With over 600 5* and 4* reviews – you can now buy the first three books in the series for the price of two! Somewhere to Hide (Book 1, The Estate)Cath Mason has learned to be tough. The things she’s seen growing up on the Mitchell Estate, she’s had to be. Yet, even broken and beaten by life at times, she’s still the first person a woman in need of help seeks out. At Cath’s house, there is safety in numbers as well as a place to hide. No matter what trouble comes to her door, she won’t turn anyone away – because she knows what it’s like to live with secrets. But now a problem from her past has come back to haunt her, and she’s the one faced with a dilemma. What should she do first – help or be helped – despite being unsure she’ll ever be ready to confront her own demons? With danger around every corner, can Cath protect herself as well as the women whose safety is her paramount concern? Or has the potential for revenge already gone a step too far? Behind a Closed Door (Book 2, The Estate)Working on the notorious Mitchell Estate, housing officer, Josie Mellor, faces challenges every day, but not nearly as many as those of her tenants. Kelly Winterton is scared and alone after her partner has been jailed. Charlotte Hatfield has fled from her violent partner four times already. He’ll probably kill her if he finds her this time. Disowned by her family, someone is taking advantage of Amy Cartwright’s vulnerability. Who can she turn to for support? But Josie has her own problems to deal with too. As her home life deteriorates and she struggles to escape her controlling husband, she realises only a thin line separates her from the people she’s trying to help. When deadly violence erupts, will both she and her tenants become victims that no one will see? Fighting for Survival (Book 3, The Estate)When Caren Williams finds herself back on the estate she fought so hard to get away from, little does she realise she'll be living opposite her arch-enemy, Gina Bradley. Gina Bradley thinks she and her family rule Stanley Avenue so when Caren starts to become popular, she decides to hit her where it will hurt the most – she wants her husband. Lonely and depressed, Ruth Millington finds it a constant struggle to get through the dark times. Spiralling out of control, maybe she should let Gina's husband help her out when he comes calling. Brawling in the street, fighting on the square and conforming to peer pressure – it all comes down to holding your nerve. But this time not everyone will survive the notorious Stanley Avenue...

    She’s the girl that went astray. Can they find a place where they’ll both belong… together? Kylee Bauer’s high school classmates voted her most likely to succeed, not knowing that she would skip town with a bad boy, get hitched, and get pregnant—not necessarily in that order. Now she’s back and desperate for a second chance to get things right, all while ensuring her daughter makes better choices the first time around. Ron Kidd loved growing up in his small Virginia hometown so much that he never thought to leave it behind. Now he’s landed his dream role as principal of the same elementary school he attended as a boy. Some of the more seasoned staff, however, aren’t sure he’s up to the job and will do whatever it takes to make his days harder. When his old crush returns home as a single mom with a troubled kid in tow, Ron is sure he can help… even though he must swallow his feelings for Kylee to avoid losing his already shaky position as school principal. Unfortunately for him, this mini-matchmaker isn’t willing to give up on securing a happily ever after for her mom. Will Ron be willing to risk it all in the name of love? And what will Kylee do when her past comes calling? Will love be just out of reach? Find out in this fun, funny, and heartwarming tale of just how far one little girl will go to bring these two grown-ups together.

    It is a place created by a voice that moves with unerring ease between the commonplace and the sublime. The poems are filled with "the weather of leavetaking", but they are also unexpectedly funny. The erasure of self and the depredations of time are seen as sources of sorrow, but also as grounds for celebration. This is one of the difficult truths these poems dramatize with stoicism and wit.

    K. Williams by turns ruminative, stalked by "the conscience-beast, who harries me," and "riven by idiot vigor, voracious as the youth I was for whom everything was going too slowly, too slowly." Poems about animals and rural life are set hard by poems about shrapnel in Iraq and sudden desire on the Paris Métro; grateful invocations of Herbert and Hopkins give way to fierce negotiations with the shades of Coleridge, Dostoevsky, and Celan. What the poems share is their setting in the cool, spacious, spotlit, book-lined place that is Williams's consciousness, a place whose workings he has rendered for fifty years with inimitable candor and style.

    These poems celebrate the beauties of nature and the eternal cycle of love, death and birth that is being interrupted by the assault on the environment.

    Initially conceived as a response to the 'austerity measures' implemented by the coalition government in 2011, the poems quickly began taking on a life in kind: 'cutting' themselves on levels of sentiment, structure and even subject matter. Not content to merely build a series of freethinking poems, these remarkable pieces seem eagerly and mischievously to analyze their moment of creation, then weigh their worth, then consign their excess to the recycling bin thereafter. Experience is speedy, the poems seem to say, so dizzyingly fast that the poetry will inevitably be running to catch up - often arriving at a scene the moment after the moment has gone. The effect is as funny and it is startling, beguiling as it is surprising, and makes 81 Austerities a vivid reminder that deprivation, as Leonard Cohen put it, can be the mother of poetry.

    He was a passionate Welsh patriot, but also an outspoken critic of his countrymen. His poems are an expression of his lifelong argument with himself, of his insistent search for God. In them he grapples with ideas of Welshness, with issues of technology, pollution, the decline of culture. He wrote too about love, about landscape, nature and birds. His is an urgent, prophetic and unique voice.

    It is his first published book. The included poems span a wide range of subjects and themes, covering such topics as love, abuse, suicide, poverty, and many many others.

    Deliver us from distraction.Slow our heartbeat to a cricket's call.  --from “Prophecy” Pity the Beautiful is Dana Gioia's first new poetry book in over a decade. Its emotional revelations and careful construction are hard won, inventive, and resilient. These new poems show Gioia's craftsmanship at its finest, its most mature, as they make music, crack wise, remember the dead, and in a long, central poem even tell ghost stories.

    A coming of age novel for today, The Age will appeal to readers of Annabel Lyon, Lisa Moore, Heather O'Neill.Set in Vancouver in 1984, as Soviet warships swarm the North Atlantic, The Age follows Gerry, a troubled teenager confronted with her single mom’s newest relationship. When she takes solace in a ragtag group of activists planning a subversive protest at the city’s upcoming peach march, her fascination with the group’s leader, and her struggle with sexual identity creates a rift between Gerry and her best friend, Ian. Bolstered by her grandfather, an eccentric ex-news anchor in the throes of a bitter divorce, Gerry tries to put herself at the centre of the protest group’s violent plot. When the demands of these complex relationship become too difficult, Gerry escapes to the role she knows best, survivor in a post-nuclear dystopia of her own creation. Gerry’s real life and fantasy life alternate and accelerate until a collision of events and consequences forces her towards life or death decisions in both worlds.Electric and engaging, with piercing observation, subversive wit, and the same fearlessness that caused a sensation amongst critics and fans of Dead Girls, The Age is at once a startling post-apocalyptic drama, a harrowing journey through adolescent recklessness and desire, and a dark portrait of a generation molded by nuclear anxiety. Its arrival confirms Nancy Lee as one of Canadian Literature’s most thrilling and compelling voices.

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman

    In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind.

    The author discusses, regret, anxiousness, racial issues, craving for love, and much more. Tavon gets deeply personal and introspective, in hopes of helping those who are in need of self-healing too. "Entrapped inside your Heart-shaped box For lonely years You’ve left me here To survive off hope and tears I know your return is unlikely Unlike me, You have a gift Of hurting others with a smile Luring your victims Into the traps of your eyes I enjoy this place Although it’s often cold It has pockets of warmth In your Heart-Shaped Box I’ll forever be stored Waiting for you Love me more Than August loves to storm."

    Cummings's affirmation of life resolved into serenity as he described himself as someone "whose only happiness is to transcend himself, whose every agony is to grow." This collection of Cummings reading his own poetry embodies this in an unforgettable way.While perhaps best remembered for his use of such visual devices as typography and punctuation, the sheer sound of Cummings's work imparts a greater, deeper understanding of how its cadences reveal its profound meaning. This rich sampling of his poems and lectures is rendered in what the great Robert Graves called Cummings "own beautifully modulated voice."

    Wild and poignant, hilarious and touching, stories about die-hard fans, crusty veterans, would-be diamond heroes, and baseball as a boyhood bond fill this delightful collection.