More than a simple anthology, this collection goes deeper, revealing the incendiary intersection of music and activism.

    Between 1926 and 1933 she collected most of these pieces in three volumes of poetry: Enough Rope, Sunset Gun, and Death and Taxes. The remaining poems and verses from America's most renowned cynic make up this collection. Eclectic and exuberant, these 122 once-forgotten gems display Parker's distinctive wit, irony, and precision, as she dissects early-twentieth-century American urban life and gleefully skewers a rich array of targets that range from personal foible to popular culture. With an authoritative, immensely entertaining, and critically acclaimed introduction by Stuart Y. Silverstein, Not Much Fun is an essential addition to the Dorothy Parker library and a welcome gift to her many admirers and devoted fans.

    It comprises myriad smaller archives, in which Benjamin gathered together all kinds of artefacts, assortments of images, texts and signs, themselves representing experiences, ideas and hopes, each of which was enthusiastically logged, systematized and analyzed by their author. In them, Benjamin laid the groundwork for the salvaging of his own legacy.This unique book, produced in association with the Benjamin Archive, delves into these archives. They include carefully laid-out manuscripts; photographs of a home with luxurious furniture, arcades, Russian toys; picture postcards from Tuscany and the Balearics; meticulous and unconventional registers, card indexes and catalogs; notebooks, in which every single square centimeter is covered; a collation of his son's first words and sentences; riddles and enigmatic Sibyls. Everything here is subtly interlinked with everything else.Intricate and intimate, Walter Benjamin's Archive leads right into the core of his work, yielding a rich and detailed portrait of its author.

    In fact, this librarian will stop at nothing to service her readers. To that end, she has carefully collected a fantastic and fantasy-filled set of stories guaranteed to satisfy literary lusts in The Sexy Librarian's Big Book of Erotica. This voracious volume is simply bursting at the binding with amorous archives and bibliophilic bliss; it is a veritable dictionary of desires, with stories by top eroticists Rachel Kramer Bussel, Tamsin Flowers, and Salome Wilde, as well as Rose Caraway, the sexy librarian herself.

    All three lived in the famed city of Shiraz, a provincial capital of south-central Iran, and all three drew support from arts-loving rulers during a time better known for its violence than its creative brilliance. Here Dick Davis, an award-winning poet widely considered 'our finest translator of Persian poetry' (The Times Literary Supplement), presents a diverse selection of some of the best poems by these world-renowned authors and shows us the spiritual and secular aspects of love, in varieties embracing every aspect of the human heart.A Choice Magazine Outstanding Academic Title for 2013Dick Davis is a translator, a poet, and a scholar of Persian literature who has published more than twenty books. He is a fellow of the Royal Society of Literature and has taught at the University of California at Santa Barbara and Ohio State University. He lives in Columbus, Ohio.

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    From tragic cases of spousal murder to tragic cases of child murder, this true crime book will surely keep your attention. Three cases of spousal homicide are among the many murder stories in this volume that will keep you captivated. Read about how two wives, Larissa Schuster and Susan Wright, decided to kill their husbands for greed and about how a husband and father, John Sharpe, decided he did not want to be married anymore, so he killed his wife and daughter. For different reasons, these killers thought that they would get away with their crimes, but the ensuing criminal investigations revealed their evil plans for the world to see. This volume also features a number of child abduction cases that unfortunately ended in tragedy. Follow the course of these true murder cases and learn how the investigators worked tirelessly to put these monsters behind bars. You will also be introduced to cases that can only be described as strange or weird, such as the case of Donald Webb, who was a master of multiple identities and Vlado Taneski, a journalist who created his own scoops through murder. This may be a true crime book, but you are guaranteed to be at the edge of your seat and will probably think at times that you are actually reading a true crime novel.

    She proposes that these poems, usually read separately, are imperfectly seen unless seen together--that they form a sequence in which Keats pursued a strict and profound inquiry into questions of language, philosophy, and aesthetics.Vendler describes a Keats far more intellectually intent on creating an aesthetic, and on investigating poetic means, than we have yet seen, a Keats inquiring into the proper objects of worship for man, the process of soul making, the female Muse, the function of aesthetic reverie, and the ontological nature of the work of art. We see him questioning the admissibility of ancient mythology in a post Enlightenment art, the hierarchy of the arts, the role of the passions in art, and the rival claims of abstraction and representation. In formal terms, he investigates in the odes the appropriateness of various lyric structures. And in debating the value to poetry of the languages of personification, mythology, philosophical discourse, and trompe l'oeil description, Keats more and more clearly distinguishes the social role of lyric from those of painting, philosophy, or myth.Like Vendler's previous work on Yeats, Stevens, and Herbert, this finely conceived volume suggests that lyric poetry is best understood when many forms of inquiry--thematic, linguistic, historical, psychological, and structural--are brought to bear on it at once.

    His Ozark corpus is "the best known single body of regional folklore in the United States," according to Richard Dorson, director of the Folklore Institute at Indiana University. And Gershon Legman, the world's leading scholar of sexual and scatological humor, has called Randolph "the greatest and most successful field collector and regional folklorist that America ever had." In Legman's estimation, "We have no one else like him. He is a national treasure, like Mark Twain. Randolph's reputation rests on the massive accumulation of folksong, folktale, and ballad materials he collected during forty years of living and working in the Ozarks. Unfortunately, in the 1950s when Randolph published several collection of Ozark tales, the material in this volume was considered unprintable.Pissing in the Snow departs from the academic prudery that until recently has restricted the amount of bawdy folklore available for study. It presents a body of material that for twenty years has circulated only in manuscript or microfilm under its present title. When placed in their rightful context alongside Randolph's other collections of folk material, the bawdy tales help provide evidence of what Ozark hill people think about their own lives and language. As Rayna Green writes in her introduction, "The entire body of material . . . offers a picture of expressive behavior unparalleled by any other American region's or group's study." Hoffmann's annotations draw parallels between the erotic narrative tradition of the Ozarks and that in other parts of the country and the world, especially Europe.

    A beautiful little book of short, simple, classic and contemporary poems to dip into, to make life feel better.From Shakespeare and Shelley to Lemn Sissay and Kate Tempest, poets have always been the best at showing us we're not alone, however sh*t things might seem.Funny, reflective, romantic and life-affirming - here is an anthology of poems to remind you to keep on looking at the stars: from that first 'what the f*ck' moment to empowering you to do something about this sh*t and ultimately realising that life is still beautiful after all.Rediscover old favourites and find some new treasures - you might be surprised just how much poetry can help.

    Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love. In this remarkable selection of Faiz’s most memorable poems and ghazals, readers will be able to experience a new dimension of the great poet’s genius. Along with popular favourites like ‘Subh-e Azadi’, with its anguished evocation of the horror and pain of the Partition, The Colours of My Heart also introduces readers to little-known gems that display Faiz’s extraordinary flair for tender hope and quiet longing. A rich cornucopia of delights, The Colours of My Heart celebrates Faiz’s greatest work. Baran Farooqi’s superb translation is accompanied by an illuminating introduction to Faiz’s incredible life and enduring legacy.

    From it came Lyrical Ballads, the volume that kick-started the Romantic Movement in England. Rarely have two such gifted writers cooperated so closely. They met in 1795 when both were in their early twenties, and in the euphoria of mutual discovery these brilliant and idealistic young men planned a poem that would succeed where the French Revolution failed—a poem that would, quite literally, change the world. In this wonderfully lively and readable account, acclaimed author Adam Sisman explores their passionate and tempestuous bond and the way in which rivalry bred tension between them. Though much has been written about this extraordinary duo, no previous biographer has considered them together. The result offers insights into the rich yet neglected topic of friendship and tantalizing glimpses of the creative process itself.

    Through eight chapters and over 800 pages, 150 writers present scores of myths, stories, poems, essays, and journals that document Montana's significant literary tradition. The selections range from pre-white Indian days to the present, and, taken as a whole, they offer a powerful microcosm of the entire western experience.The chapters, each prefaced by an original essay, progress chronologically from myths and tales of the Indian people to accounts of exploration and the fur trade, followed by the mining and stockmen's frontiers, the agricultural and small town experience, as well as a special chapter on Butte--the richest hill on earth.Contemporary chapters take up the emergence of the modern West in the middle years of the twentieth century as well as the renaissance of western literature in contemporary fiction and poetry. These chapters include many authors who have earned national reputations in fiction, poetry, and criticism, but they also include many younger writers whose careers are just beginning.

    Sometimes romantic, sometimes raw, Zane appeals to men and women alike with these tales of intoxicating sensuality. THE Sex CHRONICLES SHATTERING THE MYTH Anyone who thinks that men are by nature more sexual than women or that African-American women are especially inhibited hasn't read Zane. Here, she presents an erotic read in three parts: Wild, Wilder, and Off Da Damn Hook. With a unique ability to tell it like it is -- and also to tell it like it could be in your wildest dreams -- Zane crafts stories about everyone from the sensual housewife who wants her husband to experiment more to a secret underground sorority of women that organizes some rather unconventional social events. By turns tender and outrageous, The Sex Chronicles is a pleasure from beginning to end.

    This brilliant American dramatist creates what The New Yorker dubbed "Shepard Country"--a landscape of the imagination, a unique theatrical experience that captures our culture and consciouness, our fears and fantasies.FOOL FOR LOVE * ANGEL CITY * GEOGRAPHY OF A HORSE DREAMER * ACTION * COWBOY MOUTH * MELODRAMA PLAY * SEDUCED * SUICIDE IN BbWith an Introduction by Ross Wetzsteon"Sam Shepard is phenomenal...the best practicing American playwright." --The New Republic "Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage." --Marsha Norman"The most ruthlessly experimental and uncompromising of today's young writers." --John Lahr"Sam Shepard fills the role of professional playwright as a good ballet dancer or acrobat fulfills his role in performance. That is, he always delivers, he executes feats of dexterity and technical difficulty that an untrained person could not, and makes them seem easy." --Michael Feingold, The Village Voice "One of the most original, prolific, and gifted dramatists at work today." --The New Yorker "Increasingly recognized as one of the more significant dramatists in the English-speaking world." --Charles R. Bachman, Modern Drama