Miller wears long dresses and a prayer covering. But she uses a cellphone and posts status updates on Facebook, too. Anything but Simple is the riveting memoir of a young woman's rich church tradition, lively family life, and longings for a meaningful future within her Mennonite faith. With a roving curiosity and a sometimes saucy tongue, Miller ushers us into her busy life as a young schoolteacher.Book 5 in the Plainspoken series. Hear straight from Amish and Mennonite people themselves as they write about their daily lives and deeply rooted faith in the Plainspoken series from Herald Press. Each book includes "A Day in the Life of the Author" and the author's answers to FAQs about the Amish and Mennonites.

    With an estimated word count of well over 700,000 words, the book is not an undertaking for the casual reader. The book can be a very tedious and boring read. This turns many people off from wanting to commit any time to understanding the foundational doctrine of Christianity. However, as atheists we really need to have at least a basic understanding of the Bible if we are going to make a judgment call about the religion. No matter which sect of Christianity someone subscribes to, the Bible is the foundation of Christian belief. This book is a mere 7,000 words to tell a slimmed down version of the basic story of the Bible. This book focused on the narrative rather than any underlying allegory or metaphor inherent in the narrative. The author attempts to challenge the notion of biblical literalism by showing that the story in its most basic form is simply too fantastic for any rational person to believe.

    Father Joe is Tony Hendra’s inspiring true story of finding faith, friendship, and family through the decades-long influence of a surpassingly wise Benedictine monk named Father Joseph Warrillow.Like everything human, it started with sex. In 1955, fourteen-year-old Tony found himself entangled with a married Catholic woman. In Cold War England, where Catholicism was the subject of news stories and Graham Greene bestsellers, Tony was whisked off by the woman’s husband to see a priest and be saved.Yet what he found was a far cry from the priests he’d known at Catholic school, where boys were beaten with belts or set upon by dogs. Instead, he met Father Joe, a gentle, stammering, ungainly Benedictine who never used the words “wrong” or “guilt,” who believed that God was in everyone and that “the only sin was selfishness.” During the next forty years, as his life and career drastically ebbed and flowed, Tony discovered that his visits to Father Joe remained the one constant in his life—the relationship that, in the most serious sense, saved it.From the fifties and his adolescent desire to join an abbey himself; to the sixties, when attending Cambridge and seeing the satire of Beyond the Fringe convinced him to change the world with laughter, not prayer; to the seventies and successful stints as an original editor of National Lampoon and a writer of Lemmings, the off-Broadway smash that introduced John Belushi and Chevy Chase; to professional disaster after co-creating the legendary English series Spitting Image; from drinking to drugs, from a failed first marriage to a successful second and the miracle of parenthood—the years only deepened Tony’s need for the wisdom of his other and more real father, creating a bond that could not be broken, even by death.A startling departure for this acclaimed satirist, Father Joe is a sincere account of how Tony Hendra learned to love. It’s the story of a whole generation looking for a way back from mockery and irony, looking for its own Father Joe, and a testament to one of the most charismatic mentors in modern literature.From the Hardcover edition.

    6 classic texts by C.S.Lewis! Includes: The Screwtape Letters,The Great Divorce,The Abolition of Man,Miracles,Mere Christianity, and The Problem of Pain.

    We have a fundamental need to understand who we are and the world we live in. Reason takes us a long way, but mystery remains. When our minds and senses are baffled, faith can seem justified--but faith is not knowledge. In Ultimate Questions, acclaimed philosopher Bryan Magee provocatively argues that we have no way of fathoming our own natures or finding definitive answers to the big questions we all face.With eloquence and grace, Magee urges us to be the mapmakers of what is intelligible, and to identify the boundaries of meaningfulness. He traces this tradition of thought to his chief philosophical mentors--Locke, Hume, Kant, and Schopenhauer--and shows why this approach to the enigma of existence can enrich our lives and transform our understanding of the human predicament. As Magee puts it, There is a world of difference between being lost in the daylight and being lost in the dark.The crowning achievement to a distinguished philosophical career, Ultimate Questions is a deeply personal meditation on the meaning of life and the ways we should live and face death.

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    In those years the author was teaching philosophy at American universities and exercising a growing influence on America's student population. The essays assembled here are fundamentally concerned with "the art of reckoning" in the fields of mathematics, logic and philosophy. The simplicity of Russell's exposition is astonishing, as is his ability to get to the core of the great philosophical issues and to skillfully probe the depth of philosophical analysis. Bertrand Arthur William Russell, 3rd Earl Russell was a British philosopher, logician, mathematician, historian, social reformer, and pacifist. Although he spent the majority of his life in England, he was born in Wales, where he also died. Russell led the British "revolt against Idealism" in the early 1900s and is considered one of the founders of analytic philosophy along with his prot�g� Wittgenstein and his elder Frege. He co-authored, with A. N. Whitehead, Principia Mathematica, an attempt to ground mathematics on logic. His philosophical essay "On Denoting" has been considered a "paradigm of philosophy." Both works have had a considerable influence on logic, mathematics, set theory, linguistics and analytic philosophy. He was a prominent anti-war activist, championing free trade between nations and anti-imperialism. Russell was imprisoned for his pacifist activism during World War I, campaigned against Adolf Hitler, for nuclear disarmament, criticized Soviet totalitarianism and the United States of America's involvement in the Vietnam War. In 1950, Russell was awarded the Nobel Prize in Literature, "in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought."

    Once again Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience. Rumi's joyous, ecstatic love poems; St. Francis's loving observations of nature through the eyes of Catholicism; Kabir's wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa's sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God,” from writers considered to be "conduits of the divine." A spiritual treasure to cherish always.

    Lehner reintroduces Christians to the true God—not the polite, easygoing, divine therapist who doesn’t ask much of us, but the Almighty God who is unpredictable, awe-inspiring, and demands our entire lives.  Stripping away the niceties with a sling blade, Lehner shows that God is more strange and beautiful than we imagine, and wants to know and transform us in the most intimate way. With his iconoclastic new book God Is Not Nice, Lehner, one of the most promising young Catholic theologians in America, challenges the God of popular culture and many of our churches and reintroduces the God of the Bible and traditional Christianity. As Lehner writes in the book’s introduction, "We all need the vaccine of the true transforming and mysterious character of God: The God who shows up in burning bushes, speaks through donkeys, drives demons into pigs, throws Saul from his horse, and appears to St. Francis. It’s only this God who has the power to challenge us, change us, and make our lives dangerous. He sweeps us into a great adventure that will make us into different people." This book is not safe. It may startle and annoy many people—including those who purport to teach and preach the Gospel, but are missing it, according to Lehner. God Is Not Nice intends to overthrow all of our popular misconceptions about God, inviting us to ask deeper questions about the nature of our lives and our relationship with him. When you're finished with God Is Not Nice, you may find the idols you constructed in God’s name smashed, replaced with a God who will ask you to live an entirely different life full of hope and transformation.God Is Not Nice has been translated into several foreign languages.

    It is an ache for the homecoming. The Greeks called it nostalgia.  Post-modern man, homeless almost by definition, cannot understand nostalgia. If he is a progressive, dreaming of a utopia to come, he dismisses it contemptuously, eager to bury a past he despises. If he is a reactionary, he sentimentalizes it, dreaming of a lost golden age. In this profound reflection, Anthony Esolen explores the true meaning of nostalgia and its place in the human heart. Drawing on the great works of Western literature from the Odyssey to Flannery O'Connor, he traces the development of this fundamental longing from the pagan's desire for his earthly home, which most famously inspired Odysseys' heroic return to Ithaca, to its transformation under Christianity. The doctrine of the fall of man forestalls sentimental traditionalism by insisting that there has been no Eden since Eden. And the revelation of heaven as our true and final home, directing man's longing to the next world, paradoxically strengthens and ennobles the pilgrim's devotion to his home in this world. In our own day, Christian nostalgia stands in frank opposition to the secular usurpation of this longing. Looking for a city that does not exist, the progressive treats original sin, which afflicts everyone, as mere political error, which afflicts only his opponents. To him, history is a long tale of misery with nothing to teach us. Despising his fathers, he lives in a world without piety. Only the future, which no one can know, is real to him. It is an idol that justifies all manner of evil and folly. Nostalgia rightly understood is not an invitation to repeat the sins of the past or to repudiate what experience and reflection have taught us, but to hear the call of sanity and sweetness again. Perhaps we will shake our heads as if awaking from a bad and feverish dream and, coming to ourselves, resolve, like the Prodigal, to "arise and go to my father's house."

    Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that he would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of detail and storytelling.

    You'll learn how these key virtues influence your actions and color all of your spiritual life. You'll discover real-life ways to develop these virtues -- virtues that bring lasting improvement to those parts of your character that need it most.

    He analyzes the spiritual, moral, and political collapse of the Western world and concludes that "the decadence of our time has all the faces of mortal peril."A cultural identity crisis, he writes, is at the root of the problems facing Western societies. "The West no longer knows who it is, because it no longer knows and does not want to know who made it, who established it, as it was and as it is. Many countries today ignore their own history. This self-suffocation naturally leads to a decadence that opens the path to new, barbaric civilizations."While making clear the gravity of the present situation, the cardinal demonstrates that it is possible to avoid the hell of a world without God, a world without hope. He calls for a renewal of devotion to Christ through prayer and the practice of virtue.

    With grace, charm, and wit, Dr. Howard describes his journey from Evangelicalism to Anglicanism, and finally, to the Church of Rome. In a world saturated with fashionable unbelief, Howard's testimony inspires and informs. Fr. Richard Neuhaus calls it "a marvelously engaging remembrance.

    Sydney seems to have it all—a lucrative career, a comfortable life, and a man who looks good on paper—until the Catholic Church, looking to repair some serious image problems, approaches the ad agency she works for to create a positive campaign. Sydney, told by her boss it's her account to lose, stumbles through the novel trying to figure out how to sell religion to a soulless society. She begins a one-sided argument with the Lord himself via riotous, pleading e-mails, all the time asking why He/She had to enter her neat, secular life and make such a mess of it.Complicating things are her best friend Anna's on-again, off-again wedding; the disturbingly handsome priest serving as the church's liaison; and Jake, the new guy, who looks good in real life but comes equipped with all the real-life complications. Susi Rajah's wickedly funny debut novel introduces an unforgettable new voice in fiction and gives us a ribald, self-deprecating young woman who eventually discovers that love requires even more faith than religion.