eye of Isis? Can it be the Bad Guy? Can Bill and Pete save the day once more? Full color.