The ultimate cover-up. How do you solve a murder with no useable evidence?Private detective Nils Shapiro is focused on forgetting his ex-wife and keeping warm during another Minneapolis winter when a former colleague, neighboring Edina Police Detective Anders Ellegaard, calls with the impossible.Suburban divorcee Maggie Somerville was found murdered in her bedroom, her body covered with the dust from hundreds of emptied vacuum cleaner bags, all potential DNA evidence obscured by the calculating killer.Digging into Maggie’s cell phone records, Nils finds that the most frequently called number belongs to a mysterious young woman whose true identity could shatter the Somerville family--but could she be guilty of murder?After the FBI demands that Nils drop the case, Nils and Ellegaard are forced to take their investigation underground, where the case grows as murky as the contents of the vacuum cleaner bags. Is this a strange case of domestic violence or something with far reaching, sinister implications?

    The female visionaries in this deck will inform answers to questions about your creative life and spiritual journey. In addition to the portraits of literary heroes, such as Virginia Woolf and Toni Morrison, and lesser-known trailblazers, such as Yumiko Kurahashi and Mirabai, the deck features 40 symbol cards bearing illustrations of potent spiritual icons to enhance your reading. A small guidebook will act as an interpreter, helping you find meaning in the cards based on your specific intentions, the writers' dominant traits, and the spiritual symbols at play.

    The two disciplines collide in The Church of Dead Girls, a lyrical novel that inspired Stephen King to comment, "If ever there was a tale for a moonless night, a high wind and a creaking floor, this is it ... I don't expect to read a more frightening novel this year." Aurelius is a drowsy bedroom community in upstate New York that is rocked by a vicious, seemingly random killing. A woman is found murdered in her bed, her left hand missing. Just when the grisly details begin to fade, a young girl vanishes. The only clue: a bag with the girl's washed and folded clothes and a mannequin's left hand. Soon two more girls disappear, and when clues remain elusive, conjecture and rumour take over. The town awakens to a nightmare of suspicion and vigilantism. As the killer spirals in to kill again, the town spins out of control, and The Church of Dead Girls heads to a jolting conclusion. It'll give you goosebumps even if you read it at the beach.

    This sensitive celebration of the remarkable life of Reuters' youngest photographer is filled with 17 journals, replicated collages of writings, drawings and photographs.

    Resnick was stabbed in her home after she let it slip that she was planning to change her will. There are plenty of suspects in the death of the matriarch of the town's founding family, but the killer has never been caught.Now Branigan must do some serious digging to get her story. She knows the town's homeless community might have seen something; she also knows that the local cops wouldn't have thought of questioning these often--invisible people. There's a big problem, though; as Branigan starts digging, the homeless start dying. When her twin brother, a long--time addict, gets involved, the consequences of her investigation may hit a little too close to home.Set in the fictional small town of Grambling, Georgia, The Cantaloupe Thief is the first in a new mystery series by Deb Richardson--Moore. The author is herself a former journalist and works extensively with the homeless, lending weight to the portrayal of a believable and engaging whodunit.

    Hotly pursued by the police, they crash into the suburban home of an accountant and take the family hostage. Soon the mafia are on the scene.

    Simon & Schuster has a great book for every reader.

    Or they can lead to different destinations: places turned upside down or inside out, territories riddled with marks understood only by their maker, realms connected more to the interior mind than to the exterior world. These are the places of artists' maps, that happy combination of information and illusion that flourishes in basement studios and downtown galleries alike. It is little surprise that, in an era of globalized politics, culture, and ecology, contemporary artists are drawn to maps to express their visions. Using paint, salt, souvenir tea towels, or their own bodies, map artists explore a world free of geographical constraints.Katharine Harmon knows this territory. As the author of our best-selling book You Are Here, she has inspired legions of new devotees of imaginative maps. In The Map as Art, Harmon collects 360 colorful, map-related artistic visions by well-known artistssuch as Ed Ruscha, Julian Schnabel, Olafur Eliasson, Maira Kalman, William Kentridge, and Vik Munizand many more less-familiar artists for whom maps are the inspiration for creating art. Essays by Gayle Clemans bring an in-depth look into the artists' maps of Joyce Kozloff, Landon Mackenzie, Ingrid Calame, Guillermo Kuitca, and Maya Lin. Together, the beautiful reproductions and telling commentary make this an essential volume for anyone open to exploring new paths.

    No previous crafting experience or pricey materials are necessary--just a love of all things small!

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    Consider this a superscript above all other entries.”—Booklist. “Encourages those who hesitate to start in on the pristine pages of a nicely bound blank book.... Lively and interesting illustrations make this a good selection for public library collections.”—Library Journal.

    ROGER ZELAZNY, Hugo and Nebula Award winning author, and science fiction artist GRAY MORROW have combined their talents to produce a deluxe, full-colour illustrated book of the most fabulous Zelazny tales and characters.A stunning collection of graphic stories, murals, illustrations and never-before-published Zelazny fiction, this book is one of the most lavish fantasy volumes ever published.Among its features are a new SHADOWJACK adventure, the first illustrated version of A ROSE FOR ECCLESIASTES, the first graphic story version of THE DOORS OF HIS FACE, THE LAMPS OF HIS EYES, and a sweeping series of murals based on Corwin and the Amber worlds.Magnificent art, fantastic stories and a revolutionary format will make this book a treasured collectors edition in years to come.Contents:· Illustrations · Gray Morrow · il · Introduction · Byron Preiss · in · Shadowjack · ss * · An Amber Tapestry · Gray Morrow · il Mediascene · A Rose for Ecclesiastes · nv F&SF Nov ’63; ; Illustrated version-, Heavy Metal Jan ’78 · The Furies · nv Amazing Jun ’65 · A Zelazny Tapestry · Gray Morrow · il * · Zelazny Speaks · ar * · Morrow Speaks · Gray Morrow · ar * · The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65; ; Illustrated version-, Star-Reach · Rock Collector [adapted from “Collector’s Fever”] · ct Galaxy Jun ’64

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    Opening the flaps on this unique little book, readers will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination.The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written. Designed by Chip Kidd and fully illustrated in full color throughout, this small format, 96-page volume is a treat for book lovers of all ages.

    A city of gas lamps, cobblestone streets, and horse-drawn carriages—and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: What if the world’s most celebrated mythological beasts—mermaids, minotaurs, and satyrs—were in fact the evolutionary ancestors of humankind?  The Resurrectionist offers two extraordinary books in one. The first is a fictional biography of Dr. Spencer Black, from a childhood spent exhuming corpses through his medical training, his travels with carnivals, and the mysterious disappearance at the end of his life. The second book is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts—dragons, centaurs, Pegasus, Cerberus—all rendered in meticulously detailed anatomical illustrations. You need only look at these images to realize they are the work of a madman. The Resurrectionist tells his story.