It was first published in the Easter supplement of Prager Tagblatt on 20 April 1924. During his final illness Kafka corrected the proofs of the story for the inclusion into collection A Hunger Artist (Ein Hungerkünstler) published by Verlag Die Schmiede after his death.

    Her greatest concerns, though, are the health problems of her young daughter, Kylie. Symptoms point to a compromised immune system, but every doctor they’ve seen has a different theory. Then comes hope for some clarity.It’s possible that Kylie’s illness is genetic, but Ally is adopted. A DNA test opens up an entirely new path. And where it leads is a surprise: to an aunt Ally never knew existed. She’s a little wild, very welcoming, and ready to share more of the family history than Ally ever imagined.Coping with a skeptical soon-to-be-ex husband, weathering the cautions of her own resistant mother, and getting maddeningly close to the healing Kylie needs, Ally is determined to regain control of her life. This is her chance to embrace uncertainty and the beauty of family—both the one she was born into and the one she chose.

    It's easier that way. Her needs are taken care of and she doesn't have to give more of herself than she wants to. No messy feelings involved. But when the man she's seeing poses an unexpected question, Kimera quickly realizes that she's not the only woman pulled in by his charm.Their new arrangement doesn't require much from Kimera, but she soon discovers that someone else is pulling the strings. She's not looking for complications, yet she can't help feeling that there's something devious at play.And the truth is more complicated than she could ever imagine . . .

    But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft -- Fay and Carl's dead father -- and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers...

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    and Kyle encountering that bionic cult that's a long way short of being human. Spine-tingling terror from horror writers around the world. Dozens of diverse short stories containing gruesome murders, supernatural mysteries, grotesque hellscapes, and deranged psychopaths to keep you up at night. Surprise twists ensure you keep guessing until the last page. Special Edition with Full page original illustrations! Excerpt:  Every sense, every muscle, every feral instinct begged for me to close my eyes against the nauseating tumult of color. To let go of the insurmountable force I was thrall to; to find acceptance in defeat, and peace in death. But louder than the diminishing throb of my heart were the words: Rage, rage against the dying of the light. And so I did. I swam through the sea of melting colors, fixating on the black blemish which refused to relinquish my throat. I fought back, tooth and nail sinking into yielding flesh, kicking and screaming as stale air tore through my howling lungs. I lunged after that, digging my fingers into the thing that attacked me until warm wet rivers bubbled over my hands up to the wrist. I wouldn’t stop, couldn’t stop, pouring all my love for the light and rage against its defiler with one unified assault. Not until it lay still did I allow myself to fall gasping onto my back. One reluctant star at a time unraveled from the tapestry of madness to find its rightful place in the heavens. My body ached to the core, and were it not for the last utterances of my internal voice still coaxing me back to life, I would have been confident that I had died that night.

    A female officer who is attacked in the line of duty must protect her own husband from his worst impulses in this short story, first published in The Blue Religion (Michael Connelly, ed.) and recognized as one of 2009's Best American Mystery Stories (Jeffery Deaver, ed.).

    And apart from being outstandingly good at paintball, no one would ever know that in a past life she was an undercover spy and has been trained to kill a man with her bare hands. Not even her husband, and certainly not the other mums at the school gate.But beneath the school runs and bake sales, Vicky had never quite said goodbye to the past. So, when a newcomer on the PTA sets alarms bells ringing and MI5 comes calling, she’s determined to prove that despite her expanding waistline and love of pink gin, she’s still every bit the cold-eyed special operative.When the assignment gets uncomfortably close to home, Vicky must decide if she has got what the job takes after all, and if home is really where her heart is…

     1950s Liverpool. Christmas is one of the most harrowing times of year for the nurses of St Angelus Hospital. The Matron takes on Tilly, a new clerk, to ease the load in the busy festive period. Tilly is bright and hard-working, but she is keeping a secret from her colleagues. Everyday Tilly makes a heartbreaking decision – but she has no other choice. If Matron – with her traditional values and strict discipline – learnt the truth about her new clerk, Tilly's career would be ruined. Could Matron ever forgive the deceit? 'Captivating, phenomenal and touching' 23 REVIEW STREET. 'A funny and sometimes shocking saga. I couldn't put it down' CRISTINA ODONE. 'The characters are engaging ... and the theme of the novel powerful' THE TIMES.

    Most know Androma Racella as the Bloody Baroness: a powerful mercenary whose reign of terror stretches across the Mirabel Galaxy. To those aboard her fearsome glass starship the Maurader, she’s just Andi, their captain and protector. When a routine mission goes awry, the all-girl crew’s resilience is tested as they find themselves in a most unfamiliar place: at the mercy of a sadistic bounty hunter connected to Andi’s past and a harrowing betrayal. Meanwhile, on the far side of the galaxy, a ruthless ruler waits in the shadows of the planet Xen Ptera, biding her time to exact revenge for the destruction of her people. The final pieces of her deadly plan are about to fall into place, unleashing a plot that will tear Mirabel in two. Andi and her crew embark on a dangerous, soul-testing journey that could restore order to their ship—or just as easily start a war that will devour worlds. As the Marauder hurtles towards the unknown, and Mirabel hangs in the balance, the only thing certain is that in a galaxy run on lies and illusion, no one can be trusted. From internet sensation Sasha Alsberg and author Lindsay Cummings comes a new serialized space opera, full of action, fantastical intrigue, and steamy star-crossed romance. ​ For fans of popular sci-fi books and fantasy books for teens such as Illuminae by Amie Kaufman and Jay Kristoff, Wool by Hugh Howey, Truthwitch by Susan Dennard, and A Court of Thorns and Roses by Sarah J. Maas.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Tanwen is pretty, pert, a bubbly extrovert but very selfish and as slim and sharp as a needle. Donna is plain, placid and shy, although very warm-hearted and as sturdy and useful as a pin. In 1924, when the girls are fourteen, their mother Gwyneth insists both become apprentices at The Cardiff Drapers, where she once worked. Her dressmaking pays little and the girls' wages will help bring more money in.Tanwen is in great demand when she becomes the store model, but much to both girls' dismay, Gwyneth insists Donna goes along with her sister when she has a date. Donna ends up playing gooseberry or in the company of a boy she doesn't like - until she meets tall, handsome Dylan Wallis and falls in love. But Tanwen sets her heart on Dylan with disastrous consequences for them all...

    . . Stunning, charismatic Lexy O’Brien is the reigning queen of British reality TV. Her life in front of the camera is planned and manipulated as successfully as any military assault. But success breeds jealousy. When you’re on top, the only way is down and there’s always someone standing by to give you a shove . . . Dowdy Caroline Evans, a part-time blogger and writer of erotic fiction, is brought in to chronicle Lexy’s life. Being taken under Lexy’s wing is a dream come true for Caroline. But sampling the star’s lifestyle is like tasting the most addictive of drugs, and it’s not long before she is craving what she can’t possibly have – or can she? And as Caroline and Lexy’s lives and loves become increasingly entwined, it’s only a matter of time before the hidden rivalry becomes a powder keg waiting to explode . . ."

    Both Detective Mark Whitman and Sorcerer Merrick Stone have expressed a desire to woo her, but she’s had to put them both on the back burner while she and her son have gotten their thriving restaurant and B&B up and running. But now that things at Habernackle’s have settled down a little, Linda is at a crossroads. It’s time to pick which man has her heart! Unable to make up her mind, Linda enlists the help of local matchmaking witch Sweets Porter to help. But when everything goes haywire will Linda be forced to start back at square one again? Or will she finally choose one of the men to call her own? ​ This is a Witch Squad Cozy Mystery Short-Story. It falls after Witch School Dropout and before The Witch Within in the series. If you haven’t read the series yet you may discover a few character spoilers.