Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    She begins with the formality and security of the arrangements of life for a Japanese middle-class family, living in a walled compound with their servants, following exactly the tradition inherited from their parents, with marriages arranged for the children, which continued up until World War II. By then her mother was married to an engineer and living in Japanese-occupied Manchuria. That period is marked by her mother's often funny, painful experiences of learning about the Chinese and Russians with whom she now lived with her growing family, and the war seen from her point of view. At the end of the war, the Japanese - women, children, everyone - had to escape, walking hundreds of miles to the coast. The family returned to a Tokyo where the society, the culture, the economy was entirely overturned. The Americans were everywhere, the Japanese were unemployed, and the ways of society that they had all known had vanished. And yet somehow Ruri's indomitable mother survived.

    A complete guide to the tools used by a shokunin, or master Japanese craftsman, this book is ideal for both beginning and professional woodworkers.

    It has been edited with the needs of English-speaking users in mind, whether students, teachers, business people, or casual linguists, and special care has been taken at each stage of its compilation including the selection of entry words and their equivalents, the wording of the detailed explanations of Japanese words, the choice of example sentences, and even its functional page design to maximize its usefulness. What is furigana and why is it so important? Furigana refers to the small kana that are printed above or alongside kanji to show their pronunciation. With furigana superscripts, the beginner who is familiar with hiragana and katakana is able to read even the most difficult and obscure kanji at a glance. Other dictionaries either provide little or no guide to kanji readings or romanize some or all of the Japanese words and sentences. In the past, romanized dictionaries were of some value to students using textbooks that contained no Japanese script. Now, however, an increasing number of influential curricula around the world are based on a rationale and methodology that demands the introduction of hiragana and katakana from the earliest stages. Learners and their teachers using such curricula will inevitably feel more comfortable with a dictionary such as Kodansha s Furigana Japanese Dictionary, one that shows the pronunciation of kanji with a familiar and authentic kana script. Combining Kodansha's Furigana Japanese-English Dictionary (1995) and Kodansha's Furigana English-Japanese Dictionary (1996) in one portable. affordable, and user-friendly volume, this dictionary has the following unique features: o A basic vocabulary of 30,000 entries covers the most frequently used English and Japanese words o Special treatment has been given to hundreds of words, names, and phrases of special relevance to English-speaking students of Japanese o Semantic and usage differences between Japanese words and expressions are explained in clear English o Thousands of example sentences and phrases illustrate how Japanese words are used in context o Special information is provided on verb conjugations, formality, and other aspects of Japanese grammar and usage

    He was on top of his house roof with nothing to shield him at only 3/4 of a mile (1,200m) from the epicenter in Hiroshima on August 6, 1945 toward the end of the World War II. But what made Shinji stand out from most of the survivors of Hiroshima and Nagasaki, or even of many other man-made disasters in our history, he never hated Americans as aggressors. He somehow saw things from a much bigger perspective even in the very strict Japanese military government's mind control of civilians during the war. As one of his three legacy-carrying daughters, Dr. Akiko Mikamo wrote his story to send out the messages of human love and power of forgiveness to remind the world our worst enemies of yesterday could become the best friends of tomorrow.

    However, anime is much more than children's cartoons. It runs the gamut from historical epics to sci-fi sexual thrillers. Often dismissed as fanciful entertainment, anime is actually quite adept at portraying important social and cultural issues like alienation, gender inequality, and teenage angst. This book investigates the ways that anime presents these issues in an in-depth and sophisticated manner, uncovering the identity conflicts, fears over rapid technological advancement, and other key themes present in much of Japanese animation.

    A minority group in America is harassed for its ties to a foreign country. A worldwide conflict tests our resolve in combat abroad and our commitment to justice, equality, and liberty at home…Within months after Pearl Harbor, 110,000 Japanese Americans were forcibly “evacuated” from the West Coast, losing their jobs, their property, and their homes. In less than a year, they were “relocated” and incarcerated in desolate camps throughout the West, Southwest, and South. Yet, incredibly, thousands of young men from the camps joined the Army, to defend the country that had denied them their rights. This is the dramatic story of the segregated Japanese American 100th Battalion/442d Regimental Combat Team—and what they did to affirm their full citizenship. As Gen. Jacob L. Devers put it, in World War II the soldiers of the 100th/442d had “more than earned the right to be called just Americans, not Japanese Americans."During the fall of 1944, the combat team made headlines when it rescued the “lost battalion” of the 36th “Texas” Division. At the same time, with the 1944 elections looming, the Roosevelt Administration was debating whether to close the camps. And while the soldiers of the 100th/442d were sacrificing their lives in Europe, the Supreme Court was deciding the infamous Korematsu and Endo cases, which challenged the notion that “military necessity” justified the “relocation.”Through interviews with surviving veterans, archival research, maps, and photos, Robert Asahina has reconstructed these fateful events of October-November 1944. From breathless battle scenes, masterfully handled in all their detail; to the unbreakable bonds of friendship in the field; to heart- wrenching stories of loss and discrimination on the mainland and in Hawaii, Just Americans tells the story of what Gen. George C. Marshall called the “most decorated unit in American military history for its size and length of service.” It is also the story of soldiers in combat who were fighting a greater battle at home—a struggle that continues for minority groups today—over what it means to be an American.

    A series of meticulous investigations gradually uncovers the multi-faceted nature of a country and people who are even more extraordinary than they seem. Our journey encompasses religion, ritual, martial arts, manners, eating, drinking, hot baths, geishas, family, home, singing, wrestling, dancing, performing, clans, education, aspiration, sexes, generations, race, crime, gangs, terror, war, kindness, cruelty, money, art, imperialism, emperor, countryside, city, politics, government, law and a language that varies according to whom you are speaking. Clear-sighted, persistent, affectionate, unsentimental and honest - Alan Macfarlane shows us Japan as it has never been seen before.

    From Omotenashi (Japanese hospitality), Kirei (cleanliness and organisation) and Mottainai (reducing waste) to Zakka (finding beauty in the mundane) and Senbazuru (the origami art of folding one thousand paper cranes), there are so many different ways that the Japanese emphasise the importance of community and helping others.With practical and actionable advice throughout, you can learn how to incorporate Japanese culture and the art of compassion into your daily life, because even the smallest of considerate actions can make a world of difference.

    This clearly written history explains how a country embedded in the traditions of Shinto, Shoguns and Samurai has achieved stupendous economic growth and dominance in this century.

    Colourful, fascinating and funny, this is the first time these cult images have been published outside Japan.

    Ranging from humor to profound maturity, the works in this volume offer the full spectrum of Soseki's genius. They are among Soseki's best, and brilliantly display his temperament and thought, the richness of his humor, and the sureness of his satirical touch. Ten Nights of Dream comprises a collection of ten short stories of dreams. Couched in a surrealistic atmosphere, they reveal the attitudes of a major writer at a turning point in his career.

    It is packed full of illustrations and maps that capture the spirit of the city and its environs.

     For more Information please visit: http://1888novel.blogspot.co.uk/PLEASE NOTE: As of January 2nd, 2013, this book has been comprehensively edited and proofread to address some of the concerns that have been raised in the reviews below.

    Beloved translator Peter Beilenson’s goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells…/Bush-clover petals –Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still…/Iris, blue each spring –Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist –Issa), this collection will stir your senses and your heart.