However much science fiction texts vary in artistic quality and intellectual sophistication, they share in a mass social energy and a desire to imagine a collective future for the human species and the world. At this moment, a strikingly high proportion of films, commercial art, popular music, video and computer games, and non-genre fiction have become what Csicsery-Ronay calls science fictional, stimulating science-fictional habits of mind. We no longer treat science fiction as merely a genre-engine producing formulaic effects, but as a mode of awareness, which frames experiences as if they were aspects of science fiction. The Seven Beauties of Science Fiction describes science fiction as a constellation of seven diverse cognitive attractions that are particularly formative of science-fictionality. These are the "seven beauties" of the title: fictive neology, fictive novums, future history, imaginary science, the science-fictional sublime, the science-fictional grotesque, and the Technologiade, or the epic of technsocience's development into a global regime.

    He saw himself an artist whose greatest creation was a living haiku, w/a last line as exquisite as it was final--the end of all human life. Only one chance remained for josh Nakamura, for his younger brother Didi, & for Ryoko, the beautiful daughter of a high minister of Japan. They must take the whale's legacy & leave the planet before they too became part of Takahashi's terrible poetic vision.

    Enterprise NCC-1701-D models, bags of wigs, and bins of plastic phasers, sits a dusty cardboard box. Inside is a pile of VHS tapes that contain never-before-seen episodes and behind-the-scenes footage for something truly amazing. The world thinks there are only seven seasons of Star Trek: The Next Generation, but there’s one more. A secret season.Actually, not really. But that didn’t stop Mike McMahan, creator of the parody Twitter account @TNG_S8, from making a guide full of:REAL* TNG SEASON 8 FACTS AND STORIES!REAL* TNG SEASON 8 DIALOGUE AND IMAGES!(* Again, not really, of course. This is humor. Sorry.)So impress your friends and bewilder your enemies with your newfound knowledge of these very lost Star Trek episodes! Engage!

    Michael Straczynski brought his ambitious vision to the screen.Then launch into a comprehensive overview of the groundbreaking premiere season, including in-depth, episode-by-episode summaries of all of the first twenty-two shows--from the pilot, "The Gathering," through the climactic season finale, "Chrysalis"--with analysis by author and B5 expert Jane Killick.Veteran viewers or first-time fans, relive the adventure--or find out what you've been missing--with the complete companions to Babylon 5!

    Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

    A second collection of "Red Dwarf" scripts consisting of six scripts, one from each of the first six series, printed in reverse order, with the most recent script coming first.

    Heinlein (1907-1988) is generally considered the greatest American SF writer of the 20th century. A famous and bestselling author in later life, he started as a navy man and graduate of Annapolis who was forced to retire because of tuberculosis.  A socialist politician in the 1930s, he became one of the sources of Libertarian politics in the USA in his later years. His most famous works include the Future History series (stories and novels collected in The Past Through Tomorrow and continued in later novels), Starship Troopers, Stranger in a Strange Land, and The Moon is a Harsh Mistress. Given his desire for privacy in the later decades of his life, he was both stranger and more interesting than one could ever have known. This is the first of two volumes of a major American biography. This volume is about Robert A. Heinlein's life up to the end of the 1940s and the mid-life crisis that changed him forever.

    Eponymous, adj. Giving one's name to a person, place, or thing.Anonymous, adj. Anonymous.Anonyponymous, adj. Anonymous and eponymous.The Earl of Sandwich, fond of salted beef and paired slices of toast, found a novel way to eat them all together. Etienne de Silhouette, a former French finance minister, was so notoriously cheap that his name became a byword for chintzy practices—such as substituting a darkened outline for a proper painted portrait. Both bequeathed their names to the language, but neither man is remembered.In this clever and funny book, John Bemelmans Marciano illuminates the lives of these anonyponymous persons. A kind of encyclopedia of linguistic biographies, the book is arranged alphabetically, giving the stories of everyone from Abu "algorithm" Al-Khwarizmi to Count Ferdinand von Zeppelin. Along with them you'll find the likes of Harry Shrapnel, Joseph-Ignace Guillotine, and many other people whose vernacular legacies have long outlived their memory.Accented by amusing line portraits and short etymological essays on subjects like "superhero eponyms," Anonyponymous is both a compendium of trivia and a window into the fascinating world of etymology. Carefully curated and unfailingly witty, this book is both a fantastic gift for language lovers and a true pleasure to read.

    The tales are organized chronologically to give readers a sense of how the genre's range, vitality, and literary quality have evolved over time. Each tale offers a unique vision, an altered reality, a universe all its own. Readers can sample H.G. Well's 1903 story The Land Ironclads (which predicted the stalemate of trench warfare and the invention of the tank), Jack Williamson's The Metal Man, a rarely anthologized gem written in 1928, Clifford D. Simak's 1940s classic, Desertion, set on "the howling maelstrom that was Jupiter", Frederik Pohl's 1955 The Tunnel Under the World (with its gripping first line, "On the morning of June 15th, Guy Burckhardt woke up screaming out of a dream"), right up to the current crop of writers, such as cyberpunk's Bruce Sterling and William Gibson, whose 1982 story Burning Chrome foreshadows the idea of virtual reality, and David Brin's Piecework, written in 1990. In addition, Shippey provides an informative introduction, examining the history of the genre, its major themes, and its literary techniques.

    Clarke rejects any label as prophet; as per Profiles' subtitle, he deals with "limits of the possible." In July 20, 2019, he views a day in the life of the 21st century. The oversize, illustrated book forecasts how people are born, live, and die. We ride orbiting space stations, watch 60-year-old, 8-foot athletes, see that people have been replaced with computers and robots, view most aspects of life—schools, transportation, medicine, work, movies. These are astonishing but realistic perceptions by a master of the craft who as always writes with skill, wit, clarity, and remarkable intelligence.

    There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? What’s more, do great books in general—the classics and the bestsellers—share this trait?In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?

    [Publisher's Note: The Mountains of Mourning was originally published as a stand-alone novella in the May 1989 issue of Analog. It was then included as the first of three novellas that make up the novel Borders of Infinity (October 1989). For the novel, Ms. Bujold added a short "framing story" that tied the three novellas together by setting up each one as a flashback that Miles experiences while recovering from bone-replacement surgery. Fictionwise is publishing these novellas separately, but we decided to leave in Ms. Bujold's short framing story for those who may also wish to read the other two novellas (Labyrinth and The Borders of Infinity).] Locus Poll Award Nominee, Nebula Award Winner, Hugo Award Winner, SF Chronicle Poll Nominee

    We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. It’s easy to say that humans are “wired” for story, but why?In this delightful and original book, Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems—just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.Drawing on the latest research in neuroscience, psychology, and evolutionary biology, Gottschall tells us what it means to be a storytelling animal. Did you know that the more absorbed you are in a story, the more it changes your behavior? That all children act out the same kinds of stories, whether they grow up in a slum or a suburb? That people who read more fiction are more empathetic?Of course, our story instinct has a darker side. It makes us vulnerable to conspiracy theories, advertisements, and narratives about ourselves that are more “truthy” than true. National myths can also be terribly dangerous: Hitler’s ambitions were partly fueled by a story.But as Gottschall shows in this remarkable book, stories can also change the world for the better. Most successful stories are moral—they teach us how to live, whether explicitly or implicitly, and bind us together around common values. We know we are master shapers of story. The Storytelling Animal finally reveals how stories shape us.

    Le Guin's Vaster Than Empires and More Slow. Including brief general essays and a separate introduction to each individual story or excerpt, Rabkin's anthology greatly illuminates the evolution of the genre.

    Not hiding, not turned black, but gone. On September 28th, Edward Shaw, a geologist working in Death valley, finds a mysterious new cinder cone in very well-mapped area As more unexplained phenomena spring up around the globeL: a granite mountain appearing in Australia, sounds emanating from the Earth's core, flashes of light among the asteroids, it becomes clear to some that the end is approaching, and there is nothing that can be done. In The Forge of God, award-winning author Greg Bear describes the final days of the world on both a massive, scientific scale and in the everyday, emotional context of individual human lives. Facing the destruction of all they know, some people turn to God, others to their families, and a few turn to saviors promising escape from a planet tearing itself apart. Will they make it in time? And who gets left behind to experience the last moments of beauty and chaos on Earth?