Though her patron is hideous, his disarming generosity slowly leads to a surprising connection. Accessibly and with great compassion, Max Eilenberg sheds fresh light on one of our most beloved fairy tales. Angela Barrett's enchanting illustrations illuminate both the sumptuous palace and the horrifying beast himself. The resulting tour de force reminds us that ultimately love conquers all.

    The Ogre is large and stern and not at all interested in children, although this doesn't prevent him from adding his own two awful sons, Douglas and Malcolm, to the family mix. Now the five children and two adults are squashed under the same roof, which can lead to only one thing – war!Then the Ogre brings home the Chemistry Sets – one for Malcolm and one for Johnny. Not that Johnny is impressed by this very obvious bribe. At least, not until they accidentally discover the flying lotion. Then the real fun begins…

    This isn’t most fairy tales.Princess Violet is plain, reckless, and quite possibly too clever for her own good. Particularly when it comes to telling stories. One day she and her best friend, Demetrius, stumble upon a hidden room and find a peculiar book. A forbidden book. It tells a story of an evil being—called the Nybbas—imprisoned in their world. The story cannot be true—not really. But then the whispers start. Violet and Demetrius, along with an ancient, scarred dragon, may hold the key to the Nybbas’s triumph . . . or its demise. It all depends on how they tell the story. After all, stories make their own rules.Iron Hearted Violet is a story of a princess unlike any other. It is a story of the last dragon in existence, deathly afraid of its own reflection. Above all, it is a story about the power of stories, our belief in them, and how one enchanted tale changed the course of an entire kingdom.

    The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage. With everyone he knows fast asleep, it’s up to Zero to think fast and find a way to stop them–all on his own.

    One day, she trades a brocade for a beautiful painting of a palace. She then spends years lovingly recreating the scene in brocade only to lose her work on a windy day. After everything she has done for her family, her youngest son seeks to recover the lost treasure, traveling through terrible weather and rocky terrain.Great for ages 5 and up. Beautiful and vibrant full-color illustrations.

    Priscilla the princess has accidentally switched places with Pigmella, the farmer's new piglet. The kindly farmer and his wife believe it's the work of a good witch, while the ill-tempered king and queen blame the bad witch-after all, this happens in fairy tales all the time! While Priscilla grows up on the farm, poor yet very happy, things don't turn out quite so well for Pigmella. Kissing a frog has done wonders before, but will it work for a pig?Sure to hog all the attention, this story's frequent nods to well-known fairy tales such as Sleeping Beauty, The Frog Princess, and Thumbelina-plus hilarious illustrations-will delight readers of any age.

    Josephine Poole and Angela Barrett have created just such an edition of "Snow White." Beautiful color illustrations throughout.

    M. Barrie's Peter Pan!In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    Down this passageway, it is not cold, there is no danger, and nothing bad can ever happen—and the person she longs for is with her again. The only problem is that, on some days, the passageway is not there. But maybe, together, mother and daughter can find a way to carry that feeling with them always.First published in Argentina, this lovely picture book will tug on the heartstrings of anyone who knows what it means to miss a loved one.

    The first three fairy tales are “The Sleeping Beauty,” “Blue Beard,” and “Cinderella,” all three of which were popularized in France by Charles Perrault in 1697 in his Tales of Mother Goose. The last tale in the compilation is “Beauty and the Beast,” this version attributed to Gabrielle de Villeneuve, who published it in 1740 and 1756.Quiller-Couch had this to say regarding his translation of these tales: “I began by translating Perrault’s tales, very nearly word for word…the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) ‘may not be the best claret, but ‘tis the best we’ve got...’”

    Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of Nutcracker and has created even more magnificent pictures especially for this book. He has joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.The world of Nutcracker is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

    It's about a pirate, who also has a favorite book . . . about Goldilocks, who also has a favorite book . . . about a knight, who also has a favorite book . . . . This hilarious pattern continues throughout the story, right to the satisfying and surprising end.

    North—a daredevil swordsman whose prowess with double scimitars was legendary. Like any swashbuckling young warrior, North seeks treasure and adventure, leading him to the fiercely guarded village of Santoff Claussen, said to be home to the greatest treasure in all the East, and to an even greater wizard, Ombric Shalazar. But when North arrives, legends of riches have given way to terrors of epic proportions! North must decide whether to seek his fortune…or save the village.When our rebellious hero gets sucked into the chaos (literally), the fight becomes very personal. The Nightmare King and his evil Fearlings are ruling the night, owning the shadows, and sending waves of fear through all of Santoff Clausen. For North, this is a battle worth fighting...and, he's not alone. There are five other Guardians out there. He only has to find them in time.

    When the selfish townspeople of Hamelin refuse to pay the piper for spiriting away the hordes of rats that had plagued them, he exacts his revenge by luring away their greatest treasure, the children of the town.Excerpt from The Pied Piper of Hamelin The Pied Piper of Hamelin. I. Hamelin Town's in Brunswick, By famous Hanover city;The river Weser, deep and wide, Washes its wall on the southern side;A pleasanter spot you never spied;But, when begins my ditty, Almost five hundred years ago, To see the townsfolk suffer soFrom vermin, was a pity.