These intimate moments serve as windows onto a world of innocent voyeurism and surreal misunderstanding, as Lange’s family learns to live with the eccentric little spy in their midst—and vice versa. Lange recalls her older sister bathing nude in the moonlight, she recalls the death of a horse, she recalls how she cried when she was lifted onto a table and dressed as a boy, and yet how she laughed when climbing onto the roof in men’s clothing to throw bricks.Through a veneer of comforting domesticity, these “notes” show us childhood at its most elemental: a laboratory of life in which strangeness, joy, terror, and eroticism combine and collide.

    The Ancsas are a middle-aged couple living on the outskirts of Budapest in a ruinous Hungary that is just beginning to wake up from the nightmare of World War II. The new Communist government promises to set things straight, and Mr. Ancsa, an engineer, is as eager to get to work building the future as he is to forget the past. The last thing he has time for is a little mongrel bitch, pregnant with her first litter. But Niki knows better, and before long she is part of the Ancsa household. The Ancsas even take her along with them when Mr. Ancsa’s new job requires a move to an apartment in the city.Then Mr. Ancsa is swept up in a political crackdown—disappearing without a trace. For five years he does not return, five years of absence, silence, fear, and the constant struggle to survive—five years during which Mrs. Ancsa and Niki have only each other.The story of Niki, an ordinary dog, and the Ancsas, a no less ordinary couple, is an extraordinarily touching, utterly unsentimental, parable about caring, kindness, and the endurance of love.

    Now a killer has taken the law into their own hands and meted out brutal retribution for ancient crimes.Salka is faced with tracking down the murderer of a stalwart of the church and the community, a man whose reputation stretches deep into the past, and even into the police team tasked with solving the case.As the killer prepares to strike again, Salka and her team search for the band of old friends who could be either killers or victims – or both.A bestseller in Iceland, The Commandments asks many challenging questions as it takes on some highly controversial issues.

    From an isolated bamboo grove, to a lantern festival in Tokyo, to the Emperor’s court, they offer glimpses into moments of madness, murder, and obsession. Vividly translated by Bryan Karetnyk, they unfold in elegant, sometimes laconic, always gripping prose. Akutagawa’s stories are characterised by their stylish originality; they are stories to be read again and again.

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    But this is merely the backdrop to Jean-Patrick Manchette’s first-person portrait (with shades of Jim Thompson’s The Killer Inside Me) of a man who lacks the insight to see himself for what he is: a wannabe nihilist too weak to be even a full-bore fascist.

    Life is good for Farnor Yarrance. It is good for everybody in the valley. And has been for generations. So much so, that few ever feel the need to travel beyond it -- over the hill. And no one ever bothers to enter it from beyond. Until one day, they do. Men come from the south, haunted and pursued. And something else comes, silent and awful, from the north. With their arrival, an ancient corruption, festering slowly in the midst of the community, blossoms into a menace that threatens not only the valley but the land beyond, and the lands beyond that. Only Farnor, scarcely a man yet, has the power to oppose this menace, though he is unaware of it, his own soul clouded with bitterness and anger at the terrible tragedy that events now inflict on him. Not until he is pursued into the Great Forest to the north does he gradually learn the extent of his own power. And the truly terrifying nature of the forces he must face...

    These flawlessly crafted stories—unflinching in their honesty, yet balanced with humor and compassion—take us into the small towns and dirt roads that are home to the people who make China run. In the title story, a shopkeeper confronts a child thief and punishes him without mercy. “Victory” shows a young couple shaken by the husband’s infidelity, scrambling to stake claims to the components of their shared life. “Sweltering Summer” centers on an awkward young man who shrewdly uses the perks of his government position to court two women at once. Other tales show, by turns, two poor factory workers who spoil their only son, a gang of peasants who bully the village orphan, and a spectacular fistfight outside a refinery bathhouse. With sharp language and a keen eye, Yu Hua explores the line between cruelty and warmth on which modern China is—precariously, joyfully—balanced. Taken together, these stories form a timely snapshot of a nation lit with the deep feeling and ready humor that characterize its people. Already a sensation in Asia, certain to win recognition around the world, Yu Hua, in Boy in the Twilight, showcases the peerless gifts of a writer at the top of his form.

    

    We follow her story from the perspective of five different characters, who also talk about themselves, as well as the troubled Slovenian times before and during World War II; times that swallowed, like a Moloch, not only the people of various beliefs involved in historical events, but also those who lived on the fringes of tumultuous events, which they did not even fully comprehend—they only wanted to live. But “only” to live was an illusion: it was a time when, even under the seemingly safe and idyllic shelter of a manor house in Slovenia, it was impossible to avoid the rushing train of violence.

    I ran away from home and from the shackles of society, family and attachments. I just wanted I to live my life, write my novel, follow my passions. I didn't know that my five-year-old boy had followed me out, but with that realization, Ishwari emerged from within me: a mother, a woman with responsibilities, a woman who was ready to suppress her dreams to protect her son. My son - a child I do not want. Ishwari and Roo wandered the streets at night, looking for a place to stay. A kind old caretaker gave them an empty room on the terrace of a guest house. Ishwari found a job as caregiver to the handsome gentleman who lived next door, while Roo - her weak, invalid son - was locked up all day in the room on the roof. 'And I struggle to find my place in this dark novel. I yearn for passion and despair - for that is what makes good literature - while Ishwari seeks a life of joy for herself and her son. Pulsating with raw energy, Abandon gives voice to the perpetual conflict between life and art.An excerpt from the book.

    Included here are the notorious "Latin Parts" that Reynold Nicholson felt were too unseemly to appear in English in his 1920s translation. For Rumi, anything that human beings do--however compulsive or ludicrous--affords a glimpse of the inner life.

    The eldest son is a driver for an app-based car service, which comically puts him at odds with his father, whose very livelihood is threatened by this new generation of disruptors. The younger son, shy and serious, works as a nurse in a French hospital. Jaded by the regular rejections he encounters in French society, he decides to join a Muslim humanitarian organization to help wounded civilians in the war in Syria. But when he stops sending news home, the silence begins to eat away at his father and brother who wonder what his real motivations were. When younger brother returns home, he has changed. Guven alternates between an ironic take on contemporary society and the gravity of terrorist threats. He explores with equal poignancy the lives of “Uberized” workers and actors in the global jihad.

    The characters in these stories are caught in a world of political hypocrisy, which ultimately leads to death, their common fate. Although the stories Kis tells are based on historical events, the beauty and precision of his prose elevates these ostensibly true stories into works of literary art that transcend the politics of their time.