A book of very short stories that explores the spaces between light and dark and how we find our way from one to the other. From buffering Skype chats and the truth about beards, to fried chicken shops and the things smartphones make you less likely to do when alone in a public place, Fisher paints a complex, funny and moving portrait of contemporary British life.

    It was selected by Deb Olin Unferth as the winner of the 2010 Caketrain Chapbook Competition and is currently available from Caketrain Press.

    Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal’s view, constitute the real autobiography of Williams’ "art and inner life."

    Can anything save them when the spirit decides they belong to him? Crying through Plastic Eyes-A messy divorce, a room filled with creepy dolls, and a missing six-year-old all create the perfect storm for a young mother’s worse nightmare. Will Work for Food- You see them everywhere begging for money or food. When an older couple decides to lend a helping hand to a young man and his son, someone gets more than they bargain for. Pieces-A battered woman confesses to the mutilation and death of her husband, but did she really commit this heinous crime? Paying the Hitchhiker-You see a beautiful young woman on the side of the road with her thumb out, asking for a ride. Who should be the most afraid: the hitchhiker or the person picking her up? Inheritance-A confession from Accalia’s grandmother about a curse and an inheritance are just the prologue to seven days of suffering through a living hell.

    Stories of longing and belonging, they culminate with the heart-wrenching and unforgettable title story.

    These are stories about women who built time machines when they were nine, or who predict cataclysm, or who think their dreams are reality. They include police horses with talons and giant eagles and weredeer. At the center of it all is love. And if love is the problem, what is the solution? Being closer? Or being alone?

    "Nightwork" is a masterful dreamwork, revealing with startling clarity the dark and unsettling sexuality that lies just beneath the surface of the mundane.

    In “Upon Completion of Baldness” a young woman shaves her head for a part in a movie in Hong Kong that will help her escape life with her lover in Albuquerque. The precocious narrator of “All Boy” finds comfort when he is locked in a closet by a babysitter. In “Dr. Deneau’s Punishment” a math teacher leaving New York for Minnesota as a means of punishing himself engages in an unsettling method of discipline. A lesbian couple whose relationship is disintegrating flees to the Moroccan desert in “The Children beneath the Seat.” And in “Idyllic Little Bali” a group of Americans gathers around a pool in Java to discuss their brushes with fame and ends up witnessing a man’s fatal flight from his wife.In the eleven stories in The Bigness of the World we see that wherever you are in the world, where you came from is never far away.

    With all the heartbreaking earnestness of a Wilco song, these eighteen stories by Chad Simpson roam the small-town playgrounds, blue-collar neighborhoods, and rural highways of Illinois, Indiana, and Kentucky to find people who’ve lost someone or something they love and have not yet found ways to move forward. Simpson’s remarkable voice masterfully moves between male and female and adolescent and adult characters. He embraces their helplessness and shares their sad, strange, and sometimes creepy slices of life with grace, humor, and mounds of empathy. In “Peloma,” a steelworker grapples with his preteen daughter’s feeble suicide attempts while the aftermath of his wife’s death and the politics of factory life vie to hem him in.  The narrator of “Fostering” struggles to determine the ramifications of his foster child’s past now that he and his wife are expecting their first biological child. In just two pages, “Let x” negotiates the yearnings and regrets of childhood through mathematical variables and the summertime interactions of two fifth-graders. Poignant, fresh, and convincing, these are stories of women who smell of hairspray and beer and of landscapers who worry about their livers, of flooded basements and loud trucks, of bad exes and horrible jobs, of people who remain loyal to sports teams that always lose. Displaced by circumstances both in and out of their control, the characters who populate Tell Everyone I Said Hi are lost in their own surroundings, thwarted by misguided aspirations and long-buried disappointments, but fully open to the possibility that they will again find their way.

    This anthology celebrates twelve such moments of discovery, and is the first volume of an annual collection--launched alongside PEN's new Robert J. Dau Short Story Prize for Emerging Writers--that recognizes outstanding fiction debuts published in North America. The dozen winning stories included here--selected this year by judges Kelly Link, Marie-Helene Bertino, and Nina McConigley--take place in South Carolina and in South Korea, on a farm in the eighteenth century and among the cubicles of a computer-engineering firm in the present day. They narrate ancient themes with current urgency: migration, memory, technology, language, love, ecology, identity, family. Together they act as a compass for contemporary literature; they tell us where we're going. Each work comes with an introduction by the editor who originally published it, explaining why he or she chose it. The commentaries provide insight into a process that often remains opaque to readers and aspiring writers, and offer a chance to showcase the vital work literary magazines do to nurture our boldest and most exciting new voices.

    Through these celebrations of birth, partings, and reunions, this gifted writer displays both her love of the Navajo world and her resonant use of language. Blending memoir and fiction in the storytelling style common to many Indian traditions, Tapahonso's writing shows that life and death are intertwined, and that the Navajo people live with the knowledge that identity is formed by knowing about the people to whom one belongs. The use of both English and Navajo in her work creates an interplay that may also give readers a new way of understanding their connectedness to their own inner lives and to other people. Luci Tapahonso shows how the details of everyday life—whether the tragedy of losing a loved one or the joy of raising children, or simply drinking coffee with her uncle—bear evidence of cultural endurance and continuity. Through her work, readers may come to better appreciate the different perceptions that come from women's lives.

    2: AmericanThen he saw, an indefinite distance beyond him, burning like red-hot iron through the darkness, a little scarlet or crimson gleam, as of a lighted cigar.

    Jonathan Ames, Judy Budnitz, Glen David Gold, Jonathan Lethem and A.M. Homes are amongst the writers spreading their wings in this fine collection and showing once more why McSweeney's is now a byword for brilliance, innovation and the unexpected.

    It examines and subverts the tropes of mystery and crime storytelling in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. They have been taken, but their stories still remain. This is how they set the plot in motion.

    Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.