No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster--but he could be a really good friend.

    The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects—time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being—each poem explores a bright, crisp, singular moment of awareness or shock or revelation.  Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.From the Trade Paperback edition.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    Milk and Vine is truly a delight for the sensations, bringing back the riveting quotes we all laughed at together as a united internet community. From Ms. Kiesha to diesel jeans, this book encapsulates the most entertaining, nostalgic vines that are sure to have you laughing again. Keep the fire of authentic comedy ablaze in your home, and purchase a copy of Milk and Vine today.

    Shrek, a horrid little ogre, goes out into the world to find adventure and along the way encounters a witch, a knight in armor, a dragon, and, finally, a hideous princess, who's even uglier than he is!

    Like any family, the residents of Diamond Street sometimes fight and often act up but when the chips are down, they’re there for each other in an instant – usually brandishing a cheap bottle of booze, and the offer of an impromptu kitchen disco.Presided over by the wise-cracking but warm-hearted patriarch of the family, Danny Hall, a professional dancer turned choreographer, the novel follows a year in the life of the inhabitants of Diamond Street, rough diamonds one and all, as they try to achieve their dreams – with unexpected, heart-warming and sometimes hilarious results.

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem Price Points where a man conducts an imaginary orchestra but gets no points for originality. In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens--even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http: //raearmantrout.site.wesleyan.edu.

    B. White in his essay on Don Marquis and his famous creations, and the undimmed enthusiasm of several generations of fans -- who every year buy thousands of copies of Marquis' earlier collections -- testifies to their appeal. A whimsical and sophisticated sage, archy the cockroach entertained readers with iconoclastic observations on pretensions, politics, and our place in the cosmos during Marquis' career as a New York newspaper columnist in the 1920s and 30s.Allegedly tapping out stories at night by leaping from key to key on Marquis' typewriter, archy couldn't quite manage the shift key for capital letters. Although his tales appeared in lower case, his views achieved a level grand enough to solidify Marquis' reputation as an American humorist in the tradition of Mark Twain, Joel Chandler Harris, and Ring Lardner. archyology brings together selected "lost" tales that were literally rescued from oblivion by Jeff Adams, who found them among papers stored in a steamer trunk since Marquis' death.And so archy emerges from his long silence. Whether reporting on characters like emmet the ghost, sailing to Paris to visit the insects of Europe, being trapped for days in a New York subway train, or hanging out in a Long Island orchard enjoying fermented cherries, archy is always both provocative and inimitable. With illustrations by Ed Frascino, a New Yorker regular, this collection reintroduces a delightful cast of characters who reconfirm archy's view of the world: "the only way to live with it is to laugh at it.

    She's trying to hold everything down while her baby daddy serves a ten year bid for drug trafficking. The last thing she's looking for is love. Between working and taking care of her daughters she's stretched thin. One night by chance she meets Jaeshawn, a thug in his own right. Jaeshawn aka Larry Bird runs everything from New York to Virginia and everything in between. All he wants is a woman to call his own, but that woman isn't his baby mother, Kaysha, who wants to make her family work. Kaysha and Jaeshawn have a one year old son, Keyshawn who Kaysha uses as a pawn against Jaeshawn. Maddie is in a hateful relationship with her man, Jared. Jared is mentally and physical abusive, and has a terrible jealousy problem. He forbids Maddie to hang with her best friend, Tiara, and keeps tabs on everything she does. When Tiara introduces Maddie to John, an Arabic God , who is also Jaeshawn's right hand, she doesn't think it will go far, but boy is she wrong. Jared, Dyron and Jamal are all friends and have one thing in common: Dread. Dread runs Queens and has an beef with Larry Bird. But when Jared , Dyron and Jamal start landing in trouble, and Dread is the common denominator, things go haywire. When Tiara enters Jaeshawn's world one cold winter night, his entire worlds changes. He sees her right to take the throne beside him as the trap king's wife.

    frequently anthologized poem

    Food writer Tilly Flint - on a rare date with boyfriend Jake - is sole witness to her flight. Little does she know the chain of events set to unfold…The following week, Tilly and Jake have the last of many arguments, leaving Tilly alone in the wild Pennines landscape where she's on assignment. Terrified yet strangely exhilarated, she investigates the area - and finds more than a few surprises.Intrigued to learn that, as an only child, she has family in the area, Tilly starts to dig deeper, discovering her great grandmother's past and the eerie parallels with her own life. As she explores the treacherous moors, she stumbles across mysterious pieces of cherry-red ribbon. What do they signify? And who is the strangely familiar face in the local pub?Then a chance encounter with celebrity Clayton Silver leads Tilly into a high-octane world that spells danger. Can the ribbons from the past be a lifeline in the present?

    It includes amazing true stories- a dangerous ghost friend with a hidden agenda, the hodgepodge of psychics who gathered in his mother's kitchen, ghost hunting misadventures, spirit messages, possession- along with an inspiring account of his successful battle against chemical dependancy as he learned to accept his unusual gift.

    These poems are loose enough for the reader to flop down inside and stay awhile. They are plangent, personal, confessional, noisy, nostalgic, and maybe a little bit broken. They often contain boats and travel and Toronto (street names and railroad tracks, dives and parks and kitchens) because those are the sorts of things Eva H.D. is drawn to. In Rotten Perfect Mouth, readers will discover a writer with her heart on her sleeve and her hand on her pen, capturing the world around her with vibrant immediacy.

    Here parody does not exclude the cri de coeur any more than seriousness excludes the joke. With surrealist volatility, these poems are the result of experiments that continue for the reader during each reading. Young moves from reworkings of creation myths, the index of the Norton Anthology of Poetry, pseudo reports and memos, collaged biographies, talking clouds, and worms, to memory, mourning, sexual playfulness, and deep sadness in the course of this turbulent book.