In Lift, Corrigan weaves together three true and unforgettable stories of adults willing to experience emotional hazards in exchange for the gratifications of raising children.Lift takes its name from hang gliding, a pursuit that requires flying directly into rough air, because turbulence saves a glider from "sinking out." For Corrigan, this wisdom--that to fly requires chaotic, sometimes even violent passages--becomes a metaphor for all of life's most meaningful endeavors, particularly the great flight that is parenting.Corrigan serves it up straight--how mundanely and fiercely her children have been loved, how close most lives occasionally come to disaster, and how often we fall short as mothers and fathers. Lift is for everyone who has been caught off guard by the pace and vulnerability of raising children, to remind us that our work is important and our time limited.Like Anne Morrow Lindbergh's Gift from the Sea, Lift is a meditation on the complexities of a woman's life, and like Corrigan's memoir, The Middle Place, Lift is boisterous and generous, a book readers can't wait to share.

    The video went viral, and overnight, launched him—the homeless man with a golden voice—into the hearts of millions.Since then, millions have heard pieces of his story: his successful radio career, his crack addiction, his multiple arrests, and his heartbreaking relationship with his ninety-year-old mother. But in A Golden Voice, Ted Williams finally puts all the pieces together to give an unforgettable, searingly honest account of life on the streets. Nothing is held back, as Williams takes the reader through prostitution, theft, crack houses, and homeless shelters in a search, ultimately, for redemption and hope. Along the way, we see his relationship with his long-term girlfriend, Kathy, grow into an unlikely and inspiring love story, and we hear the Golden Voice of God lead Ted from the selfishness of crime to the humility of the street corner—almost a year before he was “discovered” on that highway entrance ramp.But this memoir isn’t just an exploration of wrongs and a once-in-a-lifetime chance to give homelessness a voice. It is a deeply American, from-the-heart comeback story about the power of hope, faith, and personal responsibility. With the innate charisma that has won him millions of fans, Ted Williams proves that no one, no matter how degraded, is too lost for a second chance.

    Once there she didn't want to leave and ended up staying for nearly a year. She returned the following summer, but this time chose a big industrial city where she taught English and befriended a student and his family. The youngest son, 'Vlad', was only twelve, shy and very intelligent. Once more Tessa was emotionally hooked. Back home in the Scottish Highlands, she organised for Vlad to be sponsored by her old boarding school. He aced his classes, but, conflicted in the wake of his extraordinary experience, turned down a full-time place. They lost touch; however, the pull of Romania eventually proved too much and, five years on, Tessa returned. Life would never be the same again.

    In The Thing Itself, Todd attempts to discover for himself a new way of thinking by asking the simple question: What is true in ourselves and the world around us? With an exquisite eye for detail and an inquisitive spirit, Todd launches into an involving and elegantly crafted investigation of what makes an authentically lived life. As he focuses on an array of exchanges with people, objects, places, and ideas?from the banal to the emotionally poignant?Todd shows us that there?s a great distance between what we can touch, feel, and see, and what interactions mean in our lives. Mining a rich and multifaceted store of modern philosophy and personal experiences, he inches closer to seeing himself and the world through a clearer set of eyes. Engaging and readable, The Thing Itself offers unexpected insights into the very human search for meaning in our lives.

    Probing the complex relationships between text and image, author and designer, and art and commerce, Lahiri delves into the role of the uniform; explains what book jackets and design have come to mean to her; and how, sometimes, “the covers become a part of me.”

    The targets in the first instance were banks and in the second, prisons. Unarguably America’s most famous bank robber, Willie never injured a soul, but took on almost a hundred banks and departed three of America’s most escape-proof penitentiaries. This is the stuff of myth—rascally and cautionary by turns—yet true in every searing, diverting, and brilliantly recalled detail.

    Drawn from the artist’s wealth of impressions and memories, it is a book for lovers of food and art and fine gift books—a book for anyone who, upon arriving in a new town, seeks first the local market, or who believes the best thing to do on a given night is to share a table with friends. Sara Midda is a watercolorist whose delicate and beautiful paintings shine like jewels, evoking the sweet purple taste of a summer raspberry or the silvery greens and gnarled burnt umber of an olive grove. And she is also a collagist, weaving together photographs, line drawings, her personal swatches—all the hues of a spice cabinet, or the sensations of a picnic, the colors of the breeze, sunshine, laughter, the cooling grass. And a poet, in love with words that sing, like podding and wicker, nettle and snug. By turns reverent and playful, A Bowl of Olives is a work of pure enchantment, celebrating food—of the seasons, of family, of travel and memory. It is as richly layered as a favorite meal. The book is cloth-bound, jacketed, and printed on uncoated stock to convey the feeling of an artist’s sketchbook.

    The second edition, published in 2013, is 190+ pages and has more than 40 photos and graphics. The 2013 edition has material never published before: interviews with Danny Hansford's girlfriend at the time of this death, details of the short, nasty life of Danny Hansford, key excerpts from trial transcripts, and the closing arguments from the fourth trial by legendary defense attorney Sonny Seiler. Unlike John Berendt's book that is primarily an entertainment book focused on eccentric characters that once lived in Savannah, Marilyn Bardsley's book is biographical and almost completely focused on the life and trials of Jim Williams -- the evolution of the barber's son to a self-made aristocrat that was nearly destroyed by a decade of persistent prosecution. Williams endured four trials for pre-meditated murder after shooting his young lover, Danny Hansford. The "devil is clearly in the details" of the trial transcripts. If you loved Court TV, this new edition is for you.

    Keenly observed and written with his insightful and deadpan sense of humor, he explores enduring Southern truths about home, place, spirit, table, and the regions' varied geographies, including his native Alabama, Cajun country, and the Gulf Coast. Everything is explored, from regional obsessions from college football and fishing, to mayonnaise and spoonbread, to the simple beauty of a fish on the hook.Collected from over a decade of his writing, with many never-before-published essays written specifically for this edition, My Southern Journey is an entertaining and engaging read, especially for Southerners (or feel Southern at heart) and anyone who appreciates great writing.

    For Fadiman, as for many passionate readers, the books she loves have become chapters in her own life story. Writing with remarkable grace, she revives the tradition of the well-crafted personal essay, moving easily from anecdotes about Coleridge and Orwell to tales of her own pathologically literary family. As someone who played at blocks with her father's 22-volume set of Trollope ("My Ancestral Castles") and who only really considered herself married when she and her husband had merged collections ("Marrying Libraries"), she is exquisitely well equipped to expand upon the art of inscriptions, the perverse pleasures of compulsive proof-reading, the allure of long words, and the satisfactions of reading out loud. There is even a foray into pure literary gluttony: Charles Lamb liked buttered muffin crumbs between the leaves, and Fadiman knows of more than one reader who literally consumes page corners. Perfectly balanced between humor and erudition, Ex Libris establishes Fadiman as one of our finest contemporary essayists.