Whispers at dinner parties. Warnings about bad dates with a Canadian celebrity. Then, seemingly out of nowhere, superstar CBC broadcaster Jian Ghomeshi revealed his interest in “rough sex” in a long Facebook post, and a scandal of unprecedented scale descended on the radio host.What the public did not know was that months before Ghomeshi’s emotional post, Canadaland podcaster Jesse Brown and Toronto Star journalist Kevin Donovan were quietly pursuing serious allegations against him. In Secret Life, Donovan takes us inside the Star’s investigation. Step by step, he explores the story as only he can: the media frenzy, his own personal and professional doubts, the women who came forward with stories about an alleged dark side of a national idol, and Ghomeshi’s ignominious firing and dramatic criminal trial. Taking us behind the scenes, Donovan sheds light on the journalistic process and the complexity of gathering information about a highly sensitive matter from named and confidential sources, including those women who feared it was their word against a beloved public figure’s.Secret Life is a thought-provoking account of the landmark Ghomeshi exposé that sparked a nation-wide discussion on sexual assault, the cult of celebrity, and the politics of power and gender in the workplace.

    A woman runs away to a cottage in the English moors to escape a love affair; shards of glass reconcile a middle-aged wife to her husband’s estrangement; a grandmother makes a startling confession from her youth; a young woman discovers herself through the life of an Italian saint; and, in a spellbinding story of artistic jealousy, we enter the mind of poet Robert Browning at the end of his life. In these beautifully crafted stories, ordinary objects brim with meaning and memories radiate with significance as Jane Urquhart illuminates the things that lie just beneath the surface of our lives.

    Jerry Simpson. Simpson brought the girl, who may be autistic, back to Canada as an act of mercy and to attempt to treat her obvious trauma. Cailin desperately needs to find out why this terrible incident occurred so she can find the strength to forgive and move on with her life.Inez, whose sense of wonder and innocence touches all who meet her, becomes a focal point for many of the Canadians who encounter her. As Caitlin struggles to uncover the truth about Inez's relationship with Jerry, Inez struggles to break free of the projections of others. Each must confront her own anger and despair. The doctors in the north have an iciness that matches their surroundings, a kind of clinical armour that Caitlin must penetrate if she is to reach Inez.The Girl in the Box is a psychological drama of the highest order and a gripping tale of intrigue and passion.

    "The City Is a Rising Tide" unfolds against a stunning backdrop of history, culture, and landscape -- from the Three Gorges Dam on the Yangtze to the refined vistas of Central Park, from the Cultural Revolution to the surreal world of moviemaking. In New York City, Justine Laxness works as a money manager at a nonprofit, the Aquinas Foundation. Justine's love for her boss, Peter, is unrequited, despite their deep friendship and extensive history: they first met in the early 1970s, when Justine was a child living in Beijing with her Christian family. Peter, then twenty-eight and stationed in China while working for Richard Nixon, had fallen in love with Justine's nanny, Su Chen -- a Communist revolutionary under Mao -- and still feels guilt for his part in her disappearance and death.Justine's obsession with Peter spurs her to embezzle funds from Aquinas and lend the money to James Nutter, a screenwriter and old college flame who has resurfaced in Justine's life after ten years. But every action she takes will have unforeseen ramifications, creating a tidal wave of betrayal and destruction. Lyrical and suspenseful by turns, "The City Is a Rising Tide" is an enchanting work of luminous prose and uncommon imagination.

    But linguist Daniel Everett argues that, like other tools, language was invented by humans and can be reinvented or lost. He shows how the evolution of different language forms—that is, different grammar—reflects how language is influenced by human societies and experiences, and how it expresses their great variety.  For example, the Amazonian Pirahã put words together in ways that violate our long-held under-standing of how language works, and Pirahã grammar expresses complex ideas very differently than English grammar does. Drawing on the Wari’ language of Brazil, Everett explains that speakers of all languages, in constructing their stories, omit things that all members of the culture understand. In addition, Everett discusses how some cultures can get by without words for numbers or counting, without verbs for “to say” or “to give,” illustrating how the very nature of what’s important in a language is culturally determined. Combining anthropology, primatology, computer science, philosophy, linguistics, psychology, and his own pioneering—and adventurous—research with the Amazonian Pirahã, and using insights from many different languages and cultures, Everett gives us an unprecedented elucidation of this society-defined nature of language. In doing so, he also gives us a new understanding of how we think and who we are.

    Colin McGinn–“an ingenious philosopher who thinks like a laser and writes like a dream,” according to Steven Pinker–enhances our understanding of both movies and ourselves in this book of rare and refreshing insight.

    Sorry. Yours, Sheb Woolly Ledoux. Asshole.” Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he’ll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata.After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way.Stunt is the first novel by one of Canada’s most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey’s words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.

    In an odd pilgrimage through the mountains, the townsfolk of Coalton—from the ski bum to the urbanite—embark on a bizarre adventure that walks the line between comedy and tragedy. As the rednecks mount their sleds and the hippies snowshoe through the cedar forest, we see rivals converge for the weekend. While readers follow the characters on their voyage up and over the mountain, stereotypes of ski-town culture fall away. Loco, the ski bum, is about to start his first real job; Alison, the urbanite, is forced to learn how to wield an avalanche shovel; and Michael, the real estate developer, is high on mushroom tea.In a blend of mordant humour and heartbreak, Angie Abdou chronicles a day in the life of these industrious few as they attempt to conquer the mountain. In an avalanche of action, Angie Abdou explores the way in which people treat their fellow citizens and the landscape they love.

    Readers already know Gray as an award-winning biographer, a writer who has brilliantly captured significant individuals and dramatic moments in our history. Now, in The Promise of Canada, she weaves together masterful portraits of nine influential Canadians, creating a unique history of the country over the past 150 years.What do these people—from George-Étienne Cartier and Emily Carr to Tommy Douglas, Margaret Atwood, and Elijah Harper—have in common? Each, according to Charlotte Gray, has left an indelible mark on our country. Deliberately avoiding a “top down” approach to our history, Gray has chosen people whose ideas have caught her imagination, ideas that over time have become part of our collective conversation. She also highlights many other Canadians, past and present, who have added to the ongoing debate over how we see ourselves, arguing that Canada has constantly reimagined itself in every generation since 1867.Beautifully illustrated with evocative black and white images and colourful artistic visions of our country, The Promise of Canada is a fresh take on our history that offers fascinating insights into how we have matured and yet how—150 years after Confederation and beyond—we are still a people in progress. Charlotte Gray makes history come alive as she opens doors into our past, our present and our future, inspiring and challenging readers to envision the Canada they want to live in.

    As the journey progresses, secrets are unveiled, a friendship is tested, and there is a run-in with the Hurley family, a family both men have feared since childhood. In The Architects Are Here, Winter’s fifth and most emotionally resonant novel to date, he explores the nature of grief and friendship in unwaveringly powerful prose, and sheds light on who we are and how we go on when the future seems uncertain.

    "The law don't allow no slavery there." The very next morning, a ruthless slave trader separates Julilly from her mother, taking Julilly to a plantation in the dreaded Deep South. The slave quarters there are crowded and filthy, and the slaves are as frail and thin as shadows. The cruel overseer lashes out with his whip at every opportunity. So when Julilly gets a chance to escape, she and her crippled friend Liza don't hesitate, despite their terror of what will happen if they are caught. They go disguised as boys, hiding by day and running by night. Along the way they are helped by courageous people who hide them in secret "stations" of the Underground Railway -- and they are pursued constantly by slave hunters and bloodhounds. Each close brush with danger brings them a step closer to Canada ... and freedom.

    How did that day you've forgotten look? What did it feel like? Were you lonely? Did you have the sense you were progressing anywhere? Probably not. Yet string a few thousand of them together and that's a life. --From Boy WondersCathal Kelly grew up in the seventies and eighties, decades when dressing like Michael Jackson seemed like a good idea and The Beachcombers--an adventure show about logging--seemed to make sense. But apart from fashion missteps and baffling TV plotlines, Kelly's youth was a time of wonder, obsession and discovery. Navigating an often fraught fam­ily life, Kelly sought refuge in books, music, movies, games and at least one backyard hole. However, looking back he sees that his passion for George Orwell, Star Wars or The Smiths was never just about the book, movie or band. Rather, it was about the promise each new experience offered him in making sense of the world, and how he might find a home within it.By turns funny, elegiac and insightful, Boy Wonders is an unvarnished celebration of grow­ing up and stumbling toward identity. It's about the good and the bad of those brief years when we find purpose without end, obsession with­out limit and joy in the strangest of places.

    Here is a book for anyone who has ever wondered about the real person behind the magnificent voice. Touching and funny, fascinating and uplifting, it is an exquisitely detailed portrait of a remarkable woman who has never backed away from any challenge...even the most daunting challenges of the heart.

    As Sawai deftly turns over the stones of these people's lives and reveals the squalor, the fear and the unhappiness that lie beneath, she also uncovers that most precious of human qualities - hope.

    Selected by Derrida from the prints and drawings department of the Louvre, the works depict blindness—fictional, historical, and biblical. From Old and New Testament scenes to the myth of Perseus and the Gorgon and the blinding of Polyphemus, Derrida uncovers in these images rich, provocative layers of interpretation. For Derrida drawing is itself blind; as an act rooted in memory and anticipation, drawing necessarily replaces one kind of seeing (direct) with another (mediated). Ultimately, he explains, the very lines which compose any drawing are themselves never fully visible to the viewer since they exist only in a tenuous state of multiple identities: as marks on a page, as indicators of a contour. Lacking a "pure" identity, the lines of a drawing summon the supplement of the word, of verbal discourse, and, in doing so, obscure the visual experience. Consequently, Derrida demonstrates, the very act of depicting a blind person undertakes multiple enactments and statements of blindness and sight. Memoirs of the Blind is both a sophisticated philosophical argument and a series of detailed readings. Derrida provides compelling insights into famous and lesser known works, interweaving analyses of texts—including Diderot's Lettres sur les aveugles, the notion of mnemonic art in Baudelaire's The Painter of Modern Life, and Merleau-Ponty's The Visible and the Invisible. Along with engaging meditations on the history and philosophy of art, Derrida reveals the ways viewers approach philosophical ideas through art, and the ways art enriches philosophical reflection. An exploration of sight, representation, and art, Memoirs of the Blind extends and deepens the meditation on vision and painting presented in Truth and Painting. Readers of Derrida, both new and familiar, will profit from this powerful contribution to the study of the visual arts.