Each beautifully crafted story brings an unusual twist to the traditional tale, from Cinderella’s story told from the not-so-kind fairy godmother’s point of view, to the Bluebeard tale showing the lure of this dark and dangerous man that drives young girls to rush willingly to their fate.Foreword by Anna Kashina“A Necklace of Rubies” by Cindy Lynn Speer“Come Lady Death” by Peter S. Beagle; “Summer Wind” by Nancy Kress“Stronger than Time” by Patricia C. Wrede“Words Like Pale Stones” by Nancy Kress“Every Word I Speak” by Cindy Lynn Speer“Remains” by Siobhan Carroll“Frayed Tapestry” by Imogen Howson“The Cold Blackness Between” by Lucy A. Snyder“Solstice Maiden” copyright by Anna Kashina“But Can You Let Him Go” by Cindy Lynn Speer

    This truth is so ingrained in the minds of readers that to suggest its removal is incomprehensible. But what if the magic is removed? Is it possible to find true love when the world is perfectly ordinary? After Eleanor rescues her stepsister Fanny from an attempted elopement, their father decides to remove the family to the Continent before Fanny’s indiscretion can be discovered. Eleanor finds the opportunity a welcome relief after a disastrous London Season, and is determined to set herself apart from her vain and scheming stepfamily. A chance meeting at a ball earns her the attentions of the handsome Baron Rupert von Schönfeld, a cousin to the Imperial Family of Austria. He is enchanted by Eleanor’s beauty, talent, and kindness, and Eleanor feels certain that she will soon leave her stepfamily behind for good. But Fanny is angry over Eleanor’s interference in her elopement, and gossip is a powerful engine for revenge. As rumors begin to fly, Eleanor’s only comfort is writing about her troubles to her cousin, Isabella. Isabella, meanwhile, has an adventure of her own to share. Her father has formed a friendship with the surly Duke William of Stirling. His rough manners and intentional slights are irritating, especially to a proper young lady, but Isabella is more than a match with a fiery wit of her own. Then the Duke invites her father to visit his castle in the wilds of the Scottish countryside, and Isabella soon realizes that the Duke’s prickly demeanor hides a kind heart and a mysterious accident from his past. Her heart tells her to let the past rest, but her mind is not ready to give up on discovering the Duke’s secrets, and her curiosity might keep her from the happy ending she desires. In a world where etiquette reigns and fairy godmothers are noticeably absent, Eleanor and Isabella are left to sort out their own “happily ever after” endings with only their wits, good manners, and accomplishments. Set in Victorian England and beyond, this retelling combines two beloved fairytales with the literary style made popular by authors such as Jane Austen and Charlotte Brontë.

    The first honed his craft at a stolen wheel, crippling his leg, turning a room full of straw into a glittering dress for his beloved -- and losing her. The second steals moments to teach herself. Saskia is her name, and she grows up to be a master spinner. Nothing is beyond her -- until she, too, must spin straw into gold. And it is then that they meet . . .

    Now, in their third critically acclaimed collection of original fairy tales for adults, World Fantasy Award-winning editors Ellen Datlow and Terri Windling bring us twenty-one new stories by some of the top names in literature today. Joyce Carol Oates, Gahan Wilson, Gene Wolfe, Tanith Lee, Neil Gaiman -- these are but a few of the accomplished literary sorcerers who have gathered here to remold our timeless myths into more sensuous and disturbing forms. Like the fabled ruby slippers, there is powerful magic here. Rich witches in trendy resorts cast evil spells ... beautiful princesses age and wither in sleeping worlds ... terrible beasts reside beneath flawless skin.Dark, disturbing, delightful, each story was written expressly for this superb collection of distinctly grown-up fantasy -- a brilliant companion volume to Datlow and Windling's acclaimed anthologies, "Snow White, Blood Red and "Black Thorn, White Rose. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    But her prison is far from ordinary, and the story of their relationship becomes a tale of romance that has delighted readers for more than a century. Illustrated.

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    The housekeeper is unnerving. The castle-like house—with its massive chimney, mullioned windows, and ironwork gate with wrought-iron roses—gives her chills. And Lee himself is disfigured by a rare, genetic disease. In the long hours of work that follow, deep in the wintry woods, Alix discovers that beneath Lee's exterior lies a remarkable man, a man she could come to love. The problem lies in convincing Lee.

     Buy Once Upon a Happy Ending to start the timeless anthology today! Note:The current available edition only contains 13 Stories from 14 different authors.

    Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.

    These are the stories told to warn children, entertain adults and beguile all. Contents:BluebeardThe Living BookThe Jacaranda WifeRed SkeinThe Chrysanthemum BrideFrozenThe Hummingbird HeartWordsThe Little Match GirlThe Juniper TreeSkinThe Bone MotherThe Dead Ones Don’t Hurt YouLight As Mist, Heavy As HopeDresses, ThreeThe Girl With No HandsCover design by Lisa L. Hannett

    Introduced by Grimm Tales author Philip Pullman and leading fairy tale scholar Jack Zipes, The Singing Bones breathes new life into some of the world's most beloved fairy tales.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    And so the Editor ventured forth, wandering the land of Story from shore to shore, climbing massive mountains of books and delving deep into lush, literary forests, gathering together thirty-three of the best re-tellings of fairy tales he could find. Not just any fairy tales, mind you, but tantalizing tales from some of the biggest names in today’s fantastic fiction, authors like Gregory Maguire, Susanna Clarke, Charles de Lint, Holly Black, Alethea Kontis, Kelly Link, Neil Gaiman, Patricia Briggs, Paul Di Filippo, Gregory Frost, and Nancy Kress. But these stories alone weren’t enough to satisfy the Editor, so the Editor ventured further, into the dangerous cave of the fearsome Bill Willingham, and emerged intact with a magnificent introduction, to tie the collection together. And the inhabitants of Story—from the Kings and Queens relaxing in their castles to the peasants toiling in the fields, from the fey folk flitting about the forests to the trolls lurking under bridges and the giants in the hills—read the anthology, and enjoyed it. And they all lived... ...Happily Ever After.