Her friends rally to support her, but with her sons away at Edinburgh University she still feels isolated in her grief. She is unemployed but has no wish to return to her old job as the manager of a care home; but she cannot decide what to do instead. With the approach of her fiftieth birthday that she has no desire to celebrate, together with the gloominess of her mood which will only get worse when winter arrives, Julia knows she needs to take drastic action to heal her broken heart. It was Duncan’s last wish to take her on a second honeymoon to Sicily. So Julia books herself a holiday for the whole of October; much to the surprise of her friends and to the horror of her sons, who are convinced she will be kidnapped by the Mafia. Julia ignores their warnings and rents a villa in the coastal town of Cefalu. The villa is owned by the charming Tony Hugo, a widowed English crime writer; who wastes no time in helping Julia feel at home.Sicily is everything Julia expected it to be – hot, sunny and exotic; but her holiday turns out to be far more of a life changing adventure than she could ever have imagined.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    Sprinklers swivelled to a hypnotic beat, cicadas pulsed to the shimmering heat, the concrete was caramel under your feet and the ice-cream van turned slow motion into our dead-end street'. Matt Cameron's arresting new play begins like a fairytale - but ends somewhere else entirely.

    Yesterday Fin was a nightporter. Today he is a survivor.Within days the outbreak devoured Ireland. It started with a fever hot enough to burn away the soul. What remained was violent, deranged and ravenous, no longer human: weepers. At first, they lured victims with anguished cries. Now, the sound causes terror. The sick must hunt.Death offers no rest from the disease and the infected rise again to spread the plague as zombies.Fearing pandemic, foreign warships quarantine Ireland, seeking containment at all cost. Chaos and panic engulf a world preparing for the end. While at home, a dwindling population flee ruined cities, forced into a frozen countryside of vacant graves.Extinction has been stopped - for now.In what could be the last days of recorded history, Fin must survive amongst the desperate and the dead to find his family - on the opposite side of Ireland, no matter the cost.How much of yourself would you give to save the ones you love?

    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    Sandra Fischer relaxes in bed. Moments later, when her husband enters the room — she is dead. One by one, the women are dying. The leading medical experts are baffled. There is only one clue: the rich, sweet scent of the tropics — the scent of life, seconds after each woman's shocking death.One dedicated doctor. One beautiful woman. Together they will enter an awesome new realm of medical knowledge beyond both life and death. For he will discover a terrifying secret. And she has been chosen for … THE SEEDING.

    The residents of Little Tall Island have seen their share of nasty Maine Nor'easters, but this one is different. Not only is it packing hurricane-force winds and up to five feet of snow, it's bringing something worse. Something even the islanders have never seen before. Something no one wants to see.Just as the first flakes begin to fall, Martha Clarendon, one of Little Tall Island's oldest residents, suffers an unspeakably violent death. While her blood dries, Andre Linoge, the man responsible sits calmly in Martha's easy chair holding his cane topped with a silver wolf's head...waiting.Linoge knows the townsfolk will come to arrest him. He will let them. For he has come to the island for one reason. And when he meets Constable Mike Anderson, his beautiful wife and child, and the rest of Little Tall's tight-knit community, this stranger will make one simple propoisition to them all: "If you give me what I want, I'll go away."

    An abusive childhood segues to the operating rooms of the largest medical center in New York. The brilliant but mentally ill brain surgeon waits for just the right time to redeem her past. In the end, she takes matters into her own hands. It’s up to the reader to decide what happens after the climax.

    

    Yet when homicide detective Danny Martell arrives on the scene, he finds the victims have been elaborately made up, with fabric wings attached to their lifeless bodies. The papers have dubbed the killings �the Angel Murders� � but it isn�t long before the crime wave drags Danny into his own personal hell.Soon after the killings begin, Danny�s wife, Linda, abruptly disappears. And when his worst fears are realized, a grief-stricken Danny doubles down on his hunt for the deranged serial killer. But was Linda just a random �angel�? Or was she targeted by a copycat killer with a vendetta against Danny? He vows to uncover the truth, no matter the cost. After all, he has nothing left to lose.

    Within a balance of terror and innocence, he bears silent witness to ghosts of the dead and the cruelties of a teenage killer while local justice plays out in a community carved from legacies of coal mining and religion.