With sparkling wit and intelligence, Sanjeev Sanyal sets off to explore India and look at how the country’s history was shaped by, among other things, its rivers, mountains and cities. Traversing remote mountain passes, visiting ancient archaeological sites, crossing rivers in shaky boats and immersing himself in old records and manuscripts, he considers questions about Indian history that we rarely ask: Why do Indians call their country Bharat? How did the British build the railways across the subcontinent? What was it like to sail on an Indian Ocean merchant ship in the fifth century AD? Why was the world's highest mountain named after George Everest?

    The Level 3 Student's Book builds on the foundations established in Level 2 for accurate and fluent communication, extending grammatical, lexical, and functional skills. Beautiful color photographs and illustrations facilitate the teaching of new vocabulary. The New Interchange series teaches students to use English for everyday situations and purposes related to school, work, social life, and leisure. As with the other levels of New Interchange, a complete set of ancillaries, including a video program, is available to make classes interesting and productive.

    Contains information required about lower invertebrates, higher invertebrates, and more.

    Combining authoritative analysis, new ideas, and diverse perspectives, they discuss subjects which are topical yet enduring, as also emerging areas of study and debate. Giving identity to over a billion people, the Indian Constitution is one of the world's great political texts. Drafted over six decades ago, its endurance and operation have fascinated and surprised many. In this short introduction, Madhav Khosla brings to light its many features, aspirations, and controversies. How does the Constitution separate power between different political actors? What form of citizenship does it embrace? And how can it change? In answering questions such as these, Khosla unravels the document's remarkable and challenging journey, inviting readers to reflect upon the theory and practice of constitutionalism in the world's largest democracy.

    

    

    Aware that the Ayodhya royal trio are in exile he flies to Dandakaranya in the Lankan military aircraft, the Pushpak Vimaan. His mission? To capture the Vishnu. For far will Raavan go to seek revenge? Read this timeless tale to find out.

    In this groundbreaking work, Minal Hajratwala mixes history, memoir, and reportage to explore the questions facing not only her own Indian family but that of every immigrant: Where did we come from? Why did we leave?What did we give up and gain in the process?Beginning with her great-grandfather Motiram's original flight from British-occupied India to Fiji, where he rose from tailor to department store mogul, Hajratwala follows her ancestors across the twentieth century to explain how they came to be spread across five continents and nine countries.As she delves into the relationship between personal choice and the great historical forces—British colonialism, apartheid, Gandhi's Salt March, and American immigration policy--that helped to shape her family’s experiences, Hajratwala brings to light for the very first time the story of the Indian diaspora.This luminous narrative by a child of immigrants offers a deeply intimate look at what it means to call more than one part of the world home. Leaving India should find its place alongside Michael Ondaatje’s Running in the Family and Daniel Mendelsohn’s The Lost: A Search for Six of Six Million.

    Even grownups can enjoy the beauty of Oru Kudayum Kunjupengalum. One of the best known works of the author. This edition has illustrations by K R Raji.

    The book was a bystander to the tightly controlled business environment and has been an eye-witness to the post-reforms period. During these periods, the book has captures all the changes and development clearly, comprehensively and objectively. No surprise, the book has gained acceptance across the country. The present edition contains cases and two new features: 'Relook' and 'Applying Mind'. All the chapter have been recast, and new tables and boxed items have been added. ESSENTIALS OF BUSINESS ENVIRONEMNT is now richer in contents, more comprehensive in coverage and more contemporaneous in timing.

    Salient features: Expanded coverage on software tools including user interfaces; enhanced treatment of language processors with addition of three new chapters on the topic; includes detailed discussions on assemblers, macroprocessors, compilers, and interpreters, and linkers, security in a distributed environment; complementary new chapter devoted to protection; process management and information management; numerous examples from contemporary systems like UNIX and IBM PC illustrating concepts and techniques; indispensible text for undergraduate and postgraduate students of computer science and engineering; an invaluable reference tools for system analysis and computer professionals.

    It examines the critical reactions to the different theories of second language acquisition.

    “Love is unpredictable.”Even if you’ve fallen in love a million times, you can’t claim, “Alam ko na ‘yan!” And that’s because “Ang pag-ibig kapag sineryoso, nakakabobo.”It’s really complicated, but you have to remember, “Sa isang relasyon dapat masaya ka, hindi ka stressed, hindi ka pressured.”Because “Love is such a wonderful feeling!”And to those who have not experienced what it is like to be loved, don’t worry, “Lahat ng kaldero, may nakalaang takip.”365 quotes: Read one love quote a day to keep the love troubles away.

    Their love was unique, unfathomabale and unbelievable too. Foreword by V R Sudheesh."Long, long ago, S.K. Pottekkatt went to the banks of a river called Iruvazhinji Puzha in a small town called Mukkam in Kozhikode, and wrote a novel called 'Naadan Premam' - a love story born out of his imagination.Years later, P.T. Muhamed Sadik went to the very same shores and wrote another love story called 'Moideen Kanchanamala - Oru Apoorva Pranayajeevitham'. This time it was not a case of fiction. It was a true story, of a man called Moideen whom he had admired as a child, and the woman he loved Kanchanamala. Sadik remembered Moideen as the 'big man' who used to produce films starring Jayan and Seema, the man who died in a boat accident leaving behind his lover Kanchanamala.When he grew up, he wrote about their love story which had to face several hurdles because of their different religions. He spoke to people who knew Moideen and to Kanchanamala who, to this day lives life as the widow of Moideen." - Cris , Decan Chronicle

    Through the fictional story and Macaulay’s distinctive full-color illustrations, readers will learn not only how such monumental structures were built but also how they functioned in relation to the society they served. As always, Macaulay has given a great deal of attention to the relationship between pictures and text, creating another brilliant celebration of an architectural wonder.