Redmerski brings us a stunning and heart-wrenching new novel about a couple who find each other in their darkest moment. Since they were kids, Elias Kline and Brayelle Bates have been inseparable. When Bray moves to South Carolina, separating the two for the first time, they both at last realize that their innocent childhood friendship has developed into something much more. So when Bray finally returns to Georgia—and to Elias—things between them couldn’t be more perfect…until one fateful night changes everything. Desperate not to go to prison for a terrible accident, Elias and Bray decide to run. As they try to make the most of their freedom, the two find themselves relying on a rebellious group of people who tempt the duo into a wild and daring new life. But they can’t run from their troubles forever.As the consequences of their past catch up to them, the couple must finally face reality. Even if they can make it through the unimaginable, Elias knows the truth about Bray’s painful history, and in the end he may not be able to save Bray from herself…New Adult Contemporary Romance - Standalone Novel

    Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    His five-year voyage on H.M.S. Beagle, when he was in his twenties, changed his life. Afterward, he began publishing his findings and working privately on groundbreaking theories about the development of animal species, including human beings, and he made a nervous proposal to his cousin Emma.Padel’s poems sparkle with nuance and feeling as she shows us the marriage that ensued, and the rich, creative atmosphere the Darwins provided for their ten children. Charles and Emma were happy in each other, but both were painfully aware of the gulf between her deep Christian faith and his increasing religious doubt. The death of three of their children accentuated this gulf. For Darwin, death and extinction were nature’s way of developing new species: the survival of the fittest; for Emma, death was a prelude to the afterlife.These marvelous poems—enriched by helpful marginal notes and by Padel’s ability to move among multiple viewpoints, always keeping Darwin at the center—bring to life the great scientist as well as the private man and tender father. This is a biography in rare form, with an unquantifiable depth of family intimacy and warmth.

    Will it bring the fulfillment she is searching for?Andrea: A single mom and avowed celibate, she watches her friend Holly's meltdown with a mixture of concern and contempt. Holly is throwing away what Andrea has spent her whole life searching for - a committed relationship with a decent guy. So what if Andrea picks up Holly's castaway husband?Marissa: She has more than her fair share of challenges - a gay, rebellious teenage son, a terminally ill daughter, and a husband who buries himself in his work rather than face the facts. As one woman's marriage unravels, another's rekindles. As one woman's family comes apart at the seams, another's reconfigures into something bigger and better. In this story of connections and disconnections, one woman's up is another one's down, and all of them will learn the meaning of friendship, betrayal, and forgiveness.Unflinchingly honest, emotionally powerful, surprisingly erotic, Triangles is the ultimate page-turner. Hopkins's gorgeous, expertly honed poetic verse perfectly captures the inner lives of her characters. Sometimes it happens like that. Sometimes you just get lost. Get lost in the world of Triangles, where the lives of three unforgettable women intersect, and where there are no easy answers.

    His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt?With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.

    Not even her budding drinking problem can obscure her Gramps’s failing health, or erase the mental picture of her first love happily married to her childhood best friend. To top it all off, she’s having a heck of time convincing the town’s dashing young mayor of her unfit-for-dating status. When the ghost of 18th century lady pirate Anne Bonny starts insisting on a near daily audience, Graciela has to confront something else she never expected—being certifiably nuts at twenty-five years old. Her brand new "I don't give a crap" attitude makes it easy to dismiss the mysterious threats that seem to be tied to her search for more information on the long dead pirate, but when her family becomes a target, Gracie knows she needs to find out why the ghost insists on being a constant, reeking companion. If Graciela can put aside her prejudice against people without a pulse, she may discover that Anne Bonny’s problems are intricately linked with her own. The past harbors answers could help the cantankerous spirit find closure, but she is, after all, already dead. If Graciela doesn’t move fast, she might find herself doing the haunting, instead of the other way around.

    He is the kind of man that will savagely kill you then deliver the most heartfelt eulogy at your funeral.Carpious Mightson is not who he appears to be, wearing the guise of a handsome leader of virtue. He appears friendly, God-fearing, hard working and loving. Little do his neighbors, co-workers, and girlfriend know that he harbors a disturbing secret that contradicts his polished reputation. That secret is threatened to be unearthed when Ian Kaplan, a registered sex-offender, moves into the neighborhood.While Carpious is struggling to maintain his manufactured life, someone is brutally murdered in the neighborhood and his ex-wife resurfaces. Will the consequences of new crimes exhume buried ones?

    The use of enjambment here is impeccable, giving the entire collection a cadence akin to that of a march through the author's own personal underworld."— Owen Green, The Book Nook Review"One of the most authentic autobiographies told in verse."— Steve Quade, Indies Today"This is a very powerful and inspiring book that will touch the hearts of a lot of readers."— Ria Kataria, The Online Book Club"This is an in-depth essay unravelling through complex human emotions. Their beauty lies in their unadulterated voice."— Amina Thajudeen, The Ultimate Reviewer"The true power of poetry is sharing the struggles of life and this book drives that home."— Rob Alex, Book Promotion Club

    But escape becomes almost impossible when she attracts the attention of her new and undeniably sexy neighbor: Trey Chapman, the governor’s son.Despite his vivid green eyes, adorable freckles, and athletic body, Trey is everything that Monica despises - haughty, conservative, bossy. And able to get under her skin in a way no other man ever could. A class project forces the unlikely pair together, their chemistry building with each heated debate. But when the ghosts of Monica’s past come back to haunt her, both their beliefs will be tested, and both will be forced to see the world in a new light. Their differences threaten to tear them apart, unless they can make one another their only exception.Due to sexual content and heavy subject matter, this book is recommended for ages 16+.

    He's tired of being made fun of by all the other flying birds, so he sets off on a journey to find out who he really is. Along the way, he meets Maudry, a smart and sassy female bird, and Wainwright, a grumpy worm with a short temper. Together, the unusual trio goes through thick and thin to discover what it really means to be yourself.

    Each of Levin's poems is an astonishing investigation of human darkness, propelled by a sensuous syntax and a desire for healing."This is the language of a prophet: Levin's art, in this book certainly, takes place in a kind of mutating day of judgment: it means to wipe a film from our eyes. It is a dare, a challenge, and, for all its considerable beauty, the opposite of the seductive...Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels."-Louise Gluck, from the IntroductionDana Levin was raised in Lancaster, California, in the Mojave Desert. She has received fellowships, grants, and awards from the National Endowment for the Arts, the Academy of American Poets, the Vermont Arts Council, and New York University, where she received her M.F.A. She lives in New Mexico and teaches Creative Writing at the College of Santa Fe.

    Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds.  Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection.  As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.

    fin-na /ˈfinə/ contraction: (1) going to; intending to. rooted in African American Vernacular English. (2) eye dialect spelling of "fixing to." (3) Black possibility; Black futurity; Blackness as tomorrow.A lyrical and sharp celebration, these poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy. In three key parts, Finna explores the mythos and erasure of names in the American narrative; asks how gendered language can provoke violence; and finally, through the celebration and examination of the Black vernacular, expands the notions of possibility, giving us a new language of hope.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    Years later, entrenched in a soulless professional routine, she distracts herself from the lingering regret of her decision with a “work hard, play hard” lifestyle that guarantees no man will ever find his way into her heart again.Cameron Bridge has spent the past five years married to the military, trying to escape the painful memory of losing Maya. After fighting his own war in the desert, he starts a new life in New York City, with his siblings, Olivia and Darren, by his side. When fate brings Maya back to him in the heart of a city filled with its own hopes and shadows, can Cameron find the girl he once loved in the woman she’s become?This is an alternate cover edition for B00J1WF59E