The plot is similar: a middle-aged man wedding an unattractive widow in order to indulge his paedophilic obsession with her daughter.However, The Enchanter has an utterly different atmosphere, as time, place and even names remain a mystery. Nabokov transforms his protagonist's attempts to lull his twelve-year-old step-daughter into a state of 'enchantment' into a graceful, chilling fairytale.

    With its lively style and psychological insight, this memoir about Sergei Esenin has abiding value for scholar and general reader alike.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    What we cannot lose.A sweeping masterwork of love and loss, secrets and survival, On the Sickle's Edge is told through the voices of three characters who lay bare their family's saga: the endearing, scrappy South-African born Lena, transported to Latvia and later trapped in the USSR; her granddaughter Darya, a true Communist whose growing disillusionment with Soviet ideology places her family at mortal risk; and Steven, a painter from Boston who inadvertently stumbles into the tangled web of his family's past. Against the roiling backdrop of twentieth-century Russia and Eastern Europe, the novel delivers equal parts historical drama, political thriller and poignant love story.On the Sickle's Edge takes the reader on a roller-coaster ride through some of the most tumultuous events of the 20th century. Instantly immersed in seven generations of the Shtein family, we witness their exhilarating celebrations and provocative controversies, and gain an intimate understanding of the pivotal events in South Africa, Latvia and the Soviet Union. Neville Frankel's ability to combine historical insight and human passion is spellbinding. I couldn't put it down. --Pamela Katz, The Partnership: Brecht, Weill, Three Women, and Germany on the BrinkIn the hands of a masterful storyteller, On the Sickle's Edge pits the weight of an oppressive regime against individual tenacity and profound personal courage. Inspired by Frankel's own family history, this multi-generational epic holds up a mirror to a universal truth: all immigrants face the powerful tension between assimilation and cultural identity. We have--all of us--lived life on the edge of the sickle. --Rabbi Andrew Baker, Director of International Jewish Affairs, American Jewish Committee

    With bitter sarcasm, he describes his refusal to become a worker in the ‘ant-hill’ of society and his gradual withdrawal to an existence ‘underground’. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who exactly resembles him – his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly study of human consciousness.Jessie Coulson’s introduction discusses the stories’ critical reception and the themes they share with Dostoyevksy’s great novels.

    Shishkin's stories read like modern versions of the eternal literature written by his greatest inspirations: Boris Pasternak, Ivan Bunin, Leo Tolstoy, and Mikhail Bulgakov.Shishkin's short fiction is the perfect introduction to his breathtaking oeuvre, his stories touch on the same big themes as his novels, spanning discussions of love and loss, death and eternal life, emigration and exile.Calligraphy Lesson spans Shishkin's entire writing career, including his first published story, the 1993 Debut Prize–winning "Calligraphy Lesson," and his most recent story "Nabokov's Inkblot," which was written for a dramatic adaptation performed in Zurich in 2013.Mikhail Shishkin (b. 1961 in Moscow) is one of the most prominent names in contemporary Russian literature. A former interpreter for refugees in Switzerland, Shishkin divides his time between Moscow, Switzerland, and Germany.

    Snapshots of the prison are juxtaposed with the narrator’s letters to Igor Markovich of Hermitage Press in which he urges Igor to publish the very book we’re reading. As Igor receives portions of the prison camp manuscript, so too does the reader.Arguably Dovlatov’s most significant work, The Zone illuminates the twisted absurdity of the life of a prison guard: “Almost any prisoner would have been suited to the role of a guard. Almost any guard deserved a prison term.” Full of Dovlatov’s trademark dark humor and dry wit, The Zone’s narrator is an extension of his author, and the book fittingly begins with the following disclaimer: “The names, events, and dates given here are all real. I invented only those details that were not essential. Therefore, any resemblance between the characters in this book and living people is intentional and malicious. And all fictionalizing was unexpected and accidental.” What follows is a complex novel that captures two sides of Dovlatov: the writer and the man.

    "We must not aggravate, but ease the last moments of our son," resolved the colonel firmly, and he carefully weighed every possible phase of the conversation, every act and movement that might take place on the following day. But somehow he became confused, forgetting what he had prepared, and he wept bitterly in the corner of the oilcloth-covered couch. In the morning he explained to his wife how she should behave at the meeting.

    Wednesday morning: posing as an expert on Pushkin at the university. Thursday night: more vodka and girl-chasing at Propaganda. Friday morning: a hungover tour of Gorky's house.Martin came to Moscow at the turn of the millennium hoping to discover the country of Dostoyevsky, Tolstoy, and his beloved Chekhov. Instead he found a city turned on its head, where the grimmest vestiges of Soviet life exist side by side with the nonstop hedonism of the newly rich. Along with his hard-living expat friends, Martin spends less and less time on his studies, choosing to learn about the Mysterious Russian Soul from the city's unhinged nightlife scene. But as Martin's research becomes a quest for existential meaning, love affairs and literature lead to the same hard-won lessons. Russians know: There is more to life than happiness.Back to Moscow is an enthralling story of debauchery, discovery, and the Russian classics. In prose recalling the neurotic openheartedness of Ben Lerner and the whiskey-sour satire of Bret Easton Ellis, Guillermo Erades has crafted an unforgettable coming-of-age story and a complex portrait of a radically changing city.

    Originally published in The Strand magazine from 1918 to 1922 and later collected as The Inimitable Jeeves, these ten tales by comedic master P. G. Wodehouse abound in sparkling wit. "Scoring off Jeeves" recounts a lunch with Aunt Agatha ("A pretty frightful ordeal … Practically the nearest thing to being disemboweled."), who insists that Bertie propose to Honaria Glossop ("simply nothing more nor less than a pot of poison"), necessitating Jeeves' rescue of the perennial bachelor ("and according to my nearest and dearest, practically a half-witted bachelor at that"). Other stories include "The Delayed Exit of Claude and Eustace," featuring Bertie's frolicsome cousins ("as innocuous as a pair of sprightly young tarantulas"); "Aunt Agatha Takes the Count," involving our hero's formidable relative and her intrusion upon his vacation in the south of France; and "Comrade Bingo," in which Bertie's school chum masquerades as a Bolshevist and Jeeves comes very near to being rattled.

    The Zero Train has the intensity of Dostoevsky and a love affair as touching as that of Doctor Zhivago." "The setting is Siding No 9, a remote Soviet railway settlement run by the secret police and serving the so-called Zero Train. The cargo of this sealed 100-wagon train is unknown to the employees of the siding as is the train's provenance; some suspect something sinister and become obsessed by the mystery. The attempted disentanglement of the mystery, which leads to madness and murder, is at the heart of the novel. The train itself forms the basis of a dense web of symbols examining the nature of life lived in the service of an ideal neither known or understood, thus allowing The Zero Train to be read as a study of the ordinary individual under Stalin." The novel begins with Don Domino, an old man, watching a now almost deserted settlement unable to comprehend in his gathering insanity that the track is no longer there and that the Zero Train has stopped passing through. The narrative continues as a series of flashbacks which draw the reader into his life and the mysteries of the Line.

    Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours. This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.

    It has been hailed as the epitome of the spirit of the opening decade of the 21st century, and was called the book of the decade by the prestigious Super Natsbest Award jury. In the episodes of Zakharka s life, presented here in non-chronological order, we see him as a little boy, a lovelorn teenager, a hard-drinking grave-digger, a nightclub bouncer, a father, and a soldier in Chechnya. Sin offers a fascinating glimpse into the recent Russian past, as well as its present, with its unemployment, poverty, violence, and local wars social problems that may be found in many corners of the world. Zakhar Prilepin presents these realities through the eyes of Zakharka, taking us along on the life-affirming journey of his unforgettable protagonist."

    Credited with revitalizing the short story as a genre in Russian literature, he was posthumously honored with the Soviet Union's highest literary prize following his untimely death at the age of forty-five. Stories from a Siberian Village introduces Shukshin to English readers with twenty-five stories that reflect the Siberian origins of his artistic identity. These stories, most of which have never before appeared in English, are set in a remote Siberian village caught in transition between rural traditions and modern Soviet life. There Shukshin's peasants—survivors of revolution, collectivization, and war—seek their identity in a "brave new world." Eccentrics and oddballs, Shukshin's protagonists are restless freedom seekers whose dreams and foibles are as broad and inexplicable as their native Siberian landscape. As touchy as artists and as unpretentious as truck drivers, they struggle with questions of life and death, faith and reason, custom and progress. From their mutual misapprehensions and the gap between their dreams and reality arises Shukshin's biting humor.