In this book, Muhammad Abdel Haleem examines its recurrent themes and for the first time sets them in the context of the Qur'an's linguistic style. Haleem examines the background to the development of the surahs (chapters) and the ayahs (verses) and the construction of the Qur'an itself.

    But in the aftermath, the country descended into bitter rivalries and civil war, paving the way for the Islamic State and a catastrophic migrant crisis. In a fast-paced narrative that blends frontline reporting, analysis, and history, Frederic Wehrey tells the story of what went wrong. An Arabic-speaking Middle East scholar, Wehrey interviewed the key actors in Libya and paints vivid portraits of lives upended by a country in turmoil: the once-hopeful activists murdered or exiled, revolutionaries transformed into militia bosses or jihadist recruits, an aging general who promises salvation from the chaos in exchange for a return to the old authoritarianism. He traveled where few or no Western journalists have gone, from the shattered city of Benghazi, birthplace of the revolution, to the lawless Sahara, to the coastal stronghold of the Islamic State in Qadhafi's hometown of Sirte. He chronicles the American and international missteps after the dictator's death that led to the country's unraveling.

    But as he delves deeper under the deceptive veil of the immense skyscrapers, lavish hotels, beautiful women and unspeakable riches, it is soon apparent that the rollercoaster city of Dubai hides a sinister underbelly which will either make or break him."'Sheikhs, Lies and Real Estate' tells the remarkable story of one man's journey through the rise and fall of Dubai; the extraordinary untold tale of a rude awakening from an Arabian dream..."This ground-breaking, rollercoaster book will shock, amuse and entertain you. We have all heard about or visited the larger than life city of Dubai, but nobody has heard the inside story like this before... An absolute must read!" - A. Hopkins (author of 'Journeyman')

    With a name redolent both of dim antiquity and of a modern world and its tensions, the Armenians founded a civilization and underwent a diaspora that brought many of the great ideas of the East to Western Europe. Today, shrunk to a tenth of its former size and wracked by war with Azerbaijan and by earthquakes, its people still retain one of the world's most fascinating and misunderstood cultures.

    The introduction to the book is a 30-page analysis of the general themes presented in the stories.

    This has made it difficult to understand a community which plays an important role in contemporary Australian society. Here, in his first work of fiction, Michael Mohammed Ahmad offers a privileged introduction to the life and customs of ‘The Tribe’, members of a small Muslim sect who fled to Australia just before the civil war in Lebanon. His stories focus on the relationships between three generations of an extended family, the House of Adam, as seen by one of its youngest offspring, a child called Bani, at key moments in its development. Ahmad’s writing is aware of tradition, but its real power is in its simplicity and honesty, and the directness with which he conveys the emotional responses of his young narrator.

    What he finds is a conspiracy that will rock the Middle East and the world. He also finds Neena Shahud, an attractive Mossad agent waging a personal vendetta against Hezbollah. First Steve must save Neena's life, then he must figure out why the Middle East is about to explode and stop it. But, by the time Steve and Neena put the pieces in place, it may be too late. If Masada, an historic fortress, the object of an oath taken by the Israel's elite soldiers, and a symbol of Jewish freedom is not to fall to enemies a second time, what will be the price? Who will pay it?

    She recounts the day-to-day realities of living in a city under siege, where food has to be consumed or thrown out because there is no way to preserve it, where eventually people cannot sleep until the nightly bombing commences, where packs of stray dogs roam the streets (and provide her own dog Salvi with a harem) and rats invade homes. Through it all, al-Radi works at her art and gathers with neighbors and family for meals and other occasions, happy and sad. In the wake of the war, al-Radi lives in semi-exile, shuttling between Beirut and Amman, travelling to New York, London, Mexico and Yemen. As she suffers the indignities of being an Iraqi in exile, al-Radi immerses us in a way of life constricted by the stress and effects of war and embargoes, giving texture to a reality we have only been able to imagine before now. But what emanates most vibrantly from these diaries is the spirit of endurance and the celebration of the smallest of life’s joys.

    

    Forced to flee from Syria, they become asylum-seekers in Lebanon, and finally resettled refugees in the West. It is a story that has been replayed thousands of times by other families.When the family home in Aleppo is destroyed by a government-led bomb strike, Walid has no choice but to take his wife and children and flee their war-torn and much loved homeland. They struggle to survive in the wretched refugee camps of Lebanon, and when Youssef becomes fatally ill as a result of the poor hygienic conditions, his father is forced to take great personal risk to save his family.Walid's daughter, the young Amina, a whip-smart grade-A student, tells the story. As she witnesses firsthand the harsh realities that her family must endure if they are to survive -- swindling smugglers, treacherous ocean crossings, and jihadist militias -- she is forced to grow up very quickly in order to help her parents and brother.Kullab's narrative masterfully maps both the collapse and destruction of Syria, and the real-life tragedies faced by its citizens still today. The family's escape from their homeland makes for a harrowing tale, but with their safe arrival in the West it serves as a hopeful endnote to this ongoing worldwide crisis.Beautiful illustrations by Jackie Roche -- whose work on the viral web-comic, Syria's Climate Conflict, was seen prominently in Symboliamag. com, Upworthy.com and Motherjones.com, among others -- bring Kullab's words to life in stunning imagery that captures both the horror of war and the dignity of human will.

    Writing in Italy's Il Giorno, Giancarlo Vigorelli has announced, "One must make room for Fallaci next to Hemingway and Malraux. For Whom the Bell Tolls and Man's Hope are to the Spanish Civil War what Inshallah is to the dirty genocide of Lebanon." In France, Le Figaro has praised Inshallah's Goya-like depictions of the disasters of war, and Le Nouvel Observateur has called it "The Iliad in Beirut." At the center of this teeming, extraordinary novel is the divided city of Beirut, besieged and battered by foreign armies, rival Lebanese factions, and fundamentalist terrorists. In the opening pages we witness the devastating suicide bombing of the American and French marine barracks in 1983, and in its aftermath we meet the large and colorful cast of soldiers in the Italian contingent of the trilateral peacekeeping force, as well as the women of Beirut and the residents whose lives are caught up in the conflict. The loves and hates, hopes and anxieties, heroic actions and cowardly betrayals, reflect the horror and madness of this brutal, never-ending nightmare. Inshallah is a war novel about destiny, a study of love in all its aspects. It is engrossing, dramatic, funny, and always intensely readable. Only Oriana Fallaci, with her unique breadth of experience and masterful command of language and image, could have written such a profound novel, one filled with compassion for men and women, a work that will long stand as a monumental testament to the imperishable human spirit.

    This eloquent ethnographic portrayal of an Islamic community articulates how an alternative modernity, and specifically an enchanted modernity, may be constructed by Shi'I Muslims who consider themselves simultaneously deeply modern, cosmopolitan, and pious.In this depiction of a Shi'I Muslim community in Beirut, Deeb examines the ways that individual and collective expressions and understandings of piety have been debated, contested, and reformulated.Women take center stage in this process, a result of their visibility both within the community, and in relation to Western ideas that link the status of women to modernity. By emphasizing the ways notions of modernity and piety are lived, debated, and shaped by everyday Islamists, this book underscores the inseparability of piety and politics in the lives of pious Muslims.

    This new edition, twenty years after the Zionist terrorism in Shabra and Shatila which killed thousands of Palestinian civilians, is a tribute to the ongoing struggle against Zionist occupation in the Holy Lands.

    They include "The New Babylonian Creation", which was recited at the new year festival in honour of the god Marduk and his conquest of Tiamat, "Inanna's Journey to Hell", in which the goddess of fertility descends into a gloomy wasteland of devils and darkness, and "Adapa: the Man", a story of man's fall from grace, not through disobedience but through blind obedience. N.K. Sanders also translated "The Epic of Gilgamesh".

    Follow the notorious insurrectionist, Barabbas, coming of age in the days when Romans ruled the ancient land of Cana surrounding the Sea of Galilee. The Lost Gospel of Barabbas invites the reader to join the young Barabbas as he faces his own demons and begins the journey down the road that will lead him to his ultimate destiny. A road of love, anguish and revenge.