Taught to drive at the age of ten by his father, Luke can do more damage with a stick and a clutch than most men can do with a bottle of whiskey and a lousy mood. He counts down the days to his sixteenth birthday when he can finally get his license. Unfortunately, the first thing he does with it is "borrow" his neighbor's car. When Luke is pulled over and found in possession of an air pistol, a ski mask, a stolen TV, and a bag of pot, the unforgiving local magistrate takes scissors to his license and vows to lock him up if he ever stands in front of her again. As Luke's mother explores bad relationships and the lure of vodka, Luke moves in with his older brother, Nick, an easygoing ex-con who wants to steer Luke onto the straight and narrow. In the gnarled, muggy summer that follows, Luke contends with a lovely kleptomaniac girlfriend, a duffel bag full of cocaine, and the realization that he must save his family from themselves even as he plots to beat a path out of town. Dubbed the "Great American Redneck Novel" by Big Fish author Daniel Wallace, Drive Like Hell is a hilarious one-of-a-kind tale set in late '70s Georgia, complete with stock car racing, honky-tonk dancing, pro wrestling, drug dealing, and syndicated television. Dallas Hudgens brilliantly evokes Southern culture in this unforgettable debut that is raucous and wrenching, funny and wise.

    An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that the sixth form represents in an English boy's life. In doing so, he raises not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.

    Only an act of faith can reunite them. Trudy Hulst has no idea if her husband survived his attempted escape past the newly constructed Berlin Wall, but she knows too well the consequences of his actions. Now branded the wife of a defector, she faces a life in prison. With no real choice, she is forced to follow, praying she can find a way to claim their child once she’s in West Berlin. Surviving her harrowing break for freedom, Trudy learns the truth about her husband. Left to wander the wall like a ghost, she lives for brief glimpses of her son, stranded behind barbed wire and surrounded by armed soldiers. And Trudy knows she will do anything to get him back.

    Of course he has; he's a mystery-script writer. But when Alicia takes a long, unannounced vacation, Sydney seizes the opportunity to perfect his artistic method.With her characteristic precision and unrivaled sensitivity to the inner tremblings of human character, Patricia Highsmith shockingly portrays Sydney's descent into the treacherous world of his own fictions. Once again Highsmith proves herself to be a master at depicting the unsettling forces that boil beneath the surface of everyday life.

    To Camp Rapture’s general consternation, Sunset’s mother-in-law arranges for her to take over from Pete as town constable. As if that weren’t hard enough to swallow in depression era east Texas, Sunset actually takes the job seriously, and her investigation into a brutal double murder pulls her into a maelstrom of greed, corruption, and unspeakable malice. It is a case that will require a well of inner strength she never knew she had. Spirited and electrifying, Sunset and Sawdust is a mystery and a tale like nothing you’ve read before.

    Agnes stays at a hotel in hopes of avoiding her physically abusive ex-husband, Jerry, who was just released from prison. At first, she lets Peter sleep platonically on her floor, but not long after she promotes him to the bed. Matters become more complicated as Jerry eagerly returns to the woman he loves to beat her up, expecting to resume their relationship. On top of that, there s a hidden bug infestation problem that has both Agnes and Peter dealing with scathing welts and festering sores which has Peter believing this is the result of experiments conducted on him during his stay at an army hospital. Their fears soon escalate to paranoia, conspiracy theories and twisted psychological motives.

    This makes for a dangerous case for young lawyer Jack Brigance, but he'll do anything to defend his client and his own life.

    The winner of numerous awards, including an NEA Award for Best Play and a Whiting Writers Award, he is an artist to watch. This volume gathers together for the first time his three major plays to date.Included herein are his latest play, Gruesome Playground Injuries, which charts the intersection of two lives using scars, wounds, and calamity as the mile markers to explore why people hurt themselves to gain another's love and the cumulative effect of such damage; Bengal Tiger at the Baghdad Zoo, a "philosophical and existential investigation into the Iraq War" (Los Angeles Times), a darkly comedic drama that looks on as the lives of two American soldiers, an Iraqi translator, and a tiger intersect on the streets of Baghdad; and Animals Out of Paper, a subtle, elegant, yet bracing examination of the artistic impulse and those in its thrall. The play follows a world-famous origamist as she becomes the unwitting mentor to a troubled young prodigy, even as she must deal with her own loss of inspiration.

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    Songs include: Heaven on Their Minds * Everything's Alright * Hosanna * Pilate's Dream * I Don't Know How to Love Him * The Last Supper * I Only Want to Say (Gethsemane) * King Herod's Song * Superstar.

    In three different lives in three vastly different time periods, one man, Thomas, Tommy, Tom, is desperate to beat death and to prolong the life of the woman he loves.

    In the half-light, fragments of cello music crash around in her mind, but she casts them out - it's more than a year since she performed in public. There are memories she must banish in order to survive: a charismatic teacher with gold-flecked eyes, a mistake she cannot unmake. At home her mother Ada is waiting: a fragile, bitter woman who distils for herself a glamorous past as she smokes French cigarettes in her unkempt garden. In the village of Bosham the future is invading. A charming young documentary maker has arrived to shoot a film about King Cnut and his cherished but illegitimate daughter, whose body is buried under the flagstones of the local church. As Jonny disturbs the fabric of the village, digging up tales of ancient battles and burials, the threads lead back to home, and Ada and Nora find themselves face to face with the shameful secrets they had so carefully buried. One day, Nora finds a half-dead fledgeling in a ditch. She brings him home and, over the hot summer months, cradles Rook back to life. A mesmerising story of family, legacy and turning back the tides, Rook beautifully evokes the shifting Sussex sands, and the rich seam of history lying just beneath them.

    Called "one of the best depictions of male adolescent yearning ever to hit the page" (Kirkus Reviews), it is sure to translate wonderfully to screen in 2009.

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    TV's loss is your gain as these all-new tales break out of the shadows and spring to vivid life at Hill's command, accompanied by striking illustrations provided by Charles Paul Wilson III (Wraith). Fans of horror, Darkside, and Hill will not be disappointed.