She knows the rhythms of hard work and harder seas. But when she experiences the sudden death of her father, the veil between the living and the dead blurs and she begins to be haunted by a girl on a nearby, uninhabited island. The girl floats a song over the waves, and it is as beautiful as it is terrifying. Familiar and distant.Then Rilla meets Sam, a University of Southern Maine archeology student tasked with excavating the very island where the ghostly girl has appeared. Sam sifts the earth looking for the cultural remains of an island people who were forcibly evicted by the state nearly a hundred years ago. Sam tells Rilla the island has a history no locals talk about—if they know about it at all—due to the shame the events brought to the working waterfront community. All Rilla knows for sure is that the island has always been there—an eerie presence anchored in the stormy sea. Now Sam’s work and the ghostly girl’s song lure Rilla to the island’s shores.As Rilla helps Sam to unearth the island’s many secrets, Rilla’s visions grow—until the two discover a tragedy kept silent for years. And it’s a tragedy that has everything to do with Rilla’s past.

    Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries, until a misguided act by the Feenans' son then reminds the village that there is a reason traditions have been rigidly stuck to, and that all acts of betrayal, even those committed centuries ago, have consequences...

    On the edge of his grounds lies a derelict Edwardian railway station waiting room once used to transport troops in The Great War. Silent for many years, it has become a playground for Martin's children but now they won't go near it.Strange occurrences in the waiting room lead Martin to seek the help of TV's favourite ghost-hunter Julian Creed. But Creed's psychic ability is a fabrication to gain viewers. He doesn't believe in the paranormal. Until he spends a night in The Waiting Room.

    And that something is stalking their daughter. Originally released several chapters at a time on the podcast Ghosts in the Burbs, Lilith is a tale of demonic possession, motherhood, and isolation.

    Just another average Adirondack town, and nice enough in its own right.Except after dark, or under the pale light of the moon. Or in a very private doctor's office at Clifton Heights General Hospital, where no one can hear you scream. Or on a road out of town that never ends, or in an old house sitting on the edge of town with a mind - and will - of its own.Maybe you shouldn't have left the interstate, my friend. Maybe you should've driven on to the next town.But you didn't. You saw our sign, turned down our road, figuring on just a short stay. And maybe it will be.Or maybe you'll never leave.Anyway, pay a visit to The Skylark Diner. I'll be there. Pull up a chair and let me tell you about our town. It's nice enough, it really is.Except after dark. Or on cold winter days when no one is around, and you're all alone...

    It’s 1900 in Oregon, and Olivia’s father, concerned that she’s headed for trouble, convinces a stage mesmerist to try to hypnotize the rebellion out of her. But the hypnotist, an intriguing young man named Henri Reverie, gives her a terrible gift instead: she’s able to see people’s true natures, manifesting as visions of darkness and goodness, while also unable to speak her true thoughts out loud. These supernatural challenges only make Olivia more determined to speak her mind, and so she’s drawn into a dangerous relationship with the hypnotist and his mysterious motives, all while secretly fighting for the rights of women. Winters breathes new life into history once again with an atmospheric, vividly real story, including archival photos and art from the period throughout.

    And he’s about to take on his most dangerous assignment. Rand has seen better days—his ex is getting remarried, and a persistent “non-believing” university auditor is threatening his job. The last thing Rand needs is to take on a new ghost hunting case. But when a desperate couple approaches him about their terminally-ill daughter, Georgia, who claims a ghost is visiting her hospital room at night, he can’t seem to turn them away. Rand figures that banishing Georgia’s ghostly intruder will be a routine matter. All he needs to do is guide the lingering ghost to the afterlife. But when the ghost returns with a vengeance, attacking Georgia and terrorizing other hospital wards, Rand realizes this is no benign spirit, but an evil demonic entity. He’s faced such monsters before, but never one so complex, so aggressive and violent. If he doesn’t unravel its ancient origins and discover how to banish it back to hell, a hospital full of people will fall victim to its destructive agenda. The Tenth Ward is a supernatural horror thriller for readers who love stories about hauntings and battles with the demonic—the truest form of evil that exists in our world.
 You are only one click away from joining Rand Casey in his terrifying battles against mankind’s oldest and most deadly enemy—the servants of the devil.

    The secrets of the past are reaching out from beyond the grave and the horror begins before the Kellars have finished unpacking.

    New surroundings and new ideas, a new beginning. Fresh air."These are the opening lines of the journal kept by the narrator of Daniel Kehlmann's spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    What happened to them inside that house is an experience you'll pray couldn't happen to you.At first the Van Burens believed there had to be some natural explanation. Before it was over, they were fighting for their children's lives against an obscene manifestation of evil that engulfed them all in a desperate nightmare.

    Two young women go missing decades apart. Both are fearless, both are lost. And both will have their revenge. 1986 The teenage daughter of a wealthy Vietnamese family loses her way in an abandoned rubber plantation while fleeing her angry father and is forever changed. 2011 A young, unhappy Vietnamese American woman disappears from her new home in Saigon without a trace.The fates of these two women are inescapably linked, bound together by past generations, by ghosts and ancestors, by the history of possessed bodies and possessed lands. Alongside them, we meet a young boy who is sent to a boarding school for the métis children of French expatriates, just before Vietnam declares its independence from colonial rule; two Frenchmen who are trying to start a business with the Vietnam War on the horizon; and the employees of the Saigon Spirit Eradication Co., who find themselves investigating strange occurrences in a farmhouse on the edge of a forest. Each new character and timeline brings us one step closer to understanding what binds them all.Part puzzle, part revenge tale, part ghost story, this book takes us from colonial mansions to ramshackle zoos, from sweaty nightclubs to the jostling seats of motorbikes, from ex-pat flats to sizzling back-alley street carts. Spanning more than fifty years of Vietnamese history and barreling toward an unforgettable conclusion, this is a time-traveling, heart-pounding, border-crossing fever dream of a novel that will haunt you long after the last page.

    A green hell where death waits behind every tree, in every pooling shadow, and in every mist-haunted hollow. Boobytraps and bullets, landmines and rockets. Mike McKinney went to write about the war, about the terror and frustrations, soldiers and people and a landscape forever altered by the conflict...but he ran across something even worse: a primeval horror straight out of the darkest Vietnamese folklore. A monstrosity that stalks human heads among the twisted, jungled hills of the Central Highlands. Now it is hunting him. And nothing can stop it.

    It’s where Dave Rhodes and his friends have lived all their lives. They own businesses, raise families, pay taxes, deal with odd neighbors, and, once or twice a month—just like their fathers before them—transform into wolves.It’s not a bad life, but when one of the group members goes astray, it sets in motion a series of events that will threaten to destroy the delicate balance that has kept Dave and his clan off the radar. Between a son getting ready for his first transformation—called The Scratch—a wife with sordid secrets, a new sheriff who knows nothing of the creatures in his midst, and a mysterious man in a bow tie with a shady agenda, the middle of nowhere is about to get very dangerous.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.