Princes Rama and Laksham are duty-bound to take command and, in a world enshrouded by darkness, are mankind's last beacons of hope.

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    In the dark realm of Atala, an evil goddess prepares to do the unspeakable. And a Yakshi finds herself at the heart of an other-worldly storm.Ardra has only known life as a Yakshi, designed to seduce and kill men after drawing out their deepest, darkest secrets for her evil mistress Hera, queen of the forsaken realm of Atala. Then, on one strange blood moon night, her victim, Dwai, survives, and her world spins out of control. Now Ardra must escape the wrath of Hera, who is plotting the unthinkable, ready to throw the universe into chaos.To stop Her, Ardra must find answers to questions she hasn’t dared to ask before. What is the significance of the blood moon? Do Gandharvas and Apsaras exist or are they as much a myth as the sky city of Aakasha? Who is the mysterious Dara and what makes Dwai impervious to her powers?Combining fantasy with the rich tapestry of folklore, Dark Things is a strange fairytale wrought of intrigue and enchantment, of shadows and secrets, of evil and those who battle it.

    A meeting is in progress to decide the fate of the establishment and its residents. And the zeitgeist of the 1990s appears to have touched everyone and everything around them.Ira is now a journalist on the civic beat, unearthing stories of corruption and indolence, and trying to push back memories of a lost love. Kartik works a corporate job with an MNC, and leads a secret, agonising, exhilarating second life. Between and around them throbs the living, beating heart of Mumbai, city of heaving inequities and limitless dreams.Milk Teeth is subtle, incisive, unputdownable.

    Jorasanko was right at the hub of the Bengal Renaissance, with the family at the forefront of the movement, and its women playing a pivotal role.In a sprawling novel that spans a unique phase in the history of Bengal and India, Aruna Chakravarti provides a fascinating account of how the Tagore women influenced and were int urn influenced by their illustrious male counterparts, the times they lived in and the family they belonged to. She paints memorable portraits of women like Digambari, Dwarkanath's strong-willed wife who refuses to accept her husband's dalliance with alcohol and Western ways; Sarada Sundari, the obese, indolent but devoted wife of Debendranath, who is appalled to see the old world order slipping by; the indomitable Jogmaya, who takes on Debendranath and splits the Tagore family in two. There are also the young daughters and daughters-in-law. The tough, resourceful Jnanadanandini who gave the women of Bengal a new way of wearing the sari and initiated the concept of 'nuclear family'; Swarnakumari, universally acknowledged as a pioneer of women's writing in India; and Rabindranath's muse the gentle, melancholic Kadambari.Jorasanko mirrors the hopes and fears, triumphs and defeats that the women of the Tagore household experienced in their intricate interpersonal relationships, as well as the adjustments they were continually called upon to makw as daughters and daughters-in-law of one of the most eminent families of the land.

    R. K. Narayan provides a superb rendition in an abbreviated and elegant retelling of this great epic.

    Born from the pure flames of a sacred fire, Draupadi was devoted wife to the five famously talented and virtuous Pandava brothers. The evil Kauravas wanted her for themselves, and eyed the Pandava kingdom as well. Raging at their impertinence, and ranting at her husbands’ helplessness, Draupadi inspired a deadly war which wiped out the Kaurava scourge for ever.

    He dispensed justice, dealt diplomatically with other rulers, led military expeditions and composed poetry. In addition, he also rescued Akbar from the dangers of arrogance and unfettered power. Most importantly, he made the Great Mughal laugh. Birbal, a real person with the name 'Maheshdas', was one of the 'nine gems' of court advisers of Akbar the Great. He also composed poetry by the pen name 'Brahma'. He led an expedition into faraway Afghanistan and managed to subdue the turbulence there. Hearing the news of his death there, Akbar burst forth: "Birbal, you always gave the helpless whatever you had. I am helpless now and yet you have left nothng for me!" Birbal's name however does not rest on these achievements. He is turned into a legend by the innumerable stories of his wit and wisdom, sense of justice and fairplay, and above all, his uncanny skill in turning the tables on his detractors including the king himself. In the stories here, Birbal proposes the punishment of a kiss for the offense of pulling a hair from the king's moustache; shows how one's own child is the most beautiful; proves that the whims of a child can beat the king; makes the king realize that inauspiciousness can be mutual; guesses the mother-tongue of a linguist with a spray of water.

    DeviIndia's first super heroine. A native of mythical Indian city of Sitapur, Tara Mehta has no idea that she is about to become the centerpiece of a divine battle between the Gods of Light that created her and the demon Lord Bala and his army of things that go bump in the night. But in a never-ending war where innocent human souls are unfortunate, but acceptable, collateral damage, the all-to-human Goddess begins to wonder if either side deserves to win in Sitapur, city of modern atop ancient, mixed amongst the profane, where the divine drifts toward the diabolical.

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.

    Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    18 Days is the story of three generations of super-warriors, meeting for the final battle of their age, a climactic war that concludes the age of the gods and begins the age of man. Collecting the first story arc from the series. "This is not a Lord of the Rings or a Star Wars where the good guys win because they are right. The good guys in 18 Days are forced to cheat and lie and break rules to win. Although it has fantastic, mythic trappings, this is a very modern story of realpolitik and the failure of ideals in the face of harsh truth." – Grant Morrison

    An epic love story so grand that one medium cannot contain it, Aronofsky's feature film - released by Warner Bros, Pictures and Regency Enterprises - stars Tony Award-winner Hugh Jackman (The Boy from Oz, X-Men) and Oscar-winner Rachel Weisz (The Constant Gardener, The Mummy). The Fountain graphic novel is a sister-project to the film, using the same story as its seed, but stretched instead upon the limitless canvas of the comics medium. Already earning Williams the Eisner nomination for Best Painter, The Fountain graphic novel provides an alternative interpretation wholly unique yet still intimately tied to the movie, in what can be considered the ultimate "director's cut".