Shelby and Brian Tate have heard heated voices crying out in the night. They've noticed the unsettling way things move around on their own. But the most chilling thing about their new home is the cemetery someone's built out back. The graves are tiny, only big enough for dolls. AND THE DOLLS WON'T STAY BURIED.Soon Shelby's learning all about them. Betsy Anne's angelic appearance hides a raging fire behind her eyes, while Baby Daisy changes faces as quickly as she changes moods. And Miss Amelia's cracked porcelain skin and twisted lips only hint at the pain she once endured at the hands of a very angry girl. If Shelby can help the dolls find peace, she and her family might actually be happy at Cinder Creek. But if she can't--the dolls will have their revenge....

    Yet the only thing up there is a stack of grimy old plates. Alison and her stepbrother, Roger, discover that the flowery patterns on the plates, when traced onto paper, can be fitted together to create owls-owls that disappear when no one is watching. With each vanished owl, strange events begin to happen around Alison, Roger, and the caretaker's son, Gwyn. As the kids uncover the mystery of the owl service, they become trapped within a local legend, playing out roles in a tragic love story that has repeated itself for generations... a love story that has always ended in disaster.

    Suppose a stranger told you your daughter was his daughter in another life? Suppose you began to believe him? Suppose it was true?

    includes such stories as - "Alice's Adventures in Wonderland", "Through the Looking-Glass", "Sylvie and Bruno", "Sylvie and Bruno Concluded", "The Hunting of the Snark" and the poetry, essays and phantasmagoria along with a collection of the author's miscellaneous writings.

    Worse yet, the drafty old mansion they’ve rented is infested with flies, spiders, and other pests Paige doesn’t want to think about.She chalks it up to her rural surroundings, but it’s harder to ignore the strange things happening around the house, from one can of ravioli becoming a dozen, to unreadable words appearing in the walls. Soon Paige’s little brother begins roaming the house at all hours of the night, and there’s something not right about the downstairs neighbor, who knows a lot more than he’s letting on. Things only get creepier when she learns about the sinister cult that conducted experimental rituals in the house almost a hundred years earlier.The more Paige investigates, and the deeper she digs, the clearer it all becomes: whatever is in the house, whatever is causing all the strange occurrences, has no intention of backing down without a fight.Found in the aftermath, Diary of a Haunting collects the journal entries, letters, and photographs Paige left behind.

    Now they are about to learn what happens to those who believe they can bury the past -- and get away with murder.

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    Brimming with excitement, Charles sets off with his daughter Naomi on a Christmas Eve shopping trip to London. But, by the end of the day, all Charles and his wife have left are cups of tea and police sympathy. For Naomi, their beautiful, angelic only child, has disappeared. Days later her murdered body is discovered.But is she dead?In a howling, bumping story of past and present day hell, Jonathan Aycliffe's haunting psychological masterpiece is guaranteed to make you sink to untold depths of teeth-shaking terror.

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    Julius Kane. But while Carter's been homeschooled, his younger sister, Sadie, has been living with their grandparents in London. Sadie has just what Carter wants—school friends and a chance at a "normal" life. But Carter has just what Sadie longs for—time with their father. After six years of living apart, the siblings have almost nothing in common. Until now.On Christmas Eve, Sadie and Carter are reunited when their father brings them to the British Museum, with a promise that he's going to "make things right." But all does not go according to plan: Carter and Sadie watch as Julius summons a mysterious figure, who quickly banishes their father and causes a fiery explosion.Soon Carter and Sadie discover that the gods of Ancient Egypt are waking, and the worst of them—Set—has a frightening scheme. To save their father, they must embark on a dangerous journey—a quest that brings them ever closer to the truth about their family and its links to the House of Life, a secret order that has existed since the time of the pharaohs.

    We move from the mysteries of Egypt and the strange powers granted by The Ring of Thoth to the isolated ghost-lands of the Arctic in The Captain of the Polestar, we encounter a monstrous creature in The Terror of Blue John Cap and the beings that live above our heads in The Brazilian Cat and The Leather Funnel; and we shudder at the thing in the next room in Lot 249.Sit down in your uneasy chair and enjoy this collection of chillers.

    Strange things and strange people were no longer welcomed in Widowsbury, for one could never be sure of what secrets waited under the surface . . . Adelaide Foss, Maggie Borland, and Beatrice Alfred are known by their classmates at Widowsbury's Madame Gertrude's School for Girls as "scary children." Unfairly targeted because of their peculiarities—Adelaide has an uncanny resemblance to a werewolf, Maggie is abnormally strong, and Beatrice claims to be able to see ghosts—the girls spend a good deal of time isolated in the school's inhospitable library facing detention. But when a number of people mysteriously begin to disappear in Widowsbury, the girls work together, along with Steffen Weller, son of the cook at Rudyard School for Boys, to find out who is behind the abductions. Will they be able to save Widowsbury from a 12-year-old curse?

    Ages 9+.The 7th son of the 7th son, aptly named Septimus Heap, is stolen the night he is born by a midwife who pronounces him dead. That same night, the baby's father, Silas Heap, comes across a bundle in the snow containing a newborn girl with violet eyes. The Heaps take this helpless newborn into their home, name her Jenna, and raise her as their own. But who is this mysterious baby girl, and what really happened to their beloved son, Septimus?The first part of this enthralling new series leads readers on a fantastic journey filled with quirky characters, clever charms, potions and spells, and a yearning to uncover the mystery at the heart of this story...who is Septimus Heap? Angie Sage writes in the tradition of great British storytellers. Her inventive fantasy is filled with humor and heart: Magyk will have readers laughing and begging for more.