But sometimes, through God's grace or a simple twist of fate, we're able to step back and understand what the holiday is truly about.The Spirit of Christmas is an inspiring collection of true stories from real-life people who have experienced such moments where the meaning of the season becomes clear and touches their hearts. A man mailing gifts at the post office witnesses a moving scene that changes his life forever. An unhappy couple are drifting further apart…until a special Christmas gift allows them to renew their love and mend their fractured marriage. And a father tries to keep the spirit of Christmas alive for his son with a grand gesture--a gesture that will be remembered by his family and many others for years to come.Filled with magic, wonder and deep meaning, it's impossible for these stories not to touch your heart—and fill you with The Spirit of Christmas.

    With her marriage shattered, Erin Belieu sifts the wreckage for the black box, the record of disaster. Propelled by a blistering and clarifying rage, she composed at fever pitch and produced riveting, unforgettable poems, such as the ten-part sequence “In the Red Dress I Wear to Your Funeral”:I root through your remains,looking for the black box. Nothing leftbut glossy chunks, a pimp’s platinumtooth clanking inside the urn. I play youover and over, my beloved conspiracy,my personal Zapruder film—look. . .When Belieu was invited by the Poetry Foundation to keep a public journal on their new website, readers responded to the Black Box poems, calling them “dark, twisted, disturbed, and disturbing” and Belieu a “frightening genius.” All true.

    E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century."

    Instead, she became the first woman to run for U.S. president on a major party ticket.Veteran political journalist Anne Michaud knows the hidden agendas women employ to gain and cling to power. Working as a reporter for The Wall Street Journal and awarded “Columnist of the Year” by the New York News Publishers Association, Anne has researched the women behind some of the most notorious men in the public eye.She discovered a surprising pattern as old as the dynastic maneuverings of England’s medieval queens.Today, women married to the “royalty” of our times – politicians – make bold decisions to keep their “thrones” and their family’s history-making potential.Why They Stay reveals the inner lives of eight political wives as they fight to maintain a grip on power and pursue personal ambition:Melania & Donald Trump: A foreigner’s desire to live the American dreamHillary & Bill Clinton: One masterful decision launched her political careerJackie & John F. Kennedy: Coping in bed and all the way to the bankEleanor & Franklin D. Roosevelt: A lifeless marriage sparks a social championMarion Stein & Jeremy Thorpe: Riding out British scandal to provide for her sonsWendy & David Vitter: Married to the Party versus married to a manSilda Wall & Elliot Spitzer: Real-life drama spawns TV show The Good WifeHuma Abedin & Anthony Weiner: How to win against a man and the MediaThese political wives aren’t powerless pawns. They are shrewder than you expect. Why They Stay pulls back the curtain to reveal why women throughout history stand by their man … for better and for worse.

    When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    Matchmaking Web sites have it down to a science. Two people connect—love at first sight—and the relationship is magical from then on. But the truth is, strong, deep relationships that last a lifetime aren’t based on the mysterious chemistry of two personalities. Real love in relationships—friends, married couples, siblings, parents—isn’t a magic act. It’s a journey. A great relationship grows from an investment of time and effort. Kerry and Chris Shook know that deep relationships aren’t built on initial attractions, but on last things—the experience you shared the last time you were with someone . . . the words you spoke with her last week . . . the effort you made for him the last time you were together. And Love at Last Sight offers a one-month relationship plan that will improve your most important bonds, including a weekly focus and daily readings that guide you through the process. By learning to be  present in the moment, acting intentionally, risking awkwardness, and learning to let go, you’ll discover wisdom from the Bible that contradicts what popular culture would have you believe. Meaningful relationships depend on seeing other people as they are, so that the last time your eyes meet on this earth, your relationship will be closer and deeper than ever before. Love at Last Sight is the last book you’ll need to get your dearest relationships right.Another life-changing book from Kerry and Chris ShookAuthors of the best-selling One Month to Live Your closest relationships will naturally drift apart over time.   And chances are, right now, one or more of your most important relationships is less than what you wish it could be. Now you can change everything and take steps to reconnect with the people who really matter—and we don’t mean by connecting on Facebook! This thirty-day program guides you step-by-step to deeper, more satisfying relationships by developing four forgotten but powerful relational arts for  changing, improving, and repairing the relationships you care about most:             Week 1 – The Art of Being All There            Week 2 – The Art of Acting Intentionally            Week 3 – The Art of Risking Awkwardness            Week 4 – The Art of Letting Go Learn the secrets that will lead you to healthy relationships with the most important people in your life—starting today!

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    . . . Ammons makes you laugh and forces you to think hard about the way humans relate to natural phenomena and to themselves. From such simple, short expression emerge complex, often confounding ideas. New readers of poetry as well as those with an active interest in lyric verse will love this volume.”—Booklist

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    A biography of writer Sylvia Plath that describes her era, her major works--the novel The bell jar and her poetry--her life, and the legacy of her writing.

    As a black child of the American South and a decorated veteran of the Vietnam War, Komunyakaa brings his singular vision to this outstanding volume. Included here is a diverse mix of senior masters, crowd-pleasing bards, rising stars, and the fresh voices of an emerging generation. With comments from the poets elucidating their work and series editor David Lehman's eloquent foreword assessing the state of the art, The Best American Poetry 2003 is a must-have for readers of contemporary poetry. Jonathan Aaron • Beth Anderson • Nin Andrews • Wendell Berry • Frank Bidart • Diann Blakely • Bruce Bond • Catherine Bowman • Rosemary Catacalos • Joshua Clover • Billy Collins • Michael S. Collins • Carl Dennis • Susan Dickman • Rita Dove • Stephen Dunn • Stuart Dybek • Charles Fort • James Galvin • Amy Gerstler • Louise Glück • Michael Goldman • Ray Gonzalez • Linda Gregg • Mark Halliday • Michael S. Harper • Matthea Harvey • George Higgins • Edward Hirsch • Tony Hoagland • Richard Howard • Rodney Jones • Joy Katz • Brigit Pegeen Kelly • Galway Kinnell • Carolyn Kizer • Jennifer L. Knox • Kenneth Koch • John Koethe • Ted Kooser • Philip Levine • J. D. McClatchy • W. S. Merwin • Heather Moss • Stanley Moss • Paul Muldoon • Peggy Munson • Marilyn Nelson • Daniel Nester • Naomi Shihab Nye • Ishle Yi Park • Robert Pinsky • Kevin Prufer • Ed Roberson • Vijay Seshadri • Alan Shapiro • Myra Shapiro • Bruce Smith • Charlie Smith • Maura Stanton • Ruth Stone • James Tate • William Tremblay • Natasha Trethewey • David Wagoner • Ronald Wallace • Lewis Warsh • Susan Wheeler • Richard Wilbur • C. K. Williams • Terence Winch • David Wojahn Robert Wrigley • Anna Ziegler • Ahmos Zu-Bolton II

    Collected Poems brings together not only all his books--The North Ship, The Less Deceived, The Whitsun Weddings, and High Windows--but also his uncollected poems from 1940 to 1984.This new edition reflects Larkin's own ordering for his poems and is the first collection to present the body of his work with the organization he preferred. Preserving everything he published in his lifetime, the new Collected Poems is an indispensable contribution to the legacy of an icon of twentieth-century poetry.

    Through songs, puppets, and frank conversations, Mister Rogers instilled the values of kindness, patience, and self-esteem in his viewers, and most of all, taught children how loved they were, just by being themselves. A Beautiful Day in the Neighborhood reimagines the songs from the show as poetry, ranging from the iconic "Won't You Be My Neighbor?" to the forgotten gems. The poems deal with topics such as difficult feelings, new siblings, everyday routines, imagination, and more.

    Graham Foust's third book offers agile poems of dread and humor. Robert Creeley writes, "These poems move in close to luxuriant circles, round and round each particular syllable, neither hurrying nor dragging behind--just there. At times there seems an almost physical presence to them, a third dimension, which is substance." Foust is also the author of AS IN EVERY DEAFNESS and LEAVE THE ROOM TO ITSELF, available from SPD. He teaches Creative Writing at Saint Mary's College of California.

    Philip Levine's New Selected Poems (1984) by adding to it a generous choice of major from each of the two volumes that followed it: Sweet Will (1985) and A Walk With Tom Jefferson (1988).