In 1895, he was ordained a priest in the Church of England by his father who was then Archbishop of Canterbury. After many years of questioning and soul-searching he was received into the Roman Catholic Church in 1903. He was ordained a Catholic priest in 1904 and named a Monsignor in 1911.This book, written in 1907, is Benson's dystopic vision of a near future world in which religion has, by and large, been rejected or simply fallen by the wayside. The Catholic Church has retreated to Italy and Ireland, while the majority of the rest of the world is either Humanistic or Pantheistic. There is a 'one world' government, and euthanasia is widely available. The plot follows the tale of a priest, Percy Franklin, who becomes Pope Silvester III, and a mysterious man named Julian Felsenburgh, who is identical in looks to the priest and who becomes "Lord of the World"."The one condition of progress...on the planet that happened to be men's dwelling place, was peace, not the sword which Christ brought or that which Mahomet wielded; but peace that arose from, not passed, understanding; the peace that sprang from a knowledge that man was all and was able to develop himself only by sympathy with his fellows..."

    The event set off a media frenzy as observers from around the world sought to understand what led this rock star out of the darkness and into the light.Now, in this courageous memoir, Head talks for the first time about his shocking embrace of God and the tumultuous decade that led him into the arms of Jesus Christ. Offering a backstage pass to his time with Korn, Head tells the inside story of his years in the band and explains how his rock star lifestyle resulted in an all-consuming addiction to methamphetamines. Writing openly about the tour bus mayhem of Ozzfest and The Family Values tour, he provides a candid look at how the routine of recording, traveling, and partying placed him in a cycle of addiction that he could not break on his own.Speaking honestly about his addiction, Head details his struggles with the drug that ultimately led him to seek a higher power. Despite his numerous attempts to free himself from meth, nothing—not even the birth of his daughter—could spur him to kick it for good. Here Head addresses how, with the help of God, he emerged from his dangerous lifestyle and found a path that was not only right for his daughter, it was right for him.Discussing the chaotic end to his time in Korn and how his newfound faith has influenced his relationship with his daughter, his life, and his music, Head describes the challenging but rewarding events of the last two years, exposing the truth about how his moments of doubt and his hardships have only deepened his faith.Candid, compelling, and inspirational, Save Me from Myself is a rock 'n' roll journey unlike any other.

    This is a complicated process for most of us, and Lamott turns her wit and honesty inward to describe her own intimate, bumpy, and unconventional road to grace and faith."I wish grace and healing were more abracadabra kinds of things," she writes in one of her essays, "that delicate silver bells would ring to announce grace's arrival. But no, it's clog and slog and scootch, on the floor, in silence, in the dark."Whether she's writing about her unsuccessful efforts to get her money back from an obstinate carpet salesman, grappling with the tectonic shifts in her relationship with her son as he matures, trying to maintain her faith and humor during politically challenging times, or helping a close friend die with dignity, Lamott seeks out both the divinity and the humanity in herself and everything around her. Throughout these essays, she writes of her struggle to find the essence of her faith, which she uncovers in the unlikeliest places.

    Thomas Aquinas, set against the violent background of the Italy of the Crusades. He tells the intriguing story of St. Thomas who - by taking a vow of poverty and joining the Dominicans - defied his illustrious, prominent family's ambition for him to have great power in the Church. The battles and Crusades of the 13th century and the ruthlessness of the excommunicated Emperor Frederick II play a big part in the story, but it is Thomas of Aquino who dominates this book. De Wohl succeeds notably in portraying the exceptional quality of this man, a fusion of mighty intellect and childlike simplicity. A pupil of St. Albert the Great, the humble Thomas - through an intense life of study, writing, prayer, preaching and contemplation - ironically rose to become the influential figure of his age, and he later was proclaimed by the Church as the Angelic Doctor.

    That evening, he asked his sister to smuggle in a bottle of gin, and gave in to addiction.But whether or not you've ever had a drop to drink in your life, we're all looking for ways to stop the pain. Like Seth, we're all seeking balms for the anxiety of what sometimes seems to be an absent, unresponsive God—whether it's through people-pleasing, shopping, the internet, food, career highs, or even good works and elite theology. We attempt to anesthetize our anxiety through addiction—any old addiction. But it often leaves us feeling even more empty than before.In Coming Clean, Seth Haines writes a raw account of his first 90 days of sobriety, illuminating how to face the pain we'd rather avoid, and even more importantly, how an abiding God meets us in that pain. Seth shows us that true wholeness is found in facing our pain and anxieties with the tenacity and tenderness of Jesus, and only through Christ's passion can we truly come clean

    God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly “whiskey priest” is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.   In his introduction, John Updike calls The Power and the Glory, “Graham Greene’s masterpiece…. The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist.”

    It is a reflection of the profound spiritual experience and elevated theological reflection of its author, St. John of Kronstadt. Appropriate both for beginners in the spiritual life and for those more experienced, no one can come away from reading this work without profit. This is the kind of book you will return to time and time again. Appropriate, relevant, and edifying reading for all Christians.

    He is pronounced dead at the scene. For the next 90 minutes, Piper experiences heaven where he is greeted by those who had influenced him spiritually. He hears beautiful music and feels true peace. Back on earth, a passing minister who had also been at the conference is led to pray for Don even though he knows the man is dead. Piper miraculously comes back to life and the bliss of heaven is replaced by a long and painful recovery. For years Piper kept his heavenly experience to himself. Finally, however, friends and family convinced him to share his remarkable story.

    In Spring of 2010 Sally Read was heralded as one of the bright young writers of the British poetry scene. Feminist, atheist and deeply anti-Catholic, she was writing a book about women's reproduction and sexuality when, during her research, she spoke with a Catholic priest. That mysterious encounter led Sally on a dramatic journey of spiritual quest and discovery which ended up at the Vatican itself, where she was received into the Catholic Church in December of that year.This story of her conversion is one that, unsurprisingly, has the vivid flavor and beauty of poetry. Read relates her encounters with the Father, the Spirit and then the Son, exactly in the way they were given to her--timely, revelatory and compelling. These transforming events throw new light onto the experiences of her past--her father's death, her work as a psychiatric nurse, her life as a single woman in London, as a mother and as a writer. She reveals how she developed a close intimacy with the new love that erupted into her life, Christ himself, and how she comes to accept and embrace a doctrine she had previously rejected as bigoted and stifling.Read confronts head on the burning question for God that every true Christian harbors: -What do you want me to do?- In an age of increasing secularism, and in the wake of disillusionment with the Catholic Church following disclosures of abuse, the book takes us to the core of what the Church is all about: Christ and the yearning to be near him.Read's book captures the ecstasy of first knowing God's love and charts how it changes us. It takes the massive energy that was given her during those nine initial months of conversion and crystallizes it so others can taste it. It is a testimony to the powerhouse of Christianity: love and the life-changing encounter with Christ.

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    Each was faced with extraordinary—even scandalous—challenges. Each took great personal risk to fulfill her calling. Each was destined to play a key role in the lineage of Jesus Christ, the Savior of the World.

    This favorite of Percy fans continues to charm and beguile readers of all tastes and backgrounds. Lost in the Cosmos invites us to think about how we communicate with our world.

    Benedict has for centuries been the guide of religious communities. St. Benedict's rules of obedience, humility, and contemplation are not only prerequisites for formal religious societies, they also provide an invaluable model for anyone desiring to live more simply. While they presuppose a certain detachment from the world, they provide guidance and inspiration for anyone seeking peace and fulfillment in their home and work communities. As prepared by the Benedictine monk and priest Timothy Fry, this translation of The Rule of St. Benedict can be a life-transforming book. With a new Preface by Thomas Moore, author of The Care of the Soul."God is our home but many of us have strayed from our native land. The venerable authors of these Spiritual Classics are expert guides--may we follow their directions home."--Archbishop Desmond Tutu

    Most women (if they're honest) see the selfishness of Sapphira or the deception of Delilah. They catch of glimpse of Jezebel's take-charge pride or Eve's disastrous disobedience. Like Bathsheba, Herodias, and the rest, today's modern woman is surrounded by temptations, exhausted by the demands of daily living, and burdened by her own desires. So what's a good girl to do? Learn from their lives, says beloved humor writer Liz Curtis Higgs, and by God's grace, choose a better path. In Bad Girls of the Bible, Higgs offers a unique and clear-sighted approach to understanding those other women in Scripture, combining a contemporary retelling of their stories with a solid, verse-by-verse study of their mistakes and what lessons women today can learn from them. Whether they were Bad to the Bone, Bad for a Season, but Not Forever or only Bad for a Moment, these infamous sisters show women how not to handle the challenges of life. With her trademark humor and encouragement, Liz Curtis Higgs teaches us how to avoid their tragic mistakes and joyfully embrace grace.

    Modern editions use a later revised version printed in 1817 and featuring a gloss. Along with other poems in Lyrical Ballads, it was a signal shift to modern poetry and the beginning of British Romantic literature.It relates the events experienced by a mariner who has returned from a long sea voyage. The Mariner stops a man on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest's reaction turns from bemusement to impatience, fear, and fascination as the Mariner's story progresses, as can be seen in the language style: for example, the use of narrative techniques such as personification and repetition to create a sense of danger, or the supernatural, or serenity, depending on the mood each different part of the poem.