His rise was fast and he enjoyed all the luxuries of his hustle, including the fly chick on his arm. But his reign is short lived. Now he is in prison on a bogus murder conviction and everything he had is gone, including his woman.Beautiful and ambitious Lieutenant Nicole Wright is the fantasy of every convict at Georgia State Prison where she works. The furthest thought from her mind is falling in love with a convict. She is married to a successful doctor, and though their marriage is absent of passion, Nicole is content until she meets Prince. A hot, fascinating, but dangerous relationship kicks off threatening to explode at every turn. Will Nicole be able to ride for Prince like he needs her to? Will his bitterness engulf her into its flames? Will loving a thug cost Nicole to lose everything, including her life? The answers lie within as she and Prince embark on a journey that is truly A Dirty South Love.

    She gains a respectable post as housekeeper to an elderly man, but when he dies his waspish sister throws her out onto the streets where she faces destitution. At the entrance to the notorious Paradise Park Hotel she encounters Sal, a young street girl whom she tries to rescue. Her attempt ends in failure and Sal returns to her old life on the streets, leaving Rhiannon is even more determined to become respectable. She obtains a job as maid to unhappy Janey Buchan, who takes a liking to Rhiannon and teaches her ladylike ways. Her rascally husband Dafydd, once the lover of Llinos Mainwaring, causes Janey great unhappiness, and eventually she runs away, leaving Rhiannon once more without a job or a home. In desperation, knowing that little stands between her and a return to her old life, she finds herself back at the Paradise Park Hotel. Once scarcely more than a bawdy house, it has now changed hands and Rhiannon starts working there, helping gradually to transform it from a place of ill-repute into one of the finest hotels in Swansea. The only thing lacking in her life is love, and with Bull Beynon married to sweet, gentle Katie, she fears that she may have to live out her life alone . . . Paradise Park is the triumphant finale to Iris Gower's Firebird sequence, set amongst the romantic clay potteries of South Wales.

    After a year of courtship, Katie is ready to settle down and start her life as an Amish wife, but Zach finds himself longing for a wider world than his childhood home of Faith's Landing. Caught between love and possibility, societal expectations and the temptations of the flesh, will Zach and Katie's love be strong enough to survive the oncoming storm? This is Book 3 of 3 of the A Lancaster Amish Storm (Amish Faith Through Fire) serial. IF YOU LOVE CHRISTIAN BOOKS, SCROLL UP AND GRAB YOUR COPY NOW!

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original Asthetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.

    They were the eldest of the James/Santos offspring who were all either siblings or cousins and ranged in age from infants to early teens. But, now that the three boys were older, they had to face real life issues and responsibility. Lil Q’s name had already been run through the system due to the parents of his first puppy love, Jyla. Now the majority of his summer vacation was spent going back and forth to the courthouse trying to clear his name. Cons’ vacation was spent on his new career, but he later finds himself walking the footsteps of his father. Cons was a go-getter and had been that way since he could comprehend that people catered to children. Once Cons’ career blew up, he also figured out how much it brought attention from his peers, be it good or bad. Now that Cee saw how much drama had come into his family from his little brother and cousin, he chose to keep his feelings for his best friend at bay, not knowing that she liked him too. Cee, Cons, and Lil Q all knew the rules of the James and Santos family. Now that they were older, their parents felt they needed a little more freedom, but would it all be taken away after their parents learned just how much chaos surrounded their children?

    

    School is her get away, and her safe haven, because at home, she suffers through an abusive relationship with her boyfriend William.Due to the stress of life and school, Amelia loses her job, but quickly bounces back and finds a better opportunity, and with a new job on the horizon, she falls into the arms of the owner of the business, Ceedric.Ceedric is a savage street king who goes legit and leaves his past behind, opening a construction company.The chemistry between these two is real and raw, but what will she do about William? With the fear of leaving William, and falling into something new with Ceedric, hearts and lives are on the line and in the way.Can Ceedric use his tru savage ways to hold on to his woman, or will she slip through his fingers, and stick to what she knows, abandoning her chance at happiness?

    As she helps women plan and execute their special day, Reese is secretly waiting for the day it is her walking down the aisle. However, it seems that with Cordell, a well-known Miami DJ, that will never happen. Though she thought she had a fairy tale, after finding out a secret, Reese has to do her best to move on. It may be easier said than done, though. Anthony is a rapper, and to the outside eye, he has everything. The money, the cars, and the picture perfect trophy girlfriend, Elysia. However, with her continuously pressuring Anthony to get married, he strongly doubts their relationship and where it's meant to head. When he meets Reese, the inevitable happens. With her outgoing and vibrant smile, he finds himself easily attracted to her. However, all is not fair in love and war. Will their hearts be the casualty?

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues