Life in the county of T'an-ch'eng emerges as an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Against this turbulent background a tenacious tax collector, an irascible farmer, and an unhappy wife act out a poignant drama at whose climax the wife, having run away from her husband, returns to him, only to die at his hands.

    In 1633 Al-Shouf, a mother keeps demons at bay with the combined power of grief and music. In 1775 Paris, as social tensions come to a boil, a courtesan tries to save the woman she loves. In 1838 Georgia, a pregnant woman's desperate escape from slavery comes with a terrible price. In 1900 Ilocos Norte, a forest spirit helps a young girl defend her land from American occupiers. These gripping stories have been passed down through the generations, hidden between the lines of journal entries and love letters. Now 27 of today's finest authors – including Tananarive Due, Sofia Samatar, Ken Liu, Victor LaValle, Nnedi Okorafor, and Sabrina Vourvoulias – reveal the people whose lives have been pushed to the margins of history.

    Disguising the more difficult truths of her life like the staggering degree of her poverty, the weight of her family’s future resting on her shoulders, or her secret love for a factory boy who shares none of her talent or ambition. Kimberly learns to constantly translate not just her language but herself back and forth between the worlds she straddles.Through Kimberly’s story, author Jean Kwok, who also emigrated from Hong Kong as a young girl, brings to the page the lives of countless immigrants who are caught between the pressure to succeed in America, their duty to their family, and their own personal desires, exposing a world that we rarely hear about. Written in an indelible voice that dramatizes the tensions of an immigrant girl growing up between two cultures, surrounded by a language and world only half understood, Girl in Translation is an unforgettable and classic novel of an American immigrant-a moving tale of hardship and triumph, heartbreak and love, and all that gets lost in translation.

    Fae Myenne Ng's portraits of the everyday heroism of the Leongs--who inflict deep hurt on each other in their struggles to survive, yet sustain one another with loyalty and love--have made Bone one of the most critically acclaimed novels of recent years and immediately a classic of contemporary American life.

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    A fresh, young Chinese-American voice."--Adeline Yen Mah, author of Falling LeavesAs the daughter of a Chinese-American mother and a Norwegian father, Paisley Rekdal grew up wondering where she fit in. The essays in this, her shimmering nonfiction debut, tackle thorny issues--race and identity politics, interracial desire, what it means to be a "hyphenated American"--with a fresh, feisty, and very funny new perspective.Rekdal's family history is, as she describes it, "complicated and vaguely dangerous," and at the center of this strange world is her mother--a smart, stubborn, complex woman who adores her daughter. Rekdal exposes the foibles of family, friends, and lovers, but never spares herself, capturing both global and personal struggles with a critical, compassionate and humorous lens. The Night My Mother Met Bruce Lee flows effortlessly from stunning cultural observation to a recollection of an embarrassing travel anecdote. Her destinations vary widely--a classroom in South Korea, a Japanese family's living room, Main Street in Natchez, Mississippi, a Taipei shopping mall, a beach in the Philippines, and even her own bedroom. In each, she explores the vast differences between cultures, the feeling of being an outsider, the constant battle to understand and be understood.The Night My Mother Met Bruce Lee proves that shifting the frames of identity can be tricky, exhilarating--and revelatory.

    Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as Time magazine observed, her stories are "moving . . . and somehow inevitable, as if she has written what we were all on the verge of thinking."In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.Varieties of Disturbance is a 2007 National Book Award Finalist for Fiction.

    In the title story, a woman tells her husband of her curious discovery: that she is inhabited by small alien creatures. In another, a young girl making her way to college through the streets of Delhi comes across a mysterious tetrahedron. Is it a spaceship? Or a secret weapon?The first Indian female speculative fiction writer, Singh has said that her genre is a “chance to find ourselves part of a larger whole; to step out of the claustrophobia of the exclusively human and discover joy, terror, wonder, and meaning in the greater universe.” A revolutionary voice in fantasy writing, Singh brings her passion for discovery to these stories, and the result is like nothing of this world.Contents:Hunger (2007)Delhi (2004)The Woman Who Thought She Was a Planet (2003)Infinities (2008)Thirst (2004)Conservation Laws (2008)Three Tales from Sky River: Myths for a Starfaring Age (2004)The Tetrahedron (2005)The Wife (2003)The Room on the Roof (2002)A Speculative Manifesto (2008) essay

    The AwakeiningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA Reflection

    The rain and snow have weathered me, and I too have weathered them’.At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.An idyllic childhood playing by the river ends with her father’s death and the growing realisation that her mother’s and uncle’s relationship is not as simple as she thought. Then, in the 1930s, the intimate, secluded world of the tribe is shattered when the Japanese army invades China. The Evenki cannot avoid being pulled into the brutal conflict which marks the first step towards the end of their isolation…In The Last Quarter of the Moon, prize-winning novelist Chi Zijian, creates a dazzling epic about an extraordinary woman bearing witness not just to the stories of her tribe but also to the transformation of China.

    Mona--a self-described "self-made mouth" goes to temple, loves pickles, is boy-crazy, worries about getting into the right college and keeping up with her over-achieving sister, and wishes her parents were less strict. Her equally Jewish Westchester classmates hardly notice what everyone else finds hard to forget: Mona may be Jewish by choice (and voice) and American by nationality, but her surname is Chang and so she is considered less an expert on seders and schmaltz than China. In Gish Jen's hands, '70s suburbia is a place of buoyant hope and change. While Mona's parents worry about what she'll do next--her mother suggesting at one point that she might even want to be black, Mona ripostes that that's not a religion. She does, however admit to knowing "some kids studying to be Bobby Seale. They call each other brother, and eat soul food instead of subs, and wear their hair in the baddest Afros they can manage." The divide between past conservatism and present bohemia is one of the novel's concerns, but its epigraphs hint at the porous nature of cultural identity, of groups taking what they choose from one another. As for Gish Jen, she turns out to be a descendant of Laurence Sterne. Mona has the buttonholing narrator, the rollicking comedy that modulates into genuine sadness, and the incidental but all-important details that might confuse those intent on the author's ethnicity but will delight everyone else.

    When we first meet Noor, she is living in San Francisco, missing her beloved father, Zod, in Iran. Now, dragging her stubborn teenage daughter, Lily, with her, she returns to Tehran and to Café Leila, the restaurant her family has been running for three generations. Iran may have changed, but Café Leila, still run by Zod, has stayed blessedly the same - it is a refuge of laughter and solace for its makeshift family of staff and regulars. As Noor revisits her Persian childhood, she must rethink who she is: a mother, a daughter, a woman estranged from her marriage and from her life in California. And together, she and Lily get swept up in the beauty and brutality of Tehran.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    Families, friends, lovers disappear.Kim Echlin’s powerful new novel tells the story of Anne Greves, from Montreal, who meets Serey, a Cambodian student forced into exile when he cannot return home during Pol Pot’s time of terror. Anne and Serey meet in a jazz club where their shared passion for music turns into a passion for each other, against the will of her father. But when the borders of Cambodia open, Serey is compelled to return home, alone, to try to find his family. Left behind, and without word from her lover, Anne tries to build a new life but she cannot forget her first love. She decides to travel to the war-ravaged country that claimed Serey. What she finds there is a traumatized and courageous people struggling to create new freedoms out of the tragedy that claimed their traditional ways, their livelihood, and a seventh of their population.“Despair is an unwitnessed life,” writes Anne as she searches for the truth, about her lover, and about herself. “If we live long enough, we have to tell, or turn to stone inside.”From its first page, The Disappeared takes us into the land of kings and temples, fought over for generations. It reveals the forces that act on love everywhere: family, politics, forgetting. Universal in its questions about how to claim the past, how to honor our dead, and how to go on after those we love disappear, it is a story written in spare and rhythmic prose. The Disappeared is a remarkable consideration of language, truth, justice, and memory that speaks to the conscience of the world, and to love, even when those we love most are gone.

    She will discover the truth about her past, even if that means outwitting the most feared thief-catcher of them all...Relentless, handsome and determined, Han sees life—and love—as black and white. Until he finally captures the spirited, courageous Li Feng, who makes him question everything he thought he knew about right and wrong. Soon he's faced with an impossible choice: betray the elusive sword dancer he is learning to love, or trust his long-disregarded heart and follow her to dangerous, tempting rebellion...