But both Bud and Deanie are disturbed by the powerful feelings that have grown between them, and which are turned into torture by the restraints of proper conduct. Mindful of the bad example of his own debauched sister, Bud wants to marry Deanie immediately and go to agricultural school a hope that is destroyed by his father's ambitions to put Bud through Yale and into the family oil business. Bud and Deanie promise to wait, and Bud decides that it is better for them to see less of each other in the meantime, a turn of events that plunges the unstable Deanie into an emotional crack-up and then commitment to an institution. By the time she is released their world has turned over. The stock market crash has destroyed the Stamper empire and led to suicide for Bud's father; Bud has left Yale and married a young waitress from New Haven; and Deanie has become engaged to a young man she met in the hospital. The time has come for both to start life anew, but to do this means to come to terms with the past, and this Bud and Deanie do in a final, touching scene where old ties are gently broken and each gains the sureness and strength to move on from disturbing memories to better hopes for what lies ahead.

    As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

    It is not a completed novel, however. According to Margerie Lowry, the author's widow, this published version is her "sorting out" of numerous drafts of chapters, paragraphs and even sentences that Lowry began to write in 1946.

    But they should never have stolen Levon’s Ride.Levon Cade returns in this relentless novella of retribution.Levon and his daughter Merry are on the run. When their SUV is taken off a mall parking lot, it’s up to Levon to find it. The car means nothing to him but the million dollars in cash and uncut diamonds that are hidden in it mean freedom for Levon and his little girl. He uses his skills and courage to uncover a widespread network of thieves and invite the wrath of a local gang.More of the remorseless violence and high-speed action that readers have come to expect from Chuck Dixon. Includes five illustrations by legendary comic book artist and illustrator Butch Guice.Jaye Manus, Editor

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.

    On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat.Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence--physical, sexual, and emotional--but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream--ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den's father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics."Tough Guys Don't Dance" represents Mailer at the peak of his powers with a stunningly conceived novel that soon transcends its origins as a mystery to become a relentless search into the recesses and buried virtues of the modern American male. Rarely, as many readers will discern, have the paradoxes ofmachismo and homosexuality been so well explored.

    Presenting three endearing favorites in classic children's literature, a Burnett anthology follows the stories of the contrary and curious Mary, the wise and brave Sarah, and the lovable young Lord Fauntleroy.

    

    The romantic entanglements of the two women with a local mill owner and his penniless brother pit the claims of passion against the boundaries of class and society.The Professor—the first novel Brontë completed, the last to be published—is both a disturbing love story and the coming-of-age tale of a self-made man. At its center is William Crimsworth, who has come to Brussels to work as an instructor in a school for girls. When he becomes entangled with Zoräide Reuter, a charismatic and brilliantly intellectual woman, the fervor of her feelings threatens both her own engagement and William's chance of finding true love.

    Includes a detailed chronology of the war, historical maps, a glossary of military terms, and photos and illustrations.

    

    He sits in his room, and smokes his pipe. He listens, and watches, and thinks. He listens to the steps coming up the stairs; he watches the door opening - and he knows what question the stranger will ask.In these three of his best stories, Holmes has three visitors to the famous flat in Baker Street - visitors who bring their troubles to the only man in the world who can help them.

    When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.

    He knew little then; he learned nothing since. But the army, desperate for officers in the opening months of WW I, hands Curzon, a new division to train. A few months later his formations dissolve at the Somme, hosed down by German machine guns. Uninstructed, Curzon still thinks himself a leader. When a German offensive threatens his remaining troops, he gallops suicidally into the fighting. He prefers death to self-knowledge. "THE GENERAL is a superb novel. It blends Forester's preference for military subjects and solid unreflective characters, his irony, his grasp of history and his gift for lean, hypnotic narrative." (The New York Times)