Be careful, our professor advised, in the first moment of outright humor in class, that you don’t ask a waiter, ‘Excuse me, where is the pigeon?’ — or, conversely, order a roasted toilet.”   If you’ve ever studied a foreign language, you know what happens when you first truly and clearly communicate with another person. As Zora O’Neill recalls, you feel like a magician. If that foreign language is Arabic, you just might feel like a wizard. They say that Arabic takes seven years to learn and a lifetime to master. O’Neill had put in her time. Steeped in grammar tomes and outdated textbooks, she faced an increasing certainty that she was not only failing to master Arabic, but also driving herself crazy. She took a decade-long hiatus, but couldn’t shake her fascination with the language or the cultures it had opened up to her. So she decided to jump back in—this time with a new approach. Join O’Neill for a grand tour through the Middle East. You will laugh with her in Egypt, delight in the stories she passes on from the United Arab Emirates, and find yourself transformed by her experiences in Lebanon and Morocco. She’s packed her dictionaries, her unsinkable sense of humor, and her talent for making fast friends of strangers. From quiet, bougainvillea-lined streets to the lively buzz of crowded medinas, from families’ homes to local hotspots, she brings a part of the world that is thousands of miles away right to your door.    A natural storyteller with an eye for the deeply absurd and the deeply human, O’Neill explores the indelible links between culture and communication. A powerful testament to the dynamism of language, All Strangers Are Kin reminds us that learning another tongue leaves you rich with so much more than words.

    His captors, an Arab and an Italian, don’t explain why the innocent Shaltiel has been chosen, just that his life will be bartered for the freedom of three Palestinian prisoners. As his days of waiting commence, Shaltiel resorts to what he does best, telling stories—to himself and to the men who hold his fate in their hands.             With beauty and sensitivity, Wiesel builds the world of Shaltiel’s memories, haunted by the Holocaust and a Europe in the midst of radical change. A Communist brother, a childhood spent hiding from the Nazis in a cellar, the kindness of liberating Russian soldiers, the unrest of the 1960s—these are the stories that unfold in Shaltiel’s captivity, as the outside world breathlessly follows his disappearance and the police move toward a final confrontation with his captors.             Impassioned, provocative and insistently humane, Hostage is both a masterly thriller and a profoundly wise meditation on the power of memory to connect us to the past and our shared need for resolution.

    In his wide-ranging travels, Lawrence Osborne—a veritable connoisseur himself—has witnessed opposing views of alcohol across cultures worldwide, compelling him to wonder: is drinking alcohol a sign of civilization and sanity, or the very reverse? Where do societies fall on the spectrum between indulgence and restraint?An immersing, controversial, and often irreverent travel narrative, The Wet and the Dry offers provocative, sometimes unsettling insights into the deeply embedded conflicts between East and West, and the surprising influence of drinking on the contemporary world today.

    This book was previously withdrawn from its original publisher and is now being released in an author's edition. Same book, new publisher. Stephen King calls Hesh Kestin’s The Siege of Tel Aviv “scarier than anything Stephen King ever wrote.” Iran leads five armies in a brutal victory over Israel, which ceases to exist. Within hours, its leaders are rounded up and murdered, the IDF is routed, and the country's six million Jews concentrated in Tel Aviv, which becomes a starving ghetto. While the US and the West sit by, Israel's enemies prepare to kill off the entire population. On the eve of genocide, Tel Aviv makes one last attempt to save itself, as an Israeli businessman, a gangster, and a cross-dressing fighter pilot put together a daring plan to counterattack. Will it succeed? The Siege of Tel Aviv is as as bizarrely funny as it is fast-paced. In the words of Stephen King: “An irrepressible sense of humor runs through it. It’s not satire I’m talking about―it’s stuff like the cross-dressing pilot (my favorite character) and any number of deliciously absurd situations (the pink jets). It’s the inevitable result of an eye that sees the funny side, even in horror. So few writers have that. This novel will cause talk and controversy. Most of all, it will be read.”

    Together, they face all the difficulties of poor immigrants—the passage by ship, admittance through Ellis Island and the rough immigrant life. Khalid, always the dreamer, tries to participate in the political and cultural life of the teeming city—to often humiliating and comic result.Tiring of their sojourn, he convinces Shakib they should return to Lebanon. But their heads are now full of New World ideas. And Khalid, trying to improve his brethren, turns his understanding of Western thought into a call for political progress, and religious unity and tolerance in the Arab world. A call that has him, accidentally, almost founding a new religion—and almost becoming its first martyr, when his ideas incite the faithful to riot.Playing with classical Arabic literary forms, as well as Western literary conventions, Ameen Rihani’s The Book of Khalid is a unique contribution to American and World literature.From the Trade Paperback edition.

    On the way John Moschos and his pupil Sophronius the Sophist stayed in caves, monasteries, and remote hermitages, collecting the wisdom of the stylites and the desert fathers before their fragile world finally shattered under the great eruption of Islam. More than a thousand years later, using Moschos's writings as his guide, William Dalrymple sets off to retrace their footsteps and composes an evensong for a dying civilization --Kirkus Reviews, starred review

    Chomsky examines the origins of this relationship and its meaningful consequences for the Palestinians and other Arabs. The book mainly concentrates on the 1982 Lebanon War and the "pro-Zionist" bias of most U.S. media and intellectuals, as Chomsky puts it.

    It is the story of a lost world. It begins in 1917, in Lebanon, when I was seven years old.” So opens this haunting memoir by Wadad Makdisi Cortas, who eloquently describes her personal experience of the events that have fractured the Middle East over the past century.Through Cortas’ eyes we experience life in Lebanon under the oppressive French mandate, and her desire to forge an Arab identity based on religious tolerance. We learn of her dedication to the education of women, and the difficulties that she overcomes to become the principal of a school in Lebanon. And in final, heartbreaking detail, we watch as her world becomes rent by the “Palestine question,” Western interference, and civil war.The World I Loved is both an elegy on Lebanon and her people, and the unforgettable story of one woman’s journey from hope to sorrow as she bears painful witness to the undoing of her beloved country by sectarian and religious division.

    Every so often it enters the headlines for one alarming reason or another—links with al-Qaeda, kidnapped Westerners, explosive population growth—then sinks into obscurity again. But, as Victoria Clark argues in this riveting book, we ignore Yemen at our peril. The poorest state in the Arab world, it is still dominated by its tribal makeup and has become a perfect breeding ground for insurgent and terrorist movements.Clark returns to the country where she was born to discover a perilously fragile state that deserves more of our understanding and attention. On a series of visits to Yemen between 2004 and 2009, she meets politicians, influential tribesmen, oil workers and jihadists as well as ordinary Yemenis. Untangling Yemen’s history before examining the country’s role in both al-Qaeda and the wider jihadist movement today, Clark presents a lively, clear, and up-to-date account of a little-known state whose chronic instability is increasingly engaging the general reader.

    It was a revolution as swift as it was explosive. For eighteen days, anger, defiance, and resurgent national pride reigned in the streets---protestors of all ages struck back against police and state security, united toward the common goal of liberation. But the revolution was more than a spontaneous uprising. It was the end result of years of mounting tension, brought on by a state that shamelessly abused its authority, rigging elections, silencing opposition, and violently attacking its citizens. When revolution bloomed in the region in January 2011, Egypt was a country whose patience had expired---with a people suddenly primed for liberation. As a journalist based in Cairo, Ashraf Khalil was an eyewitness to the perfect storm that brought down Mubarak and his regime. Khalil was subjected to tear gas alongside protestors in Tahrir Square, barely escaped an enraged mob, and witnessed the day-to-day developments from the frontlines. From the halls of power to the back alleys of Cairo, he offers a one-of-a-kind look at a nation in the throes of an uprising. Liberation Square is a revealing and dramatic look at the revolution that transformed the modern history of one of the world’s oldest civilizations.

    Wealthy families ride escalators and fill shopping carts with imported food and luxury products from Paris and New York. Lamia Ziadé, seven years old, dreams of banana splits, American candy, flying on Pan Am Airways, and visiting the local cinema. Considered by the elite the “Paris, Las Vegas or Monaco of the Middle East,” Beirut was in reality a powder keg, waiting for a spark. On April 13, 1975 Lamia and her family returned from lunch in the countryside to find a city in flames. Looking back on the golden days before the war, and its immediate, devastating effects, Bye Bye Babylon positions an elegiac and shocking narrative next to a child’s perspective of the years 1975–79: of consumer icons next to burning buildings, scenes of violence and sparkling new weapons painted in vivid Technicolor—war as pop. It is a unique graphic memoir, and an important visual record of a terrible war.

    After several years of travel and research in all parts of the Arab world, the author managed to gain access to all the relevant material necessary to the writing of a book such as this - much of the material having been unavailable to other writers on the subject. The fruits of Mr. Antonius's research have been embodied in this unique story of the origins and development of the national movement from its earliest beginnings in the nineteenth century down to the post-World War I era. In addition to the narrative account and assessments of military and political leaders, including Lawrence of Arabia, the book contains a set of documents of fundamental importance to the history of the Arab revival. [Description from the Capricorn Books edition, 1965.]

    For some it's taking a weekend to volunteer, but for Shannon Galpin, it meant leaving her career, selling her house, launching a nonprofit and committing her life to advancing education and opportunity for women and girls. Focusing on the war-torn country of Afghanistan, Galpin and her organization, Mountain2Mountain, have touched the lives of hundreds of men, women and children. As if launching a nonprofit wasn't enough, in 2009 Galpin became the first woman to ride a mountain bike in Afghanistan. Now she's using that initial bike ride to gain awareness around the country, encouraging people to use their bikes "as a vehicle for social change and justice to support a country where women don't have the right to ride a bike."In Mountain to Mountain, her lyric and honest memoir, Galpin describes her first forays into fundraising, her deep desire to help women and girls halfway across the world, her love for adventure and sports, and her own inspiration to be so much more than just another rape victim. During her numerous trips to Afghanistan, Shannon reaches out to politicians and journalists as well as everyday Afghans — teachers, prison inmates, mothers, daughters — to cross a cultural divide and find common ground. She narrates harrowing encounters, exhilarating bike rides, humorous episodes, and the heartbreak inherent in a country that is still recovering from decades of war and occupation.

    So argues Efraim Karsh in this highly provocative book. Rejecting the conventional Western interpretation of Middle Eastern history as an offshoot of global power politics, Karsh contends that the region’s experience is the culmination of long-existing indigenous trends, passions, and patterns of behavior, and that foremost among these is Islam’s millenarian imperial tradition.The author explores the history of Islam’s imperialism and the persistence of the Ottoman imperialist dream that outlasted World War I to haunt Islamic and Middle Eastern politics to the present day. September 11 can be seen as simply the latest expression of this dream, and such attacks have little to do with U.S. international behavior or policy in the Middle East, says Karsh. The House of Islam’s war for world mastery is traditional, indeed venerable, and it is a quest that is far from over.

    Though he married twice, became a high-flying lawyer and a father, he didn't let anyone really know him. And he was especially silent about what had happened to him in Lebanon, the country he fled during civil war to come to Canada as a refugee. When, in the midst of a corporate scandal, he went missing after his boat exploded, his teenaged son Cyril didn't know how to mourn him. But five years later, a single bone and a distinctive gold chain are recovered, and Pierre is at last declared dead. Which changes everything.At the reading of the will, it turns out that instead of a funeral, Pierre wanted a "roast" at a bar no one knew he frequented—The Only Café in Toronto's east end. He'd even left a guest list that included one mysterious name: Ari. Cyril, now working as an intern for a major national newsroom and assisting on reporting a story on homegrown terrorism, tracks down Ari at the bar, and finds out that he is an Israeli who knew his father in Lebanon in the '80s. Who is Ari? What can he reveal about what happened to Pierre in Lebanon? Is Pierre really dead? Can Ari even be trusted? Soon Cyril's personal investigation is entangled in the larger news story, all of it twining into a fabric of lies and deception that stretches from contemporary Toronto back to the massacre at the Sabra and Shatila camps in Lebanon in September 1982.The Only Café is both a moving mystery and an illuminating exploration of how the traumatic past, if left unexamined, shadows every moment of the present.