Collected here from various sources (including the Guardian and GQ America) are the best of his adventures. Always intrigued by our ability to believe the unbelievable, Jon meets the man preparing to welcome the aliens to earth, the woman trying to build a fully-conscious robotic replica of the love of her life and the Deal or No Deal contestants with a fool proof system to beat the Banker. Jon realises that it’s possible for our madness to be a force for good when he meets America’s real-life superheroes or a force for evil when he meets the Reverend ‘Death’ George Exoo, who has dubiously assisted in more than a hundred mercy killings.He goes to a UFO convention in the Nevada desert with Robbie Williams, asks Insane Clown Posse (who are possibly America’s nastiest rappers) whether it’s true they’ve actually been evangelical Christians all along and rummages through the extensive archives of Stanley Kubrick. Frequently hilarious, sometimes disturbing, always entertaining, these compelling encounters with people on the edge of madness will have you wondering just what we’re capable of.

    The vivid translations, which combine elegance and modernity, are remarkable for their lucidity and accuracy, and are equally suitable for reading for pleasure, study, or theatrical performance. The selection of Antigone, Oedipus the King, and Electra not only offers the reader the most influential and famous of Sophocles' works, it also presents in one volume the two plays dominated by a female heroic figure, and the experience of the two great dynasties featured in Greek tragedy--the houses of Oedipus and Agamemnon.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    An exiled Soviet writer discovers that a German travel agency is booking flights through a time warp to a variety of tempting sites and dates in the future. Moscow? The year 2042? How can he resist? Afterword by the Author. Translated by Richard Lourie.

    Book annotation not available for this title.

    A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

    "The Quiet Don") is 4-volume epic novel by Russian writer Mikhail Aleksandrovich Sholokhov. The 1st three volumes were written from 1925 to '32 & published in the Soviet magazine October in 1928–32. The 4th volume was finished in 1940. The English translation of the 1st three volumes appeared under this title in 1934. The novel is considered one of the most significant works of Russian literature in the 20th century. It depicts the lives & struggles of Don Cossacks during WWI, the Russian Revolution & Russian Civil War. In 1965, Sholokhov was awarded the Nobel Prize for Literature. The authorship of the novel is contested by some literary critics & historians, who believe it wasn't entirely written by Sholokhov. However, following the discovery of the manuscript, the consensus is that the work is, in fact, Sholokhov’s.

    The adventurous and sometimes shocking later works of playwright Tennessee Williams, from 1957 to 1980, are collected in this volume, which includes "Orpheus Descending, Suddenly Last Summer", and "The Night of the Iguana".

    His album is filled with moving insights into the lives of those he acquaints with, peasants and landowners, doctors and bailiffs, neglected wives and bereft mothers each providing a glimpse of love, tragedy, courage and loss, and anticipating Turgenev's great later works such as First Love and Fathers and Sons. His depiction of the cruelty and arrogance of the ruling classes was considered subversive and led to his arrest and confinement to his estate, but these sketches opened the minds of contemporary readers to the plight of the peasantry and were even said to have led Tsar Alexander II to abolish serfdom.

    On this anniversary, the editors have increased the size of the collection to 300,000 words of fiction and poetry, including works by Billy Collins, Ted Chiang, Karen Joy Fowler, Elizabeth Hand, Glen Hirshberg, Joyce Carol Oates, and new World Fantasy Award winner M. Rickert. With impeccably researched summations of the field by the editors, Honorable Mentions, and articles by Edward Bryant, Charles de Lint and Jeff VanderMeer on media, music and graphic novels, this is a heady brew topped off by an unparalleled list of sources of fabulous works both light and dark.

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    

    We can find darkness anywhere: in a strange green stone etched with mysterious symbols; at a small town's annual picnic; in a ghostly house that is easy to enter but not so easy to leave; behind the dumpster in the alley where a harpy lives; in The Nowhere, a place where car keys, toys, people disappear to; among Polar explorers; and, most definitely, within ourselves. Darkness flies from mysterious crates; surrounds children whose nightlights have vanished; and flickers between us at the movie theater. Darkness crawls from the past and is waiting in our future; and there's always a chance that Halloween really is a door opening directly into endless shadow. Welcome to the dark. You may never want to leave. This inaugural volume of the year's best dark fantasy and horror features more than 500 pages of dark tales from some of today's finest writers of the fantastique. Chosen from a variety of sources, these stories are as eclectic and varied as the genre itself.Contents 9 • What the Hell Do You Mean By "Dark Fantasy and Horror?" • essay by Paula Guran13 • The Horrid Glory of Its Wings • (2009) • shortstory by Elizabeth Bear23 • Lowland Sea • (2009) • novelette by Suzy McKee Charnas41 • Copping Squid • (2009) • novelette by Michael Shea56 • Monsters • (2009) • novelette by Stewart O'Nan73 • The Brink of Eternity • (2009) • shortstory by Barbara Roden85 • Frost Mountain Picnic Massacre • (2009) • shortstory by Seth Fried95 • Sea-Hearts • (2009) • novella by Margo Lanagan138 • A Haunted House of Her Own • (2009) • shortfiction by Kelley Armstrong153 • Headstone in Your Pocket • (2009) • shortstory by Paul G. Tremblay [as by Paul Tremblay ]166 • The Coldest Girl in Coldtown • (2009) • novelette by Holly Black182 • Strange Scenes from an Unfinished Film • (2009) • shortstory by Gary McMahon190 • A Delicate Architecture • (2009) • shortstory by Catherynne M. Valente196 • The Mystery • (2009) • shortfiction by Peter Atkins205 • Variations on a Theme from Seinfeld • (2009) • shortstory by Peter Straub211 • The Wide, Carnivorous Sky • (2009) • shortfiction by John Langan251 • Certain Death for a Known Person • (2009) • novelette by Steve Duffy267 • The Ones Who Got Away • (2009) • shortfiction by Stephen Graham Jones274 • Leng • (2009) • shortfiction by Marc Laidlaw292 • Torn Away • (2009) • shortfiction by Joe R. Lansdale301 • The Nowhere Man • (2009) • shortfiction by Sarah Pinborough314 • The Bone's Prayer • (2009) • shortstory by Caitlín R. Kiernan327 • The Water Tower • (2009) • shortstory by John Mantooth337 • In the Porches of My Ears • (2009) • shortstory by Norman Prentiss348 • The Cinderella Game • (2009) • shortstory by Kelly Link355 • The Jacaranda Smile • (2009) • shortstory by Gemma Files366 • The Other Box • (2009) • shortfiction by Gerard Houarner388 • White Charles • [Kyle Murchison Booth] • (2009) • novelette by Sarah Monette406 • Everything Dies, Baby • (2009) • shortstory by Nadia Bulkin414 • Bruise for Bruise • (2009) • shortstory by Robert Davies422 • Respects • (2009) • shortstory by Ramsey Campbell433 • Diamond Shell • (2009) • shortstory by Deborah Biancotti446 • Nub Hut • (2009) • shortstory by Kurt Dinan452 • The Cabinet Child • (2009) • shortfiction by Steve Rasnic Tem458 • Cherrystone & Shards of Ice • (2009) • shortstory by Ekaterina Sedia469 • The Crevasse • (2009) • shortstory by Nathan Ballingrud and Dale Bailey482 • Vic • (2009) • shortfiction by Maura McHugh490 • Halloween Town • (2009) • novella by Lucius Shepard543 • The Long, Cold Goodbye • (2009) • novelette by Holly Phillips562 • What Happens When You Wake Up in the Night • (2009) • shortstory by Michael Marshall Smith

    Using his own experiences as a journalist and propagandist with the Red Army during the war against Poland, Babel brings to life an astonishing cast of characters from the exuberant, violent era of early Soviet history: commissars and colonels, Cossacks and peasants, and among them the bespectacled, Jewish writer/intellectual, observing it all and trying to establish his role in the new Russia.Drawn from the acclaimed, award-winning Complete Works of Isaac Babel, this volume includes all of the Red Cavalry cycle; Babel's 1920 diary, from which the material for the fiction was drawn; and his preliminary sketches for the stories—the whole constituting a fascinating picture of a great writer turning life into art.