The aim of this substantial anthology is to equip the student, teacher and interested general reader with the necessary materials for an up-to-date understanding of twentieth-century art.Beside the writings of the century's major artists, Art in Theory includes relevant texts by critics, philosophers, politicians and literary figures. It is organised into eight sections, from the legacy of Symbolism at the turn of the century to contemporary debates about the Postmodern. Each section is prefaced by a brief essay. There are introductions for all of the 300-plus texts, which serve to place theories and critical approaches in context. The result is both a comprehensive collection of documents on twentieth-century art and an encylopaedic history of relevant theory.

    Destruction of the Father; the title comes from the name of a sculpture she did following the death of her husband in1973;contains both formal texts and what the artist calls "pen-thoughts": drawing-texts often connected to her drawings and sculptures, with stories or poems inscribed alongside the images. Writing is a means of expression that has gained increasing importance for Bourgeois, particularly during periods of insomnia. The writing is compulsive, but it can also be perfectly controlled, informed by her intellectual background, knowledge of art history, and sense of literary form (she has frequently published articles on artists, exhibitions, and art events). Bourgeois, a private woman "without secrets," has given numerous interviews to journalists, artists, and writers, expressing her views on her oeuvre, revealing its hidden meanings, and relating the connection of certain works to the traumas of her childhood. This book collects both her writings and her spoken remarks on art, confirming the deep links between her work and her biography and offering new insights into her creative process.

    The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching.From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.

    Those who tried to change the world through their poems risked notoriety--or courted it. Among the most subversive were a group of young writers known as the Romantics: Lord Byron, Percy Bysshe Shelley, Samuel Taylor Cole-ridge, William Wordsworth, and John Keats. These rebels believed poetry should express strong feelings in ordinary language, and their words changed literature forever.Wildly Romantic is a smart, sexy, and fascinating look at these original bad boys--and girls.

    He had more than his share of adventure when he went by the name Will Scarlet and fought corrupt authority alongside Robin Hood. Now widowed and alone, and estranged from his adult daughter, he has taken holy orders and sought refuge in a remote Benedictine abbey.But even there, trouble and violence follow him. The abbot, John de Wystow, is a good man but a weak leader, and easily undermined by a faction of dissident monks. When the rebels, led by Brother Robert de Flexburgh, run riot in the local community—stealing, drinking, fornicating—Scaflock’s old instincts return. Reluctantly taking charge of the abbey’s moral defence, he finds himself embroiled in a series of fierce clashes with de Flexburgh’s rowdy gang.As the abbey’s tranquillity is shattered, its cloisters stained with blood, Scaflock is forced to reconsider the direction of his life. Has he really left Will Scarlet behind him—or has he simply been running from reality?

    The Woman and the Puppet - which drew some of its inspiration from Bizet''s Carmen, as well as a particular episode in Casanova''s Memoirs - is a precise account of obsessive love, a distillation of the decadence of the turn of the century.

    Kathleen Rooney draws on her own experiences working as an artists’ model, as well as the famous, notorious, and mysterious artists and models through the ages. Through a combination of personal perspective, historical anecdote, and witty prose, Life Nude Girl reveals that both the appeal of posing nude for artists and the appeal of drawing the naked figure lie in our deeply human responses to beauty, sex, love, and death.

    Miraculously, a three-week old child evades the violence and is given up to the custody of the Sisters of Charity. 20 years later, the young orphan, possessive of so traumatized a history, sets off in search of answers.

    A sympathetic tribute from one great composer for the piano to another

    Using lively anecdotes, Fleming shows how the styles are linked together by common purposes, themes, and ideas.

    Clever illustrations and story lines, together with full-color reproductions of actual paintings, give children a light yet realistic overview of each artist's life and style in these fun and educational books.

    Artists painted, sculpted, and photographed her; poets praised her strange beauty. Among them were Gabriele D’Annunzio, Man Ray, Jean Cocteau, Cecil Beaton, and American writers Tennessee Williams, Jack Kerouac, and Ezra Pound. Couturiers Fortuny, Poiret, and Erté dressed her. Some became lovers, others awestruck admirers, but all were influenced by this extraordinary muse. The extravagance ended in 1930 when Casati was more than twenty-five million dollars in debt. Fleeing to London, she spent her final flamboyant years there until her death in 1957. Now nearly a half-century later, Casati’s fashion legacy continues to inspire such designers as John Galliano, Karl Lagerfeld, and Tom Ford. Fully authorized and accurate, this is the fantastic story of the Marchesa Luisa Casati.Scot D. Ryersson is an award-winning freelance writer, illustrator, and graphic designer. He lives in New Jersey.Michael Orlando Yaccarino is a freelance writer specializing in international genre film, fashion, music, and unconventional historical figures. He lives in New Jersey.

    Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst.Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, "their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry," Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.

    Fresh, unstaged, and full of poetry and humor, his photographs portray everyday people (in everyday places, doing everyday things) frozen in time, unwittingly revealing fleeting personal emotions in a public context. Doisneau's gift was the ability to seek out and capture, with humanity and grace, those little epiphanies of everyday Parisian life. This book traces Doisneau's life and career, providing a wonderful introduction to the work of this seminal photographer.

    But his profound influence on other photographers, most famously on Diane Arbus, derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City.Weegee's first book, Naked City (1945), was a runaway success and made him a celebrity who suddenly had assignments from Life and Vogue. By the publication of his second book, Weegee's People (1946), he had cut the wires to his police radio and had begun to photograph the furred and bejeweled grandes dames at the Metropolitan Opera as well as his beloved street people. Naked Hollywood (1953) and Weegee by Weegee (1961) feature portraits of Marilyn Monroe, Andy Warhol, John F. Kennedy, Nikita Khruschev, and Liberace -- many of them viewed through the distorted lens of his Weegee-scope.Regarded as some of the most powerful images of twentieth-century photography, Weegee's work now resides in the permanent collection of the Museum of Modern Art.