His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome. Information about this Folio Society edition (taken from the Editorial Note):Theodor Mommsen’s Römische Geschichte was first published in three volumes between 1854 and 1856, and was subsequently revised several times. The text of the present volume is derived from William Purdie Dickson’s translation, first published in four volumes by Richard Bentley in London in 1868, of the fourth German edition.The text printed in the ensuing pages preserves slightly less than half of the 1868 edition’s three-quarters of a million words. In abridging a work of such magnitude, strict guiding principles tend to be honoured as much in their breach as in their observance. With that caveat in mind, therefore, the intention in this edition has been to provide, within a single volume, a continuous narrative of the history of Rome, from the origins of the city down to the Civil War that resulted in the sole rule of Julius Caesar (c.753—46BC). At the same time, it is hoped that the selection represents the essential character of Mommsen’s historical vision, and can be read with both pleasure and profit by a non-specialist audience.In pursuit of these goals, the relative amount of space devoted to each of the main periods of Roman history has been preserved, and Mommsen’s own book divisions and titles retained. Similarly, the original chapter titles and breaks—and indeed even the paragraphing—has been followed as closely as possible. Wirth some obvious exceptions, marginal precedence has been given to social and constitutional developments, and to political events and conflicts in Rome and Italy, over foreign policy and the detailed narration of overseas wars. Consequently, the significant amount of background information that Mommsen provided concerning the foreign nations with which Rome came into violent contact—Etruscans, Celts, Carthaginians and the peoples of the Hellenistic eastern Mediterranean among them—has been almost entirely excised. And the summaries on literature and the arts that were tacked on to the end of each book have also had to be omitted. Within these broad parameters, however, every effort has been made to ensure that the full spectrum of Mommsen's themes, methodology, and style is portrayed.So that the text retains its readability, all cuts have been made silently, without the distraction of frequent ellipses. Where it has proved impossible to provide a continuous narrative in Mommsen’s own words, then editorial linking passages, printed in smaller type than the rest of the text, have been supplied. These confine themselves to the bare essentials and take a deliberately conservative line in order to sit more comfortably with the main narrative. the new maps and extensive chronology are also intended to compensate for information otherwise excised. A handful of editorial footnotes and other brief interpolations have been added where essential for sense. All such additions to the original text, as well as any other localised rewordings necessitated by the cuts, are contained within square brackets. Most of Mommsen’s analogies to subsequent historical events, which are one of the many delights of his work, require no explanation for an educated readership.Any attempt to update Mommsen’s scholarship would be presumptuous, if not completely foolhardy, and so all points of fact and interpretation have been allowed to stand without comment. thus, for example, Mommsen’s belief that Caesar was probably born in 102BC—rather than 100 BC, as is now generally accepted—has not been amended. Nor has it been deemed necessary to bring into line with current accepted norms either the spelling of proper nouns or Disckon’s faithful equivalents of Mommsen’s deliberately idiosyncratic and anachronistic rendition of Latin terms. Of these, the most noticeable is undoubtedly the word ‘burgess’ instead of ‘citizen’. While proving that few things date faster than modernity, they also provide an important reminder that Mommsen wrote his history with the pressing political and national issues facing both pre-unification Germany and the rest of the mid-nineteenth0century Europe directly in mind.

    The writer recounts the major reforms of Solon, the rule of the tyrant Pisistratus and his sons, the emergence of the democracy in which power was shared by all free male citizens, and the leadership of Pericles and the demagogues who followed him. He goes on to examine the city's administration in his own time - the council, the officials and the judicial system. For its information on Athens' development and how the democracy worked, The Athenian Constitution is an invaluable source of knowledge about the Athenian city-state.

    Individuals, city leaders, and kings came from all over the Mediterranean and beyond to consult Delphi's oracular priestess; to set up monuments to the gods; and to take part in competitions.In this richly illustrated account, Michael Scott covers the history and nature of Delphi, from the literary and archaeological evidence surrounding the site, to its rise as a center of worship, to the constant appeal of the oracle despite her cryptic prophecies. He describes how Delphi became a contested sacred site for Greeks and Romans and a storehouse for the treasures of rival city-states and foreign kings. He also examines the eventual decline of the site and how its meaning and importance have continued to be reshaped.A unique window into the center of the ancient world, Delphi will appeal to general readers, tourists, students, and specialists.

    Bush called the "first war of the twenty-first century" actually began more than 2,300 years ago when Alexander the Great led his army into what is now a sprawling ruin in northern Afghanistan. Accounts of Alexander's invasion of ancient Bactria read eerily like news from our own day. In this vivid, meticulously researched, and elegantly narrated book, Frank L. Holt follows Alexander's historical, archaeological, and numismatic legacy back and forth between ancient Bactria and modern Afghanistan. Recounting the plight of the most powerful leader of the time as he led the most sophisticated army of its day into the treacherous world of tribal warlords, Holt describes those grueling campaigns and the impact they had on Alexander, his generals, their troops, and the world. Into the Land of Bones also examines the conflict from the point of view of the local warlords who pushed the invading Greeks to the limits of their endurance—and sometimes beyond, into mania and mutiny. The lively narrative situates the current war in Afghanistan in a broader historical perspective. Holt explains how the three modern superpowers that have invaded Afghanistan—Britain in the nineteenth century, the Soviets in the twentieth, and the United States in the twenty-first—are continuing the struggle that Alexander began centuries ago. That this legacy continues to play itself out today is a testament to the timeliness of Holt's fascinating and original account.

    He had taken an army right through Spain and into what is now France, crossed the Alps (at a time of year when no one believed it possible), and invaded Italy. Then, for 15 years, he used the country as his battlefield and his home, destroying Roman armies with an almost contemptuous ease. For centuries after his death, Roman mothers would frighten their children into behaving by telling them: "Hannibal is at the Gates!" Even today, Hannibal stands as one of the greatest generals in the history of warfare and his battlefield tactics are still studied in military academies all over the world. Ernie Bradford presents a biography, exploring the strategies of his greatest triumphs and showing us Hannibal as the soldier, the general, the statesman and the private man - revealing a personal charisma and leadership ability that makes his presence still felt in every country bordering the Mediterranean.The Wordsworth Military Library covers the breadth of military history, including studies of individual leaders and accounts of major campaigns and great conflicts.

    Written by Annette Giesecke, PhD, Professor of Classics and Chair of Ancient Greek and Roman Studies at the University of Delaware, this brilliant reference offers clear explanations of every character and locale, and captures the essence of these timeless tales.From the gods and goddesses of Mount Olympus and the heroes of the Trojan War to the nymphs, monsters, and other mythical creatures that populate these ancient stories, Giesecke recounts, with clarity and energy, the details of more than 700 characters and places. Each definition includes cross-references to related characters, locations, and myths, as well their equivalent in Roman mythology and cult.In addition to being an important standalone work, Classical Mythology A-to-Z is also written, designed, and illustrated to serve as an essential companion to the bestselling illustrated 75th-anniversary edition of Mythology by Edith Hamilton, including 10 full-color plates and 2-color illustrations throughout by artist Jim Tierney.

    Comprehensive and scholarly, this well-designed and class-tested text presents Greek and Roman myths in a lively and easy-to-read manner. It features fresh translations, numerous illustrations (ancient and modern) of classical myths and legends, and commentary that emphasizes the anthropological, historical, religious, sociological, and economic contexts in which the myths were told. It also provides a cultural context so that students can see how mythology has influenced the world and how it continues to influence society today.

    Meiggs is to be congratulated on his success in combining preservation and adaptation so successfully.' - Hermathena '...a major overhaul by Russell Meiggs in the light of modern research...The future of Bury's History as a major reference work seems assured.

    No qualifications. Go out and buy it everybody."Kenneth Rexroth, The Nation"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."Times Education Supplement"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."Warren D. Anderson, American Oxonian"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."Commonweal"Grene is one of the great translators."Conor Cruise O'Brien, London Sunday Times"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."Dudley Fitts, New York Times Book Review

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    She tackles the reality of what we do and don't know about virginity and provides a sweeping tour of virgins in history--from virgin martyrs to Queen Elizabeth to billboards in downtown Baltimore telling young women it's not a "dirty word." Virgin proves, as well, how utterly contemporary the topic is--the butt of innumerable jokes, center of spiritual mysteries, locus of teenage angst, popular genre for pornography and nucleus around which the world's most powerful government has created an unprecedented abstinence policy. In this fascinating work, Hanne Blank shows for the first time why this is, and why everything we think we know about virginity is wrong.

    These were the soldiers that defied the might of Persia at Marathon, Thermopylae and Plataea and, more often, fought each other in the countless battles of the Greek city-states. For around two centuries they were the dominant soldiers of the Classical world, in great demand as mercenaries throughout the Mediterranean and Middle East. Yet, despite the battle descriptions of Herodotus, Thucydides, Xenophon etc, and copious evidence of Greek art and archaeology, there are still many aspects of hoplite warfare that are little understood or the subject of fierce academic debate.Christopher Matthew's groundbreaking reassessment combines rigorous analysis of the literary and archaeological evidence with the new disciplines of reconstructive archaeology, re-enactment and ballistic science. He focuses meticulously on the details of the equipment, tactics and capabilities of the individual hoplites. In so doing he challenges some long-established assumptions. For example, despite a couple of centuries of study of the hoplites portrayed in Greek vase paintings, Matthew manages to glean from them some startlingly fresh insights into how hoplites wielded their spears. These findings are supported by practical testing with his own replica hoplite panoply and the experiences of a group of dedicated re-enactors. He also tackles such questions as the protective properties of hoplite shields and armour and the much-vexed debate on the exact nature of the 'othismos' , the climax of phalanx-on-phalanx clashes.This is an innovative and refreshing reassessment of one of the most important kinds of troops in ancient warfare, sure to make a genuine contribution to the state of knowledge.

    Combining exacting scholarship with dazzling invention, Hopkins challenges our perceptions about religion, the historical Jesus, and the way history is written. He puts us in touch with what he calls "empathetic wonder"-imagining what Romans, pagans, Jews, and Christians thought, felt, experienced, and believed-by employing a series of engaging literary devices. These include a TV drama about the Dead Sea Scrolls; the first-person testimony of a pair of time-travelers to Pompeii; a meditation on Jesus' apocryphal twin brother; and an unusual letter on God, demons, and angels.

    It is the single greatest event in all human history. Discover the fascinating origin of Rome and its mysterious Etruscan connections, its first faltering steps toward republican government, and its methodical subjugation of surrounding tribes. Slowly, the puritanical Roman Republic asserts control over all of Italy and in the process forges a political unity which proves enduring. That unity is sorely tested as Rome comes into conflict with Carthage and Hannibal, a horrifying ordeal which alters world history for all time. A resurgent Rome is next drawn into the intrigues of the eastern Mediterranean, finally conquering the Greek speaking world...only to end up surrendering itself to a seductive, decadent Hellenistic culture. A century of politcal tension and civil strife ensues. Follow the rise of powerful men like the brothers Tiberius and Caius Gracchus, Marius, Sulla, Pompey, Cicero and the greatest Roman of them all - Julius Caesar. With Caesar's assassination comes renewed civil war. The aristocratic senatorial faction is defeated and the Republican form of government is replaced by dictatorship. Caesar's adopted nephew, Augustus, comes to power as the first Roman Emperor and puts into place the most extraordinary experiment in imperial government ever attempted. In the process, he paves the way for a long period of peace, a golden age, the likes of which has never before been seen. The Empire is ruled by one dynasty after another - some good, some bad - until it reaches its apogee during the age of the brilliant Antonine emperors. But chaos follows with a series of corrupt rulers, and only the strong leadership of Diocletion 85 years later brings stability. Shortly afterward, Constantine's rule promotes the new faith of Christianity and makes it the official religion of the empire. But the downward spiral of decay cannot be reversed. Economic disruptions, plague and barbarian invasions prove too much for Rome, and the western half of the empire descends into a maelstrom of ignorance, dispair and random violence from which it will not emerge for many centuries.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.