Their accounts are both surprising and entertaining, for Nantucket's ghosts are as individualistic as today's flesh-and-blood inhabitants.

    

    Drawing on a wide range of beliefs and literature, it traces these horrors from their earliest recorded inceptions and charts their impact upon the human psyche. In this book, history and terror mix to create the things that lurk in the darkest corners of our minds.

    Twenty curses, old and new. ALL THE BETTER TO READ YOU WITH. It's a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents... Here you'll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world...expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic. Some might shock you, some might make you laugh, but they will all impress you with their originality. TWENTY TIMELESS FOLKTALES, NEW AND OLD.Contents: *Introduction (Cursed) • essay by Paul Kane and Marie O'Regan *Castle Cursed (2020) / short fiction by Jane Yolen *As Red As Blood, As White As Snow (2020) / short fiction by Christina Henry *Troll Bridge (1993) / short story by Neil Gaiman (variant of Troll-Bridge) *At That Age / short fiction by Catriona Ward *Listen / short fiction by Jen Williams *Henry and the Snakewood Box / short fiction by M. R. Carey *Skin / short fiction by James Brogden *Faith & Fred / short fiction by Maura Mchugh *The Black Fairy's Curse (1997) / short story by Karen Joy Fowler *Wendy, Darling (2014) / short fiction by Christopher Golden * Fairy Werewolf vs. Vampire Zombie (2011) / short story by Charlie Jane Anders *Look Inside Me (2013) / short fiction by Michael Marshall Smith *Little Red (2009) / short story by Adam Stemple and Jane Yolen *New Wine / short fiction by Angela Slatter *Haza and Ghani / short fiction by Lilith Saintcrow *Hated / short fiction by Christopher Fowler *Merrie Dancers / short fiction by Allison Littlewood *Again / short fiction by Tim Lebbon *The Girl from the Hell / short fiction by Margo Lanagan *Castle Waking / short fiction by Jane Yolen *About the Authors *About the Editors *Acknowledgements.

    This is the new book by nationally syndicated Chicago Sun Times columnist Richard Roeper. It is a comprehensive, enlightening, and entertaining look at hundreds of such stories that have no basis in fact—no matter how many people will swear otherwise. Half the people who read Urban Legends will be delighted that a legitimate journalist has finally debunked some of the most maddeningly enduring modern myths of our times. The other half will be shocked that some of their favorite stories have been exposed.

    Step back into ancient India as Marcia Williams brings her inviting comic-book style to eight animal folktales that continue to enchant children today.Have you heard about the elephant and the dog who became not just unlikely companions, but the best of friends? Or the traveler whose greed for gold lures him straight into the scrawny tiger’s trap? How about the talkative tortoise who can’t keep his mouth closed to save his life? Drawing from three books of best-loved Indian folktales — Hitopadesha Tales, Jataka Tales, and Panchantra Tales — this graphic storybook collection, alive with kid-friendly illustrations, is infused with humor and warmth.

    You will experience the terror, the helplessness, the loss of control, and the torment felt by those who have fallen prey to the dark powers in this world—the demon possessed. The symptoms of demonic possessions manifest themselves in many ways—convulsions, bite marks appearing from nothing, and levitation are all common. The victims frequently inherit clairvoyant abilities, too, seeing directly into another person's soul to uncover their deepest, darkest secrets. Perhaps most incredibly of all, though, the possessed may begin speaking in a language they've never previously been exposed to. These are symptoms it's almost impossible to explain or dismiss. This chilling collection of stories date from modern times all the way back to the 1600s, spanning multiple countries including the United States, Great Britain, the Philippines, France, and South Africa. From the poor to the middle-class, the prostitute to the housewife, and the schoolboy to the local butcher, you will learn demons do not discriminate between class, gender, or age—it can happen to anyone. Most of the time, the demon possesses one individual, but not always. In this book, you will find the case of two brothers possessed simultaneously and interacting with each other in the throes of their possession as well as an instance in which an entire school of children seem to suffer at the hands of a demonic entity. Some of these horror stories arose from poor judgment, such as a pact with the devil or seeking the help of an ill-reputed healer. Others succumbed to a curse, while some are unfortunate enough to simply find themselves in the wrong place at the wrong time. Some of the victims of these stories were delivered, but found their lives cut dramatically short, no doubt due to the physical torments their human bodies endured during the possession and exorcism. Others faced prison, or found themselves locked up in asylums because of actions committed while they were under an evil influence. Yet, there are still those whom were unable to be delivered, one in particular even leading to a gruesome, haunting murder. It seems there are no happy endings when demons become involved. So let me ask you: do you believe in demons? True Demonic Possessions and Exorcisms is guaranteed to befuddle the skeptics and confirm to believers that demons are not to be messed with. Whichever side of the fence you sit, one thing is for sure: this collection of true stories of demonic possession is guaranteed to be a hair-raising experience. Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    The Bell family are terrorized by an invisible, talking poltergeist that has taken up residence in their home. While the children are beaten and harassed in their beds, their father is stricken by seizures, and visiting skeptics are confounded by a hateful, disembodied voice that ridicules their attempts at investigation. Centered around the person of young Betsy Bell, the Bell Witch haunting has been called the 19th century's answer to "The Exorcist," and has been the inspiration for such popular films as "The Blair Witch Project" and "An American Haunting."Nicknamed the "Red Book," "An Authenticated History of the Bell Witch" was the first published book on the legend. It contains the full text of "Our Family Troubles," the purported diary of Richard Williams Bell, as well interviews with the descendents of some of the characters who figure in the story. Written in 1894, it stands alone the single most important source for historians of the Bell Witch haunting.

    All she wants is to forget—that she was once a loving mother and a healer, blessed and powerful within her magic circle, and not a witch, claimed by the devils. Then one day she hears the footsteps she dreads. Then real voices—children's voices. The Ugly One longs to take care of sturdy, sensible Gretel and her young brother Hansel. They are such good children, such delicious, beautiful children. But demons' voices scream in her head: "Eat them!" How can she? . . . How can she not?

    Combining a sensitive use of line and subdued watercolors, he skillfully depicted forests of startling trees with claw-like roots, wholesome fairy maidens, monsters, and demons, and backgrounds filled with obscure figures. His inspired illustrations for the fairy tales of the Brothers Grimm (1900) brought him his first great success, with a long and distinguished career to follow.This collection of 55 full-color plates, reproduced from rare early editions, contains a rich selection of Rackham's best fairy tale images: a giant terrorizing the inhabitants of an isolated village in English Fairy Tales, a wicked witch greeting two lost children on her doorstep in Hansel and Gretel, a young maiden beset by snarling wolves in Irish Fairy Tales, and many more, including illustrations from Snowdrop and Other Tales, Little Brother and Little Sister, and The Allies' Fairy Book.

    Fans of dark fairy-tales like The Hazel Wood and The Cruel Prince will relish this atmospheric and absorbing book based on Guillermo del Toro’s critically acclaimed movie.Oscar winning writer-director Guillermo del Toro and New York Times bestselling author Cornelia Funke have come together to transform del Toro’s hit movie Pan’s Labyrinth into an epic and dark fantasy novel for readers of all ages, complete with haunting illustrations and enchanting short stories that flesh out the folklore of this fascinating world.This spellbinding tale takes readers to a sinister, magical, and war-torn world filled with richly drawn characters like trickster fauns, murderous soldiers, child-eating monsters, courageous rebels, and a long-lost princess hoping to be reunited with her family.A brilliant collaboration between masterful storytellers that’s not to be missed.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    Because of his curse, girls sicken and disappear without a trace, and Bryre’s inhabitants live in fear. No one is allowed outside after dark. Yet night is the only time that Kymera can enter this dangerous city, for she must not be seen by humans. Her father says they would not understand her wings, the bolts in her neck, or her spiky tail—they would kill her. They would not understand that she was created for a purpose: to rescue the girls of Bryre. Despite her caution, a boy named Ren sees Kym and begins to leave a perfect red rose for her every evening. As they become friends, Kym learns that Ren knows about the missing girls, the wizard, and the evil magic that haunts Bryre. And what he knows will change Kym’s life.

    One night the stepmother sends Vasilisa to visit Baba Yaga, an errand from which the gentle girl has little chance of returning alive. "An engaging text and accomplished paintings set this version apart....A stylized and classy offering."--School Library Journal.

    Songs, stories, images, and films about frightening monsters have always been invented to allay the very terrors that our sleep of reason conjures up. Warner shows how these images and stories, while they may unfold along different lines - scaring, lulling, or making mock - have the strategic simultaneous purpose of both arousing and controlling the underlying fear. In analysis of material long overlooked by cultural critics, historians, and even psychologists, Warner revises our understanding of storytelling in our contemporary culture. She asks us to reconsider the unintended consequences of our age-old, outmoded notions about masculine identity and about racial stereotyping, and warns us of the dangerous, unthinking ways we perpetuate the bogeyman.