Features works prior to the Tree Show, including Blood, Sweat, Tears, and The Creatrix. A survey of 55 of Ryden s most impressive works from past shows to the present. A gem of a book, presented in a beautiful hardcover, clothbound format. Text in Japanese.

    

    A guide to the Nikon D3100 camera provides information on the camera's scene modes, composition, focus, lighting, and composition to take successful portraits and sports and landscape photographs.

    . . forever.Join Royce on this captivating, often poignant trek spanning two continents as he tries to reclaim his strength, courage, and hope.You may find that the life changed most . . . is yours.

    The book features 2,000 images and documents, many previously unpublished. Note: PBS-TV's American Masters will broadcast a 2 hour Warhol documentary by Ric Burns to air in May 2006.

    Her parents have their ideas about how her life should be, and don’t mind imposing their beliefs onto her. They seemingly can’t mind their business, even when it comes to matters of her heart. They insist that her boyfriend Tori is the one for her, even after Rye decides that he just aint her type. This point is then further exasperated when Jaylen Braxton Junior enters the picture and the life Rye’s parents have planned for her soon falls apart.

    They are enjoying a renaissance, with graphic designers and artists creating specialty tattoos for a growing audience, unleashing a revival of interest in the bawdy vintage tattoo. Old school tattoos are being rediscovered (sometimes ironically, sometimes not) by a new generation. Originally embraced by rebels, sailors, and gangsters, these tattoos—broken hearts, naked girls, floral motifs, and maritime emblems—are now showing up on the fashion runway and in music videos. This book chronicles vintage motifs in thematic chapters interspersed with profiles of influential tattoo artists and their distinctive designs: Sailor Jerry Collins, Don Ed Hardy ("the Godfather of Tattoos"), Mike "Rollo Banks" Malone, Bert Grimm, Japan’s Horiyoshi III, and Shanghai’s Pinky Yun.

    Posing is truly a crucial skill that photographers need to have in order to create great photographs. If you're looking to improve your ability to pose your subjects--whether they're men, women, couples, or groups--best-selling author and photographer Lindsay Adler's The Photographer's Guide to Posing: Techniques to Flatter Everyone is the perfect resource for you.In the first half of The Photographer's Guide to Posing, Lindsay discusses how the camera sees, and thus how camera angle, lens choice, and perspective all affect the appearance of your subject. Lindsay then covers the five most important things that ruin a pose--such as placement of the hands, and your subject's expression and posture. If you can look out for and avoid these five things, your skills (and your images) will quickly improve. Next, Lindsay dives into -posing essentials, - outlining her approach to start with a -base pose, - then build on that to create endless posing opportunities. She also discusses posing the face--with specific sections dedicated to the chin, jaw, eyes, and forehead--as well as posing hands.In the second half of the book, Lindsay dedicates entire chapters to posing specific subject matter: women, men, couples, curvy women, families and small groups, and large groups. In each chapter, Lindsay addresses that subject matter's specific challenges, provides five -go-to poses- you can always use, and covers how to train the eye to determine the best pose for your subject(s). In the final chapter of the book, Lindsay brings it all together as she teaches you how to analyze a pose so that you can create endless posing opportunities and continuously improve your work

    Drawn from their work over the past thirty years, this book is an inclusive look at the people and cultures from across this broad continent.With their unique eye for Africa and its inhabitants, Beckwith and Fisher have brought forth a masterpiece in the genre—and a moving, personal tribute to some of the most beautiful people on Earth.

    Abandoned by her drug addicted mother and absentee father, nine-year-old Aneesah is forced to live with her foster family in Ardmore, PA. Behind the picket fence in this middle class suburb, lies a dark secret of child abuse and neglect, until one day Aneesah befriends Capree Johnson who saves Aneesah from that nightmare. Life is sweet living with the Johnson family, led by music tycoon Kevin “KJ” Johnson founder of iLLADELPHIA Records. Going from rags to riches overnight, Aneesah is thrust into the glamourous life of a pampered princess, until she is faced with a life changing blow. Betrayed by the one person she thought would never hurt her, Aneesah journeys out into the world on her own where she meets James Hennessey aka Nyce, and is instantly intoxicated by his love. However, secrets, lies, broken bonds, and deceit continue to follow her, interrupting her seemingly picture perfect life and plaguing her relationship with Nyce who follows a strict code of Living Anonymous.

    Bayles now turns that same attention to his native West.When European Americans “discovered” the American West, they fell in love with the resplendent landscape. The love affair and its congenital flaws persists to this day.Bayles writes: “. . . the question is why my people bungled our occupation of the West so badly when no one really wanted to, when there was every chance to get it right, when voices of caution were constantly raised, when what needed to be done was frequently obvious, and when, occasionally, we did get it right (think: National Parks).”Notes on a Shared Landscape engages the issues that make the West the West—widely ranging over the autobiographical and the cultural, the ecological and the epistemological, the cow and the potato. This is an intensely personal book, and though the Western library is huge, there is not another book like it. Much of the text unfolds in Yellowstone, where Bayles writes:In the Lamar valley of the Yellowstone, beaver gnaw the trunks of cottonwoods, elk browse their leaves. The shadows are long, even in summer. Even so, it is just another place. In it, just as elsewhere, we see the marks of our own hands faintly because we don’t have to know very much about the land we live in, because we are equally a part of and apart from nature, and because there is hardly any moment when humans are more delusional than when self recognition is required.

    The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.

    He has the body and the winning streak to prove it. He trains like a mad man, with more discipline than a monk. But even he can't keep his attention in the ring when a brunette distraction shows up in his boxing gym.Ava Young had it all. The fancy house on a hill, a successful businessman father, an adorably decorated dorm room, and a group of fun-loving college friends. That is, until her father's company is exposed for embezzling. She has no place to turn but her childhood best friend's couch and a new, strange life filled with underground fighters. Including the intimidatingly sexy, Rhett Jaggar.These two opposites may come to find that they have more in common than they realize...but will it be a harmless attraction or a dangerous addiction?

    1997 Following the international success of the original edition, Kate returns in an attractive, affordable mini format.

    I felt protected in the atmosphere we created together. We had an inner narrative, producing our own unspoken film, with or without a camera." -Patti Smith, from her afterword Like a scene in Godard's Vivre sa vie or Dreyer's La Passion de Jeanne d'Arc, Patti Smith posed for the lens of a young photographer, Judy Linn. It was 1969, some years before Patti Smith entered the arena of rock and roll. Smith was a struggling poet, harboring a romantic ideal of the collaborative possibilities between an artist and model- a dream happily fulfilled within this intimate and high-spirited body of work. Linn's images of Smith range from the vulnerable to the iconic. Focusing on shifting influences and spotlighting her profound relationships with artists such as Robert Mapplethorpe and Sam Shepard, Linn has captured Smith like no one else, in the grainy atmosphere of a bygone New York. Judy Linn's photographs document the blooming of an enduring friendship and the evolution of two unique artists: gritty and visionary, fragile and tough.Praise for Patti Smith 1969-1976:"a striking new book, Patti Smith: 1969-1976 (out March 1) . . . collects photographs of the coolly photogenic star taken by her talented friend Judy Linn during the same time Kids describes. They're wonderfully composed shots of Smith looking like the star of a Godard film of her own making. The pictures show her fully ready for a closeup that would cement her boho image just a few years later, on the iconic cover of her first album, Horses, shot, of course, by Mapplethorpe himself." -New York Daily News "Here is Smith's acclaimed 2010 memoir, Just Kids, come to life-the shrines to Bob Dylan, the dress up-and the photos strike the same wistful note; as Smith writes in her afterword: 'once upon a time, we were young and beautiful and anyone we imagined we could be.'" -Publishers Weekly"Anticipating a new generation's excitement for Smith and Mapplethorpe, their friend Judy Linn has published a new book of her photographs, Patti Smith 1969-1976, that centers on the era covered in Just Kids, the time before Patti and Robert were famous. The book's a nice visual testament to their friendship, but it's also a bible of good clothing, an early record of one of the most stylish couples of all time." -The Fader.com"Linn's collection of photographs is the perfect complement to Smith's National Book Award-winning memoir, Just Kids . . . like Smith's memoir, the photos-uninterrupted by titles, captions, or any other text-serve two purposes: they tell the story of young artists finding their voice and style and serve as a love letter to '70s New York, four decades later." -Flavorwire.com